Things to do this week in NYC Jul 25-Aug 1: Museums
Some of the world's most impressive museums and exhibits are in New York?including the Whitney, the Guggenheim, the Museum of Modern Art (MoMA), and (of course) the Metropolitan Museum of Art. One of the great things to do in NYC is to visit these spectacular collections. Whether you're a native New Yorker or here on vacation, NYC's museums have something new and interesting to offer everybody! Here is a list of what's going on this week at museums throughout New York City.
Night at the Museum - American Museum of Natural History
This summer, families are invited to spend a real night at the Museum with a unique after-hours opportunity at the American Museum of Natural History. These nocturnal adventures are designed to thrill kids ages 8-12 and their caregivers. They include a screening of the IMAX film Dinosaurs Alive!, a spooky dinosaur-fossil exploration by flashlight and hours of fun, educational activities. Guests sleep either in the Milstein Hall of Ocean Life under the big blue whale, by the famous dioramas in the Hall of North American Mammals, or among the geological formations in the Hall of Planet Earth. The admission price also includes an evening snack, light breakfast, cots for all participants and take-home activities. Cost is $129 per person, $119 for Members. All participants must register in advance and one adult is required for every 1-3 children attending. To register, call 212-769-5200 or visit www.amnh.org/sleepovers for more information.
The Pictures Generation, 1974–1984 - Metropolitan Museum of Art
This is the first major museum exhibition to focus exclusively on "The Pictures Generation," a tightly knit group of New York artists who created some of the most important and influential works of the late-twentieth-century. Born into the media culture of postwar America, their overarching subject was how pictures of all kinds not only depict but also shape reality. Highly seductive photographs by Richard Prince and Cindy Sherman reveal the ways in which images from B movies and magazine advertisements determine much of our sense of who we are. Louise Lawler and Sherrie Levine examine how the myths and legends of modern art are inextricably tied to the institutions of the museum and art history. Also included are photographs by Laurie Simmons, James Casebere, James Welling, and Allan McCollum, as well as works in other media by Robert Longo, Troy Brauntuch, David Salle, among others.
Fifty-five native dresses from the Plains, Plateau, and Great Basins regions comprise this overview of Native American dresses.
Royal Porcelain from the Twinight Collection, 1800-1850 - Metropolitan Museum of Art
The porcelain factories of Berlin, Sevres, and Vienna achieved an extraordinary level of both artistic and technical skill in the first half of the nineteenth century, and the quality of painted decoration practiced at these three factories at that time has never been surpassed. This exhibition brings together approximately seventy-five superb examples from these three European porcelain manufactories and illustrates the exchange of ideas and styles between the factories that resulted in some of the most remarkable porcelain ever produced.
The Model as Muse: Embodying Fashion for Spring 2009 - Metropolitan Museum of Art
The exhibition explores the reciprocal relationship between high fashion and evolving ideals of beauty, and will focus on iconic fashion models of the 20th century and their roles in projecting, and sometimes inspiring, the fashion of their respective eras.
Climate Change: The Threat to Life and A New Energy Future - American Museum of Natural History
This major new exhibition will explore the science, history, and impact of climate change, and illuminate ways in which individuals, communities and nations can reduce their carbon footprints.
Buriki: Japanese Tin Toys from the Golden Age of the American Automobile - Japan Society
Drawn from a previously unknown private Tokyo collection, Buriki presents seventy miniature masterpieces that track the glory days of the Big Three automakers. These faithful models of Cadillacs, Buicks, Chryslers, Pontiacs, Chevrolets, Studebakers, and Fords chronicle a unique epoch in relations between Japan and the United States and will delight toy fanatics and car aficionados of all ages!
Creating the Modern Stage: Designs for Theater and Opera - Morgan Library & Museum
Drawn from the Morgan's collection, the exhibition examines the origins of modern scenic design and chronicles the evolution of stage sets during the highly innovative period of ca. 1900 to 1970. On view are over fifty drawings, derived entirely from the Morgan's holdings, principally from the collection formed by the celebrated American set designer Donald Oenslager. Enriching these color drawings is related material, including musical scores, rare books, and autograph manuscripts, as well as more than thirty performance photographs documenting the finished set.
Patron and Painter: Situ Panchen and the Revival of the Encampment Style - Rubin Museum of Art
A painting tradition established in the traveling courts of the great Tibetan Karmapas, most of what we know of the Encampment Style belongs to its 18th-century revival by the great scholar-painter Situ Panchen Chokyi Jungne (1700-1774). A combination of Indio-Nepali and Chinese artistic influences, the Encampment style was fostered under the tutelage and support of Situ, who acted as both artist and patron. For the first time anywhere, Patron and Painter: Situ Panchen and the Revival of the Encampment Style traces his career and artistic legacy.
Frank Lloyd Wright: From Within Outward - Solomon R. Guggenheim Museum
Fifty years after the realization of Frank Lloyd Wright's renowned design, the Solomon R. Guggenheim Museum celebrates the golden anniversary of its landmark building. The 50th anniversary exhibition brings together sixty-four projects designed by one of the most influential architects of the 20th century, including privately commissioned residences, civic and government buildings, religious and performance spaces, as well as unrealized urban mega-structures.
The Speakeasy at 1220 Fifth - Museum of the City of New York
For the first time, The Museum of the City of New York opens its romantic sunset Terrace -- overlooking Fifth Avenue and Central Park -- for summer fun with a Prohibition Era-themed Speakeasy serving up classic cocktails and "Roaring 20's" dancing music every Wednesday evening from 6pm to 9pm from July 15 through August 26, 2009. On the Terrace -- renamed the Speakeasy at 1220 Fifth -- sip Manhattans, step to the Charleston and enjoy a quintessentially New York summer sunset over Central Park. Admission includes one free drink and free access to current exhibitions.
From Plaster to Stone - Noguchi Museum
Beginning in the 1940s, Isamu Noguchi began using small paper models as an aid in creating his larger biomorphic sculptures. Noguchi continued this practice for the rest of his career, using plaster maquettes to envision larger stone or metal works, often including penciled instructions on them to guide different technical effects. In this small exhibition created in conjunction with The Noguchi Museum's Education Department, a selection of Noguchi's maquettes is presented with photographs and finished sculptures to illustrate both Noguchi's faithfulness to his original ideas and his flexibility in response to the unpredictable nature of stone.
I of the Storm: Michael Hafftka, Recent Works - Yeshiva University Museum
After more than 30 years of portraying the human figure with a neo-expressionist style, Michael Hafftka turns to his Jewish heritage for subject matter and inspiration in his new exhibition, I of the Storm: Michael Hafftka, Recent Work, at the Yeshiva University Museum. Frequently compared to the painters Soutine, Goya and Rouault, Hafftka here makes use of mystical images, biblical themes and the Hebrew alphabet in watercolors and oils. The exhibition runs from March 22, 2009 through August 30, 2009. Alef-Bet – A group of 22 watercolors based on the letters of the Hebrew alphabet. The series is an exploration of contemporary Jewish themes and a tribute to the artist’s parents who were survivors of the Holocaust. Zohar – A group of watercolors based on The Zohar, or Book of Splendor. Hafftka's expressionism serves as a visual exegesis of this 13th century Jewish mystical text, which is widely considered the most important work of Kabbalah and Jewish mysticism. Oil Paintings – Several recent works on Jewish or biblical themes including "The Flood," "Honi Ha Me'aggel" (Honi the Circledrawer) and "Babel." A centerpiece of this group is "The Hill (Jerusalem)," a large-scale triptych that the artist recently donated to Yeshiva University Museum. The son of Holocaust survivors and refugees from Europe, Hafftka was born in Manhattan in 1953 and raised in the Bronx. After the Yom Kippur War broke out in 1973, he volunteered to work on a Kibbutz in Israel for a year. The experience, which the artist says was accompanied by a series of visions and mystical dreams, led him to experiment with painting, which became his true vocation. A book of Hafftka's work, Michael Hafftka – Selected Drawings, was published in the early eighties, which led to Barbara Flynn of Art Galaxy offering Hafftka his first 82. Hafftka's work is represented in the permanent collections of, among others, The Metropolitan Museum, Museum Of Modern Art, San Francisco Museum of Modern Art, Carnegie Museum of Art, Brooklyn Museum, New York Public Library Collection, Housatonic Museum of Art, Arizona State University Art Museum, National Gallery of Art, and the Yeshiva University Museum.
This intimate installation highlights a group of ten exceptional early modern European paintings given or promised to MoMA by David and Peggy Rockefeller. Featuring superb examples of Post-Impressionist, Fauvist, and Cubist painting that range in date from Paul Cézanne's Still Life with Fruit Dish (1879–80) to Pablo Picasso's The Reservoir, Horta de Ebro (summer 1909), this presentation celebrates the Rockefellers' longstanding generosity to the Museum and the early flowering of modern art. Among the other works included are Henri Matisse's vibrant Interior with a Young Girl/Girl Reading (1905–06) and André Derain's Charing Cross Bridge (1905–06), a brilliantly colored Fauve cityscape.
The Sweeney Decade - Solomon R. Guggenheim Museum
Drawn from the paintings and sculpture of this era acquired by Guggenheim director James Johnson Sweeney during his tenure from 1952 to 1960, The Sweeney Decade features examples of international post-World War II trends in abstraction, including Abstract Expressionism, L'Art Informel, CoBrA, and Tachisme.
Living Line: Selected Indian Drawings from the Subhash Kapoor Gift - Metropolitan Museum of Art
A selection of 58 master drawings representing the distillation of the finest works assembled over two generations of collecting by Subhash Kapoor and his late father, Shree Parshotam Ram Kapoor. The exhibition will feature a wide variety of works on paper executed principally in black ink, sometimes enhanced with watercolor, typically on fine laminated papers. It will include a number of exemplary finished drawings, which were generally retained within artist studios as reference works upon which finished paintings were based.
The Treasure of Ulysses Davis - American Folk Art Museum
Ulysses Davis (1914 - 1990) was a Savannah, Georgia, barber who created a diverse but unified body of highly refined sculpture that reflects his deep faith, humor, and dignity. His carvings were featured in the seminal 1982 exhibition "Black Folk Art in America, 1930 - 1980" at the Corcoran Gallery of Art in Washington, D.C., where they were applauded as important examples of African American vernacular art. Because he wanted his work to stay together after he died, Davis rarely sold his sculptures. He said, "They're my treasure. If I sold these, I'd be really poor." As a result, the carvings have had little exposure outside Savannah, particularly since his death, and Davis is little known outside folk art circles. In 1988, Davis received a Georgia Governor's Award in the Arts.
Object Factory: The Art of Industrial Ceramics - Museum of Arts & Design
The first major U.S. museum exhibition to survey contemporary innovation in industrial ceramic production and the renaissance of ceramics in art and design today. The exhibition explores how artists and designers are reviving interest in ceramics through collaborations with industry that enhance and sometimes subvert the industrial process.
Arts of the Ming Dynasty: China's Age of Brilliance - Metropolitan Museum of Art
Drawn entirely from the extensive resources of The Metropolitan Museum of Art, Arts of the Ming Dynasty: China's Age of Brilliance will present a grand array of artworks created during one of the most celebrated dynasties in Chinese history. Featuring 80paintings and calligraphies, including masterpieces by Wen Zhengming (1470–1559), Dong Qichang (1555–1636), and Chen Hongshou (1599–1652), the exhibition will examine various artistic trends as well as the distinctive personal expressions of many of the leading artists of the time. The works will be complemented by a selection of textiles, ceramics, lacquers, cloisonnés, jades, and bamboo carvings that will showcase the material prosperity experienced during the period.
Pages of Gold: Medieval Illuminations from the Morgan - Morgan Library & Museum
This exhibition comprises approximately fifty lavish single leaves, dating from the twelfth to the sixteenth centuries. Pierpont Morgan, the preeminent collector of complete medieval and Renaissance manuscripts, also acquired single pages as did many collectors who developed an appreciation for these orphaned leaves during the nineteenth century. Leaves acquired over the last hundred years, including those of Italian, English, French, Flemish, German, Hungarian, and Spanish origin, are being shown. A dozen of these leaves are on view for the first time.
Klaus Moje: Painting with Glass - Museum of Arts & Design
A major force in the international studio glass movement, Klaus Moje has pushed the expressive and technical possibilities of glass for more than five decades. In this comprehensive, 30-year survey, the Museum of Arts and Design traces the progression of Moje's work, from his early carved crystal glass pieces, to his intricately patterned vessels of layered glass, to his recent multi-panel fused works.
Afghanistan: Hidden Treasures from the National Museum, Kabul - Metropolitan Museum of Art
Ancient Afghanistan -- at the crossroads of major trade routes and the focus of invasions by great powers and nomadic migrations -- was home to some of the most complex, rich, and original civilizations on the continent of Asia. This exhibition will celebrate the unique role of Afghanistan as a center for both the reception of diverse cultural elements and the creation of original styles of art that combine multiple stylistic materials -- such as the Hellenized examples from the second-century B.C. city of Aï Khanum, the array of trade goods found in the first-century city of Begram, and the astonishing nomadic gold found in the hoard at Tillya Tepe, which also dates to the first century. It will also commemorate the heroic rescue of the heritage of one of the world's great civilizations, whose precious treasures were thought to have been destroyed. Among the highlights of the exhibition will be gold vessels from the Tepe Fullol hoard; superb works and architectural elements from Aï Khanum; Indian-style sculptural masterpieces in ivory, plaster medallions, and Roman glass from Begram; and extraordinary turquoise-encrusted gold jewelry and ornaments from the tombs at Tillya Tepe.
Yinka Shonibare MBE - Brooklyn Museum
A major midcareer survey of work by the UK-based Nigerian artist. Shonibare's artwork explores contemporary African identity and its relationship to European colonialism through painting, sculpture, installation, and moving image. Shonibare is best known for his work with visual symbols, especially the richly patterned Dutch wax fabric produced in Europe for a West African market that he uses in a wide range of applications. His tableaux of headless mannequins costumed in this fabric evoke themes of history and its legacy for future generations. Through these works he explores the complex web of interactions, both economic and racial, that reveal inequalities between the dominant and colonized cultures of Europe, Asia, and Africa. A site-specific installation created for this presentation titled Mother and Father Worked Hard So I Can Play will be on view in several of the Museum's period rooms.
GlassWear - Museum of Arts & Design
The international exhibition GlassWear, organized jointly by the Museum of Arts and Design and the Schmuckmuseum, Pforzheim, Germany, displays over 120 imaginative and visually exciting glass jewelry by 60 of the world's leading jewelry artists. GlassWear conveys the potential of glass in jewelry through provocative concepts and masterful techniques featuring an eclectic mix of renowned artists and young, up-and-coming jewelers from around the world. The masterful creations convey the richness of glass as a medium for jewelry and confirm the vitality of art jewelry-making worldwide. GlassWear invites viewers to consider the functions, possibilities and influences of glass as an artistic medium. In some works, novelty results from the use of new types of glass - borosilicates for thin, yet strong compositional elements and dichroic glass (containing microscopic layers of metal oxides that produce unique optical effects) and iridescent glass for intense color effects. In other works, the artists achieve innovative results by adding a twist to traditional glass materials, such as by bending pyrex rods and recycling glass fragments.
Amsterdam/New Amsterdam: The Worlds of Henry Hudson - Museum of the City of New York
"Amsterdam/New Amsterdam: The Worlds of Henry Hudson" investigates how Henry Hudson's epic third voyage of exploration planted the seeds of a modern society that took root and flourished in the New World. The exhibition features rare 17th-century maps and globes, navigational instruments, paintings, Native American artifacts, household objects, and archaeological material from major European and American collections.
Taking the Oath: The First Presidential Inauguration - New-York Historical Society
n honor of the presidential inauguration on January 20, 2009, Taking the Oath will revisit the United States' momentous first presidential inauguration and exhibit significant artifacts from that day, including Washington's inaugural chair and the Federal Hall balustrade.
Selections from the Permanent Collection - Neue Galerie
Highlighted in "Selections from the Permanent Collection" are works that have particular relevance to present-day social and economic conditions, from George Grosz drawings of corrupt plutocrats to Otto Dix etchings of impoverished beggars and crippled war veterans. Other material on view will be paintings by Austrian artists Gustav Klimt (including his masterpiece Adele Bloch-Bauer I surrounded by six of the artist's major works) and Egon Schiele, by German artists Max Beckmann, Otto Dix, and Ernst Ludwig Kirchner, and decorative arts by Josef Hoffmann, Koloman Moser, Marianne Brandt, and Mies van der Rohe.
Focus: Oskar Kokoschka - Neue Galerie
Featuring paintings and drawings by the key figure in the history of Expressionism. Oskar Kokoschka first gained notice with his appearance in the seminal Vienna Kunstschau of 1908. Gustav Klimt, president of the Vienna Secession, described the artist as "the outstanding talent among the younger generation." Kokoschka received his greatest acclaim for his portraits. He was able to fix his reactions to a sitter directly on the canvas, without preparatory studies. The subjects of his portraits are illuminated from within, rather than from an exterior light source. In this way, Kokoschka animates his sitters.
In & Out of Amsterdam: Travels in Conceptual Art, 1960–1976 - Museum of Modern Art (MoMA)
This exhibition examines approximately seventy-five works by artists of different nationalities relating to travel and the city of Amsterdam, which was the nexus of intense art activities in the 1960s and 1970s, when artists converged there from all over the world. Hanne Darboven, Gilbert & George, Sol LeWitt, Charlotte Posenenske, Allen Ruppersberg, and Lawrence Weiner, among others, spent considerable amounts of time in Amsterdam and often produced works in direct relation to the city. The Suriname-born Stanley Brouwn came to Amsterdam as a young adult in the mid-1950s, where he developed work that plays with the idea of dimensions and distances and prefigures a number of conceptual-based art practices. Reciprocally, some of the most influential Dutch artists traveled abroad extensively before establishing themselves in Amsterdam: Jan Dibbets studied in London, while Ger van Elk and Bas Jan Ader trained in Los Angeles. Because cross-influences between Dutch and American art scenes were so abundant, it is impossible to understand the historical significance of these artists without acknowledging their new mobility. In addition to drawings, installations, wall drawings, and films, the exhibition includes a large number of posters and ephemera.
New at the Morgan: Acquisitions Since 2004 - Morgan Library & Museum
Presenting over one hundred works that underscore the great scope of the Morgan's collecting interests, the exhibition includes old master and modern drawings, literary and musical manuscripts, illuminated texts, and rare printed books and bindings. The selections were drawn from more than 1,200 works acquired since 2004 and include seminal figures from various genres.
Noguchi ReINstalled - Noguchi Museum
A formal commemoration of the reopening of The Isamu Noguchi Foundation and Garden Museum in its completely renovated state. While the Museum's first floor galleries and indoor/outdoor space have remained relatively unchanged, this exhibition will mark the first time the Permanent Collection will be on view in its entirety since the spring of 2002. Through consultation of the Museum's vast photographic archives, every effort will be made to present the collection as close to Noguchi's original intentions as possible. By June 17, a number of objects loaned to exhibitions abroad will also be returned to their intended configuration in the Museum's galleries and garden. A number of recent acquisitions to the Museum's collections, including a recently fabricated model reproducing Noguchi's ambitious design for the five-acre site at the Billy Rose Sculpture Garden in Jerusalem from 1960 – 1965 will also be on view.
Roxy Paine on the Roof: Maelstrom - Metropolitan Museum of Art
American artist Roxy Paine (b. 1966) has created a 130-foot-long by 45-foot-wide stainless-steel sculpture, especially for the Museum's Iris and B. Gerald Cantor Roof Garden. Giving viewers the sense of being immersed in the midst of a cataclysmic force of nature, Maelstrom (2009) is Paine's largest and most ambitious work to date. The latest in a diverse body of work, this sculpture is one of the artist's Dendroids based on systems such as vascular networks, tree roots, industrial piping, and fungal mycelia. Set against Central Park and its architectural backdrop, the installation explores the interplay between the natural world and the built environment amid nature's inherently chaotic processes.
Hurvin Anderson - Studio Museum in Harlem
British painter Hurvin Anderson (b. 1965, Birmingham, United Kingdom) takes private and public gathering spaces as his primary subjects. People do not figure as prominently in these paintings as do the spaces they inhabit: cafés, country clubs, public parks, childhood homes and private residences converted into barber shops - small businesses that were central meeting places for Caribbean immigrants to London in the 1950s and 60s. Born in Birmingham of Jamaican parents, Anderson informally catalogues the history of that community in Britain through the spaces they inhabit. The Studio Museum in Harlem is thrilled to exhibit works from Anderson's "Barbershop" series and other paintings in his first solo museum show in New York.
Japanese Mandalas: Emanations and Avatars - Metropolitan Museum of Art
The introduction of esoteric Buddhism to Japan from mainland China in the ninth-century forever changed the visual landscape of Japanese religion and of Japanese art as a whole. The rituals of Mikkyo Buddhism, or the "Secret Teachings" as the newly imported doctrine was called, involve a preponderance of arrestingly beautiful and fearsome images that aim to reveal ultimate truths to the initiated. At the core of Mikkyo is the Mandala of Both Realms, paired cosmic diagrams of the Diamond World and the Matrix World. The installation explores the art of Mikkyo Buddhism from the models used to create these mandalas to the images they inspired. Important early iconographic drawings, paintings, sculpture, and textiles from the Metropolitan's permanent collection are displayed with outstanding works from other institutions and private collections.
The Erotic Object: Surrealist Sculpture from the Collection - Museum of Modern Art (MoMA)
Surrealist artists, writers, and poets placed persistent emphasis on the power of the imagination to transform the everyday. Beginning in the early 1930s, the production of elliptically erotic, sexually charged objects and sculptures became central to their concerns. This exhibition features some of the most notorious works, including Salvador Dalí's bread-and-inkwell-crowned Retrospective Bust of a Woman (1933) and Meret Oppenheim's fur-lined teacup (1936).
NEW YORK PAINTING BEGINS: EIGHTEENTH-CENTURY PORTRAITS - The New York Historical Society
The New-York Historical Society holds one of the nation's premiere collections of eighteenth-century American portraits, works that art historian James Thomas Flexner called "the first flowers of our wilderness." This installation provides twenty-first century viewers with ways of understanding these remarkably innovative and engaging paintings, some of the earliest works of American art. The exhibition focuses on 26 eighteenth-century portraits that mark the beginnings of New York's primacy as a cultural center. It also includes a sampling of related objects from other N-YHS collections. It also speaks to the ways that these works have changed over time as a result of aging materials and conservation treatments.