Some of the world's most impressive museums and exhibits are in New York?including the Whitney, the Guggenheim, the Museum of Modern Art (MoMA), and (of course) the Metropolitan Museum of Art. One of the great things to do in NYC is to visit these spectacular collections. Whether you're a native New Yorker or here on vacation, NYC's museums have something new and interesting to offer everybody! Here is a list of what's going on this week at museums throughout New York City.
The Menris Tradition of Tangka Art: Paintings by the New Generation in Exile - Tibet House
Through March 02, 2011 -
It is with great pleasure that Tibet House US presents an exquisite collection of works in The Menris Tradition of Tangka Art: Paintings by the New Generation in Exile, on display for public viewing from January 20th through March 2nd, 2011. The opening reception for the exhibition will be held on January 20th from 6pm-8pm. The exhibition is dedicated to a complex medium unique to Tibetan culture, the Menris tradition of tangka art, which flourished and survived in Tibet for centuries until its interruption by the Chinese Communist invasion in 1950. In 1959, the Venerable Sangye Yeshi fled to India where he sustained the tradition in exile at the personal request of His Holiness the Dalai Lama, founding The Institute of Tibetan Tangka Art (ITTA) in Dharamsala to ensure a high standard of training for future generations of Menris painters. Ven. Yeshi passed away in 2009. However this long and rich tradition continues through his students at ITTA, whose works are on display in this incredible exhibition. Included on display are works by Tashi Dhargyal, who helped Ven. Yeshi found the ITTA. In addition to completed tangkas, this exhibition includes a set of unfinished works to illustrate the process of tangka creation. A preview for the exhibit is located at http://www.youtube.com/watch?v=x2-e0eSzp6k.
Katrin Sigurdardottir at the Met - Metropolitan Museum of Art
Through March 06, 2011 -
Icelandic artist Katrin Sigurdardottir (b. 1967) created two site-specific sculptural installations for the Museum's series of solo exhibitions featuring the work of contemporary artists at mid-career.
Artifact or Idea? Photography in MoMA Exhibition Design, 1937-1979 - Museum of Modern Art (MoMA)
Through March 07, 2011 -
In its early decades the Museum played a significant role in establishing photography as a modern art form. At the same time MoMA was integrating photography into innovative installation designs, blurring distinctions between photo-graphs as art objects and as communications media. In this exhibit, books, periodicals, installation photographs, and examples of actual exhibition design illustrate how diverse developments in twentieth-century photography were mobilized to explain, disseminate, and promote modernism.
Weimar Cinema, 1919-1933: Daydreams and Nightmares - Museum of Modern Art (MoMA)
Through March 08, 2011 -
During the period from the end of World War I to Hitler's becoming Chancellor, German filmmaking was rich in stylistic and narrative innovation, and internationally influential. This show celebrates the period with posters and film stills drawn from the collections of MoMA and the Deutsche Kinemathek, Museum fur Film und Fernsehen, Berlin, as well as a selection of graphically striking presentation books from Germany's UFA film studio, acquired in 1937 by the Museum's founding film curator Iris Barry. Closed Tues.
Pictures by Women: A History of Modern Photography - Museum of Modern Art (MoMA)
Through March 21, 2011 -
For much of photography's 170-year history, women have expanded its roles by experimenting with every aspect of the medium. Pictures by Women: A History of Modern Photography presents a selection of outstanding photographs by women artists, charting the medium's history from the dawn of the modern period to the present. Including over two hundred works, this exhibition features celebrated masterworks and new acquisitions from the collection by such figures as Diane Arbus, Berenice Abbott, Claude Cahun, Imogen Cunningham, Rineke Dijkstra, Florence Henri, Roni Horn, Nan Goldin, Helen Levitt, Lisette Model, Lucia Moholy, Tina Modotti, Cindy Sherman, Kiki Smith, and Carrie Mae Weems, among many others. The exhibition also highlights works drawn from a variety of curatorial departments, including Bottoms, a large-scale Fluxus wallpaper by Yoko Ono.
Andy Warhol: Motion Pictures - Museum of Modern Art (MoMA)
Through March 21, 2011 -
Among Warhol's cinematic oeuvre, the black-and-white silent films are the most daring and experimental in their selection of subject and theme, psychological acuity, rhythmic pacing, and sheer beauty of form. Although these films were originally shot at sound-film speed (twenty-four frames per second), Warhol specified that prints be projected at a slower speed of sixteen frames per second, a rate used in the projection of silent films from the 1890s through the 1920s. For this exhibition, a selection of Warhol's films made between 1963 and 1966 has been transferred from 16mm film to DVD at the speed of sixteen frames per second, and projected onto screens and monitors in a gallery setting. Thus it is again possible to see the works as Warhol intended, and to appreciate the ways in which he challenged and provoked both subject and viewer in his manipulation of moving images.
Drawings and Prints: Selections from the Permanent Collection - Metropolitan Museum of Art
Through March 27, 2011 -
This display of drawings, prints, and illustrated books in the Johnson Galleries offers a rich presentation of artists' portraits and self-portraits, both drawings and prints, dating from the early sixteenth to the early twentieth century. Among the highlights are: a self-portrait by the Northern Renaissance master Simon Bening, showing the artist in his light-filled studio, interrupting work on a manuscript page pinned to his desk as he removes his eyeglasses to peer at the viewer; Rembrandt's etched self-portrait, in which he dons the elegant attire and refined, self-possessed attitude of a Renaissance courtier; and Seurat's masterful and monumental study, rendered with the silken, dark tonality of his favorite graphic medium, Conté crayon, of his friend and fellow painter Aman-Jean, absorbed in his artistic labor.
Modern Life: Edward Hopper and His Time - Whitney Museum of American Art
Through April 10, 2011 -
Modern Life: Edward Hopper and His Time traces the development of realism in American art between 1900 and 1940, emphasizing the diverse ways that artists depicted the sweeping transformations in urban and rural life that occurred during this period. The exhibition highlights the work of Edward Hopper, whose use of the subject matter of modern life to portray universal human experiences made him America's most iconic realist painter of the 20th century.
Stieglitz, Steichen, Strand - Metropolitan Museum of Art
Through April 10, 2011 -
This exhibition features three giants of photography -- Alfred Stieglitz (American, 1864–1946), Edward Steichen (American, b. Luxembourg, 1879–1973), and Paul Strand (American, 1890–1976) -- whose works are among the Metropolitan's greatest photographic treasures. The diverse and groundbreaking work of these artists will be revealed through a presentation of approximately 115 photographs, drawn entirely from the collection.
'Our Future Is In The Air': Photographs from the 1910s - Metropolitan Museum of Art
Through April 10, 2011 -
The 1910s -- a period remembered for "The Great War," Einstein's theory of relativity, the Russian Revolution, and the birth of Hollywood -- was a dynamic and tumultuous decade that ushered in the modern era. This new age -- as it was captured by the quintessentially modern art of photography -- is the subject of this eclectic centennial exhibition devoted to photography of the 1910s.
Abstract Expressionist New York - Museum of Modern Art (MoMA)
Through April 25, 2011 -
Drawn entirely from the Museum's vast holdings, Abstract Expressionist New York underscores the achievements of a generation that catapulted New York City to the center of the international art world during the 1950s, and left as its legacy some of the twentieth century's greatest masterpieces. Galleries on the fourth floor present Abstract Expressionist paintings, sculptures, prints, drawings, photographs, films, and archival materials in a display subtitled The Big Picture, marking the first time in the history of the new Museum building that a full floor has been devoted to a single theme. The exhibition continues on the floors below, where focused shows -- Rock Paper Scissors in the second-floor Prints and Illustrated Books Galleries, and Ideas Not Theories in the third-floor Drawings Galleries -- reveal distinct facets of the movement as it developed in diverse mediums, adding to a historical overview of the era and giving a sense of its great depth and complexity. The exhibition is accompanied by a richly illustrated publication.
A Renaissance Masterpiece Revealed: Filippino Lippi's Madonna and Child - Metropolitan Museum of Art
Through April 25, 2011 -
Filippino Lippi is one of the great artists of fifteenth-century Florence. Among his principal patrons was the wealthy banker Filippo Strozzi (1428-1491), who commissioned a Madonna and Child for his villa at Santuccio, west of the city. This painting was bequeathed to the Metropolitan Museum by Jules Bache in 1949. In preparation for an exhibition on the artist that will be held in Rome next year, the picture was taken to conservation for examination this fall. A test cleaning revealed that beneath a thick, discolored varnish there was a beautifully preserved, richly colored painting. So striking is the transformation that the picture seems a new acquisition. This exhibition celebrates the restoration with a focused presentation that will include the picture and a number of objects in the Museum's permanent collection that can be associated with the Strozzi by their coat of arms, which has three crescent moons. The objects include a textile, a wooden chair, a cassone, and a column capital from the Palazzo Strozzi -- the grandest of all fifteenth-century palaces in Florence.
Mannerism and Modernism: The Kasper Collection of Drawings and Photographs - Morgan Library & Museum
Through May 01, 2011 -
The Morgan Library & Museum presents over one hundred drawings and photographs from the collection assembled by American fashion designer Herbert Kasper -- known simply as Kasper. The collection, exceptional for its distinctive character and superb quality, is being exhibited to the public for the first time. The unusual, tripartite nature of the holdings is a testament to both Kasper's personal taste and his desire to build a truly unique collection. It is focused in three areas: sixteenth- and seventeenth-century old master drawings from the Mannerist period, modern and contemporary drawings, and photography. Most of the great Mannerist draftsmen—primarily Italian but also Northern European—are represented, including Perino del Vaga, Polidoro da Caravaggio, Giorgio Vasari, and Hendrick Goltzius.
Equally impressive is the selection of modern and contemporary drawings, featuring works by Pablo Picasso, Juan Gris, Henri Matisse, Jean Dubuffet, Richard Serra, Ed Ruscha, and others. Photographs constitute the most diverse portion of Kasper's collection, with excellent prints by major historical figures, in addition to numerous works by emerging artists. The photographs span the early twentieth century to the present, chronicling the evolution of the medium through works by Constantin Brancusi, Man Ray, Robert Mapplethorpe, Jenny Holzer, and many more.
Ain't Nothing Like the Real Thing - How the Apollo Theater Shaped American Entertainment - Museum of the City of New York
Through May 01, 2011 -
The first exhibition to explore the Apollo Theater's seminal impact on American popular culture will be presented this spring at the Museum of the City of New York. The traveling exhibition, organized by the Apollo Theater and the Smithsonian's National Museum of African American History and Culture, examines the rich history and cultural significance of the legendary Harlem theater, tracing the story from its origins as a segregated burlesque hall to its starring role at the epicenter of African American entertainment and American popular culture. With a dazzling array of images, videos, costumes, artifacts, and text, Ain't Nothing Like the Real Thing brings to life many of the most groundbreaking personalities and moments in the history of music, while shining a spotlight on the impact of African-American artists on American culture. Highlights include Michael Jackson's fedora, dresses worn by Ella and The Supremes, Louis Armstrong's trumpet, Willie Nelson's bandanna and sneakers, LL Cool J's jacket, James Brown's cape and jumpsuit, Sammy Davis' childhood tap shoes, and Miles Davis' flugelhorn (on public view for the first time). Ain't Nothing Like the Real Thing was organized by the National Museum of African American History and Culture in collaboration with the Apollo Theater Foundation. The exhibition's national tour is made possible by a generous grant from Time Warner Inc. Additional funding is provided by J. P. Morgan. The exhibition's national tour is organized by the Smithsonian Institution Traveling Exhibition Service.
Found in Translation - Solomon R. Guggenheim Museum
Through May 01, 2011 -
In our globalized world, with political, economic, and cultural issues intertwined across nations, boundaries between the local and global have all but disintegrated. The necessity, and the difficulty, of communicating across cultural and historical divides is now an unavoidable aspect of our reality. Within this context, we must consider what can be lost—and gained—in translation, and what effects these endless transformations have on our lives. Found in Translation, the third exhibition in the Deutsche Bank Series at the Guggenheim, brings together recent artworks that look to translation, in both its linguistic and more figurative senses, as a means of understanding the world around us. The works in Found in Translation explore the intersections between past political and cultural figures and contemporary history and fantasy, transposed from one culture to another through written or spoken text. Drawn equally from private loans and from the Guggenheim's extensive collection of video, film, and new media, the exhibition focuses on artists who have come of age professionally within the past fifteen years, as political and artistic practice has increasingly engaged the contemporary era of globalization. Among the artists to be included are Patty Chang, Omer Fast, Sharon Hayes, Steve McQueen, Lisa Oppenheim, and Sharif Waked.
The Changing Face of William Shakespeare - Morgan Library & Museum
Through May 01, 2011 -
In 2009, when the Shakespeare Birthplace Trust in Stratford-upon-Avon unveiled a previously unknown portrait painting with strong claims to be the only surviving life-time portrait of William Shakespeare, it created an international sensation. The Jacobean painting had hung unrecognized for centuries in an Irish country house belonging to the Cobbe family. Both this portrait and a recently identified portrait of Shakespeare's patron and dedicatee, Henry Wriothesley, 3rd Earl of Southampton, were inherited by Archbishop Charles Cobbe (1686-1765). Recent technical analysis—as well as the portrait's superior quality—has established it as the original of a long series of portraits traditionally identified as Shakespeare. The Cobbe portrait has significant resemblances in costume and design to Martin Droeshout's engraving of Shakespeare published in the First Folio (1623), and bears a Latin inscription, taken from a poem by Horace, addressed to a playwright. Also on view for the first time in the United States are the Shakespeare Birthplace Trust's recently acquired "Ellenborough" portrait of Shakespeare; the privately-owned Fitzgerald portrait of Shakespeare; and a copy of Venus and Adonis, the narrative poem Shakespeare dedicated to his patron, the 3rd Earl of Southampton, in 1593. Works from the Morgan's collection on display in the exhibition include an important New Year's gift roll that records the earl's gift to Elizabeth I in 1596; the Morgan's first folio edition of Shakespeare's plays (1623); and a portrait of Shakespeare acquired by Pierpont Morgan in 1910.
The Global Africa Project - Museum of Arts & Design
Through May 15, 2011 -
An unprecedented exhibition exploring the broad spectrum of contemporary African art, design, and craft worldwide. Featuring the work over 100 artists working in Africa, Europe, Asia, the United States, and the Caribbean, The Global Africa Project surveys the rich pool of new talent emerging from the African continent and its influence on artists around the world. Through ceramics, basketry, textiles, jewelry, furniture, and fashion, as well as selective examples of architecture, photography, painting, and sculpture, the exhibition actively challenges conventional notions of a singular African aesthetic or identity, and reflects the integration of African art and design without making the usual distinctions between "professional" and "artisan." Closed Mon.
The Great Upheaval: Modern Art from the Guggenheim Collection, 1910-1918 - Solomon R. Guggenheim Museum
Through June 01, 2011 -
When Vasily Kandinsky and Franz Marc formed Der Blaue Reiter (The Blue Rider) group in late 1911, the artists predicted a watershed in the arts, a große Umwälzung (great upheaval) that would radically challenge traditional artistic production. Undoubtedly, tremendous creativity and innovation characterized the years leading up to World War I, especially 1910–14. Cubism achieved recognition in Paris, sparking new artistic directions in France, Italy, the Netherlands, and Russia. Art's more expressionistic manifestations were at an equally momentous stage in Germany and Austria; Kandinsky wrote his influential treatise On the Spiritual in Art in late 1911 (published 1912), and abstraction took hold. The Great Upheaval: Modern Art from the Guggenheim Collection, 1910–1918 features more than 100 works from the museum's holdings, attesting to this period of collaboration, interchange, synthesis, and innovation.
Picasso: Guitars 1912-1914 - Museum of Modern Art (MoMA)
Through June 06, 2011 -
Sometime between October and December 1912, Pablo Picasso (1881-1973) made a guitar. Cobbled together from cardboard, paper, string, and wire, materials that he cut, folded, threaded, and glued, Picasso's silent instrument resembled no sculpture ever seen before. In 1914 the artist reiterated his fragile papery construction in a more fixed and durable sheet metal form. These two Guitars, both gifts from the artist to MoMA, bracket an incandescent period of material and structural experimentation in Picasso's work. Picasso: Guitars 1912-1914 explores this breakthrough moment in 20th-century art, and the Guitars' place within it. Bringing together some 70 closely connected collages, constructions, drawings, mixed-media paintings, and photographs assembled from over 30 public and private collections worldwide, this exhibition offers fresh insight into Picasso's cross-disciplinary process in the years immediately preceding World War I.
Vertical Urban Factory - Skyscraper Museum
Through June 30, 2011 -
Vertical Urban Factory surveys more than 30 projects, including canonic examples of Modernism and new or recycled industrial architecture. The installation features over 200 photographs, diagrams, and drawings. Nine architectural models created for the exhibit using state-of the-art computer fabrication highlight a progressive design and construction. A series of films by documentary filmmaker Eric Breitbart use historical and contemporary footage to immerse the gallery visitor in the environment of conveyors systems and industrial processes. Hours: Noon-6pm, Wed.–Sun.
"Vertical Urban Factory" - Skyscraper Museum
Through June 30, 2011 - Manhattan
This exhibit surveys more than 30 projects, including canonic examples of Modernism and new or recycled industrial architecture. The installation features more than 200 photographs, diagrams, and drawings.
A Song for the Horse Nation - National Museum of the American Indian
Through July 07, 2011 -
A Song for the Horse Nation presents the epic story of the horse's influence on American Indian tribes from the 1600s to the present. Drawing upon a treasure-trove of stunning historical objects -- including ledger drawings, hoof ornaments, beaded bags, hide robes, paintings, and other objects -- and new pieces by contemporary Native artists, the exhibition reveals how horses shaped the social, economic, cultural, and spiritual foundations of American Indian life, particularly on the Great Plains.
Body & Spirit: Tibetan Medical Paintings - American Museum of Natural History
Through July 17, 2011 -
An exhibition of 64 Tibetan medical paintings (also known as tangkas), in the Museum's fourth-floor Audubon Gallery. On view for the first time in a museum exhibition, these hand-painted reproductions of traditional scroll paintings provide a unique and richly illustrated history of early medical knowledge and procedures in Tibet and are believed to be among only a handful of such sets in existence. Each of the paintings on display was painstakingly reproduced by hand in the late 1990s by Romio Shrestha, a Nepalese artist, and his students, who followed the Tibetan tradition of copying older paintings, basing their work on two published sets of medical tangkas likely painted in the early 1900s that were copies of the original set. The originals were created in the late 1600s to illustrate the Blue Beryl, an important commentary on the classic Tibetan medical text, The Four Tantras. Also on display in this exhibition is a Buddha statue made of gilded copper alloy, minerals used in medicine, and Tibetan medical instruments from the early 1900s. The Museum is deeply grateful to Emily H. Fisher and John Alexander, whose vision and generosity supported the acquisition and conservation of this collection of Tibetan Medical Paintings. Body and Spirit is made possible by a very generous gift from the Estate of Marian O. Naumburg.
Brain: The Inside Story - American Museum of Natural History
Through August 14, 2011 -
This unprecedented journey through the essential bundle of neurons that is the human brain offers insight through a sensory feast of imaginative art, vivid brain scan imaging, and thrilling interactive exhibits. Features include a "Brain Lounge," where you can view colorful, functional brain scans -- or fMRIs -- of two musicians, a NY Knick, and a U.N. translator. Open daily. $16; children 2-12, $9.
Thinking Outside the Box: European Cabinets, Caskets, and Cases from the Permanent Collection (1500-1900) - Metropolitan Museum of Art
Through August 31, 2011 -
This installation features a selection of one hundred examples of important boxes, caskets, and small chests from the Metropolitan Museum's European Sculpture and Decorative Arts Department. For centuries, boxes, caskets, cabinets, and chests played an important role in everyday life. Ranging from strongboxes to travel cases and from containers for tea or tobacco to those for the storage of toiletries or silverware, these lidded pieces were made in a large variety of shapes and sizes, and of many different materials. The form and decoration of these objects not only reflect changes in social customs and manners but also follow the stylistic developments in Europe over four hundred years. Pieces made of tortoiseshell, carved and veneered wood, porcelain, hard stones and natural substances, embroidery, various metals, leather, enamel, pastiglia, and straw will be included. These objects, some of which have not been on display for years, were much more than mere containers and often became precious works of art, collected in their own right.
A Chronology: The Guggenheim Collection, 1909-1979 - Solomon R. Guggenheim Museum
Through September 11, 2011 -
In 1937, Solomon R. Guggenheim established a foundation with the goal of opening a museum to publicly exhibit and preserve his holdings of modern art. Since then, the museum's founding collection has been enhanced through major gifts and purchases from pioneering individuals who share Guggenheim's spirit. A Chronology: The Guggenheim Collection, 1909-1979 presents a visually dynamic time line of this extraordinary metamorphosis from private collection to public museum.