Things to do this week in NYC May 18-May 25: MuseumsMay 18, 2013 - by CG Directory Editor
Some of the world's most impressive museums and exhibits are in New York?including the Whitney, the Guggenheim, the Museum of Modern Art (MoMA), and (of course) the Metropolitan Museum of Art. One of the great things to do in NYC is to visit these spectacular collections. Whether you're a native New Yorker or here on vacation, NYC's museums have something new and interesting to offer everybody! Here is a list of what's going on this week at museums throughout New York City.
Excess of Void - Museum of Arts & Design
Exploring the possibilities of producing open material, NYC based artists Aaron Anderson and Eric Carlson take residence at MAD through the winter and spring of 2013 as they construct their project, Excess of Void.
Corseted: Be Prepared: Immersive Theatrical Experience - Morris-Jumel Mansion Museum
The Historic House Trust's Contemporary Art Partnerships with The Morris-Jumel Mansion Museum presents this truly groundbreaking immersive theatrical event. Step behind museum barriers as you make Morris-Jumel your home and become part of the action! Talk, tweet, sit & sip tea with the 8 "Loves of Aaron Burr." Be ready to expect the unexpected! Pre-paid advanced registration is required. Call 212 923 8008
Superreal: Alternative Realities in Photography and Video - El Museo Del Barrio
This exhibition explores the layered meaning and interpretation of the real as represented through photography and video. Drawing on the presentation of the landscape, the human figure, the world of architecture, objects and natural phenomena, the works in this exhibition explore alternative realities.
Piero della Francesca in America - Frick Collection
Revered in his own time as a 'monarch' of painting, Piero della Francesca (1411/13-1492) is acknowledged today as a founding figure of the Italian Renaissance. In early 2013, The Frick Collection will present the first monographic exhibition in the United States dedicated to the artist. It brings together seven works by Piero della Francesca, including six panels from the Saint' Agostino altarpiece -- the largest number from this masterwork ever reassembled. They will be joined by the Virgin and Child Enthroned with Attendant Angels, his only intact altarpiece in this country. Piero della Francesca in America is organized by the Frick's Andrew W. Mellon Fellow and guest curator Nathaniel Silver.
Audubon's Aviary: Part I of the Complete Flock - New-York Historical Society
To celebrate the sesquicentennial of the New-York Historical Society's purchase of the Audubon avian watercolors and the the release of the lavishly illustrated book Audubon's Aviary: The Original Watercolors for "The Birds of America"―published by the New-York Historical Society and Skira/Rizzoli and winner of a 2013 New York Book Show Award--the New-York Historical Society plans a sweeping three-part exhibition to showcase every masterpiece from its unparalleled collection of John James Audubon's preparatory watercolor models for the sumptuous double-elephant-folio print edition of The Birds of America (1827-38). Over three years Audubon's Aviary: The Complete Flock (Parts I-III), will feature all 474 stunning avian watercolors by Audubon in the collection, alongside engaging state-of-the-art media installations that will provide a deeper understanding of the connection between art and nature.
No Country: Contemporary Art for South and Southeast Asia - Solomon R. Guggenheim Museum
The Guggenheim UBS MAP Global Art Initiative identifies and supports a network of curators and artists from South and Southeast Asia, Latin America, and the Middle East and North Africa in a comprehensive five-year program involving curatorial residencies, acquisitions for the Guggenheim's collection, international touring exhibitions, and far-reaching educational activities. The first exhibition, No Country: Contemporary Art for South and Southeast Asia, organized by June Yap, Guggenheim UBS MAP Curator, South and Southeast Asia, will open at the Guggenheim Museum on February 22, 2013. The exhibition focuses on the artistic practices and cultural traditions of that region, which includes Vietnam, Cambodia, Thailand, Indonesia, Singapore, Malaysia, the Philippines, Myanmar, Bangladesh, Pakistan, and India. The artworks in the exhibition, along with others acquired as part of Guggenheim UBS MAP, will enter the Guggenheim's permanent collection under the auspices of the Guggenheim UBS MAP Purchase Fund.
Thursday Nights At The Museum - Brooklyn Museum
7 p.m. Film & Music: Raw/Cooked artist Mike Ballou screens a selection of his Super 8 films onto a handmade screen that resembles a semitruck, to live musical accompaniment by Brian Dewan. In the 1990s Ballou was one of the founders and leading artists involved with the Four Walls Slide and Film Club, an informal monthly venue for collaborative and homespun time-based works, hosted for years in Ballou's Williamsburg garage studio.
Artist and Visionary: William Matthew Prior Revealed - American Folk Art Museum
Organized by the Fenimore Art Museum, Cooperstown, New York, this exhibition includes more than 40 oil paintings spanning William Matthew Prior's career from 1824 to 1856. Through his pragmatic marketing strategy, Prior was able to document the faces of middle-class Americans throughout his lifetime, making art accessible to a previously overlooked group. A versatile artist, Prior is well known not only for the skill and range of his technique but for the diversity of his sitters. Prior's involvement with Millerism (early Adventism) was instrumental in his personal development as well as providing access to new clients, including many African Americans.
Women's Studies - American Folk Art Museum
The late twentieth century has seen great strides for women working within visual mediums, yet the male gaze persists as the primary perspective from which women are considered -- and thus perceived - in film and art. This exhibition presents drawings and photographs of women by four self-taught artists from the1940s through the late twentieth century, two male, two female. Eugene Von Bruenchenhein, Paul D. Humphrey, Nellie Mae Rowe, and Inez Nathaniel Walker offer four very different approaches that raise questions of intent, portrayal, and self-identity: Are the portraits acts of creation or acts of documentation, mimesis or wish fulfillment? Are self-taught artists immune from the pervasive male gaze of mainstream artmaking spheres, or do they reflect a gender divide that still runs deeply within American society?
Fine Lines: American Drawings from the Brooklyn Museum - Brooklyn Museum
Fine Lines: American Drawings from the Brooklyn Museum presents a selection of over 100 of the finest, rarely seen drawings and sketchbooks from the Museum's world-renowned collection of American art. Produced between 1768 and 1945 in a wide range of media (including graphite, pen and ink, crayon, charcoal, and pastel), the featured objects represent a variety of iconographies, styles, and practices in the history of American graphic arts. More than seventy artists are represented, including Winslow Homer, Thomas Eakins, John Singer Sargent, Edward Hopper, and Marsden Hartley. The exhibition is organized into six thematic sections, examining portraiture, nudes, the clothed figure, narrative subjects, and natural and urban environments. It is accompanied by a scholarly catalogue including interpretive essays, illustrated catalogue entries, and a selected bibliography.
NYC 1993: Experimental, Jet Set, Trash and No Star - New Museum
"NYC 1993" looks at art made and exhibited in New York over the course of one year, providing a synchronic panorama in which established artists and emerging figures of the time are presented alongside the work of authors whose influence has since faded from the discussion.
Museum as Plinth: Take One/Leave One - Museum of Arts & Design
An interactive exhibit exploring the role of museums, curators, and the general public in validating what is and what is not design, Museum as Plinth: Take One/Leave One stages a "take and leave" shelf of objects in the MAD lobby. Over the course of a weekend, museum visitors are invited to take an object and replace it with one of their own -- simple ephemera from their pockets or a special piece that they brought with them. Each object on the shelf is given a sticker "From the Collection of the MAD Museum" and, in effect, admitted to the museum's collection. The concepts of exchange, value, and status come into play. Crafting an evolving collection, to be documented in an online catalogue and thematic stories published on the day's blog and social media outlets, Museum as Plinth: Take One/Leave One continues the debate of hierarchies and value within the museum context.
Ashe to Amen: African Americans and Biblical Imagery - Museum of Biblical Art
The remarkable wealth and breadth of African American artists' interpretations of Biblical stories and traditions in historic and contemporary art is the subject of a loan exhibition investigating the ever-shifting intersections and crossroads of aesthetics and belief. Themes that recur throughout Ashe to Amen include creation, revelation, faith, liberation, and identity.
Reaching Out - American Bible Society and the African American Community - Museum of Biblical Art
An exhibit tracing American Bible Society's relationship with the African American community built through Bible publication and distribution.
The Butterfly Conservatory: Tropical Butterflies Alive in Winter! - American Museum of Natural History
The Butterfly Conservatory: Tropical Butterflies Alive in Winter!, a perennial favorite visited by millions of children and adults, returns to the American Museum of Natural History. This popular winter attraction invites visitors to mingle with up to 500 iridescent butterflies fluttering among blooming tropical flowers and lush green vegetation inside a free-standing, balmy, 1,200-square-foot enclosure.
WWII & NYC - New-York Historical Society
When World War II broke out, New York was a cosmopolitan, heavily immigrant city, whose people had real stakes in the war and strongly held opinions. WWII & NYC will explore the impact of the war on the metropolis, which played a critical role in the national war effort, and how the city was forever changed.
The Hugo Boss Prize 2012 - Solomon R. Guggenheim Museum
The Hugo Boss Prize is a biennial award founded in 1996 to honor significant achievement in contemporary art. From a group of six finalists selected by an international jury of curators, Danh Vo was announced as the winner of the ninth prize on November 1, 2012. A solo exhibition of his work will be presented at the Guggenheim in spring 2013. Previous winners include Matthew Barney (1996), Douglas Gordon (1998), Marjetica Potrc (2000), Pierre Huyghe (2002), Rirkrit Tiravanija (2004), Tacita Dean (2006), Emily Jacir (2008), and Hans-Peter Feldmann (2010). The Hugo Boss Prize 2012 is organized by Katherine Brinson, Associate Curator, Solomon R. Guggenheim Museum and is made possible by HUGO BOSS.
Impressionism, Fashion, and Modernity - Metropolitan Museum of Art
Impressionism, Fashion, and Modernity will present a revealing look at the role of fashion in the works of the Impressionists and their contemporaries. Some eighty major figure paintings, seen in concert with period costumes, accessories, fashion plates, photographs, and popular prints, will highlight the vital relationship between fashion and art during the pivotal years, from the mid-1860s to the mid-1880s, when Paris emerged as the style capital of the world. With the rise of the department store, the advent of ready-made wear, and the proliferation of fashion magazines, those at the forefront of the avant-garde -- from Manet, Monet, and Renoir to Baudelaire, Mallarme, and Zola -- turned a fresh eye to contemporary dress, embracing la mode as the harbinger of la modernite. The novelty, vibrancy, and fleeting allure of the latest trends in fashion proved seductive for a generation of artists and writers who sought to give expression to the pulse of modern life in all its nuanced richness. Without rivaling the meticulous detail of society portraitists such as Tissot or Stevens or the graphic flair of fashion plates, the Impressionists nonetheless engaged similar strategies in the making (and in the marketing) of their pictures of stylish men and women that sought to reflect the spirit of their age.
After Photoshop Manipulated Photography in the Digital Age - Metropolitan Museum of Art
This installation explores various ways in which artists, including Nancy Burson, Filip Dujardin, Joan Fontcuberta, Beate Gutschow, and others, have used digital technology to alter the photographic image from the 1980s to the present.
Street - Metropolitan Museum of Art
Street, a new video by the British-born artist James Nares, forms the centerpiece of this exhibition. Over the course of a week in September 2011, Nares -- a New Yorker since 1974 -- ecorded sixteen hours of footage of people on the streets of Manhattan from a moving car using a high-definition camera usually used to record fast-moving subjects such as speeding bullets and hummingbirds. He then greatly slowed his source material, editing down the results to one hour of steady, continuous motion and scoring it with music for twelve-string guitar composed and performed by his friend Thurston Moore, co-founder of Sonic Youth.
Louis Armstrong at Freedomland - Louis Armstrong House Museum
The story of the early 1960s is in many ways a story of freedom. In the United States, African-Americans were growing more vocal in their struggle for Civil Rights. A nation turned with hope to young president John F. Kennedy to lead them through the Cold War. The Berlin Wall was constructed in August 1961, splitting one of Europe's biggest cities in half. The Vietnam War was beckoning. Looking to escape the often volatile reports on the nightly news, Americans looked for escape in this era through sporting events, television and even in amusement parks, most notably Disneyland. After helping Disneyland open in 1955, that park's Vice President, Cornelius Vanderbilt Wood Jr. left and began his own corporation, focusing on designing a New York version of the park. On June 19, 1960, Freedomland U.S.A., "The World's Largest Entertainment Center," opened in the Bronx in front of a crowd of 63,000 guests. Though the 85-acre park was larger than Disneyland, it was already in debt by its second year and would close in 1964 after just five seasons. Beginning in 1961, Freedomland's "Moon Bowl" (echoing the era's "space race) became a venue for some of the top entertainment acts in America, including Chubby Checker, Tony Bennett, and Louis Armstrong, who performed there in 1961 and 1964. The Louis Armstrong House Museum's vast collections contain many precious artifacts and previously unseen photographs by Jack Bradley, helping "Louis Armstrong at Freedomland" to paint an intimate portrait of Armstrong on stage and off during this turbulent time in history, spreading joy to fans young and old with his integrated band of All Stars.
Jay DeFeo: A Retrospective - Whitney Museum of American Art
Featuring nearly 150 of DeFeo's works, many of which will be exhibited for the first time. The show traces motifs and themes the artist examined throughout her career in drawings, photographs, collages, jewelry, and the monumental paintings for which she is best known.
The Artful Recluse: Painting, Poetry, and Politics in 17th-Century China - Asia Society and Museum
This is the first exhibition to explore the theme of reclusion in Chinese painting and calligraphy within the broader context of political and social changes during the seventeenth century, a time of rich cultural expression and dramatic political change. The rise of major schools of regional painting as well as the trauma of the Ming dynasty's collapse in 1644 and the Manchu Qing conquest provided an extraordinary context for the creation of historically conscious, often emotionally charged and deeply personal paintings and works of calligraphy. These images, however varied, share an overarching theme of reclusion, a concept of withdrawal and disengagement that has deep and significant roots in China, and which remains relevant in contemporary Chinese art and culture. The exhibition comprises works from public and private collections in the United States and Asia.
Honey, I Rearranged the Collection - Bronx Museum of The Arts
Created in 1986, the Bronx Museum Permanent Collection has assembled over the years a remarkable group of artworks that convey not only personal narratives but also incisive insights onto contemporary life. For this exhibition, we took inspiration from Allen Ruppersberg's ongoing series Honey, I rearranged the Collection initiated in 2000 and that puts in check the role of institutions, curators and collectors as the bearers of tradition and arbiters of taste. Overlaying different traditions, styles, and narratives, Honey, I rearranged the Collection presents an idea of museum as a restless play of combination. Honey, I Rearranged the Collection features artworks from the 40th Anniversary's 40 Years, 40 Gifts campaign, which has received support from Ford Foundation and the Jacques and Natasha Gelman Trust, as well as individual funders.
Bronx Lab - Bronx Museum of The Arts
A forum and test site for new ideas, BRONX LAB engages audiences in topics relevant to our surrounding communities. Through different social media platforms as well as hands-on activities, viewers will be asked to interact with the exhibition's main themes and exercise their critical views. Drawing primarily from the Museum's permanent collection, BRONX LAB's first exhibition will look at the explosion of graffiti art that happened in the South Bronx in the late 1970s, featuring artworks by Rigoberto Torres, Tim Rollins and KOS, Glendalys Medina, Keith Haring and William Borroughs, Valeri Larko, Lady K. Fever, among others.
Wear It or Not: Recent Jewelry Acquisitions - Museum of Arts & Design
Over the past five years, MAD has collected nearly 200 exceptional pieces of art jewelry. From iconic mid-twentieth-century works to computer-designed musical jewelry, Wear It or Not: Recent Jewelry Acquisitions showcases the depth and variety of the new additions to the museum's renowned permanent collection. The exhibition will feature nearly 130 works from around the world, with objects by artists such as Claire Falkenstein, Olaf Skoogfors and Art Smith from the studio jewelry movement of the 1950s and 60s; several silver neckpieces and cuffs from India; alongside more recent works by emerging, mid-career and established jewelry artists such as Melanie Bilenker, Kat Cole, Mari Ishikawa, Keith Lewis, Jeremy May, Edward Lane McCartney, Iris Nieuwenburg, Arjen Noordeman and Christie Wright, Beverley Price, Axel Russmeyer, Sakurako Shimizu, Verena Sieber-Fuchs and Kiff Slemmons. The exhibition will explore a range of jewelry making techniques, including computer design and digital fabrication, as well as the use of uncommon and unexpected materials to carry contemporary art jewelry beyond its decorative function into new creative realms of conceptual, social and political resonance.
Vandy Rattana: Bomb Ponds - Asia Society and Museum
A series of photographs and a one-channel video by Cambodian artist Vandy Rattana (b. 1980) that explores the U.S. bombing of Cambodia during the Vietnam War.
Pop Shop Tokyo - New-York Historical Society
In honor of the installation of the ceiling from Keith Haring's famous Pop Shop above the new admissions area in the Robert H. and Clarice Smith New York Gallery of American History, the New-York Historical Society, in collaboration with the Keith Haring Foundation, has created a rotating display devoted to the Pop Shop in the Henry Luce III Center for the Study of American Culture. The ceiling is a gift from the Haring Foundation, and all items in the Luce Center display are on loan from Foundation.
Takeshi Murata : Mortality - Museum of Arts & Design
Underlining the temporality of nostalgia, memory, and narratives crafted through cinematic pop culture, the American artist Takeshi Murata has constructed a body of animated works that explore the lifespan of moving images and their role in the shaping of shared cultural histories.
Edo Pop: The Graphic Impact of Japanese Prints - Japan Society
Edo Pop playfully juxtaposes classic ukiyo-e prints from such masters as Katsushika Hokusai and Utagawa Hiroshige with contemporary works inspired by these artists and their works. Delve into alluring worlds created by the power of Edo period and contemporary popular culture in which change is the only constant.
Joan Semmel: A Lucid Eye - Bronx Museum of The Arts
Well known for the uncompromising feminist tone of her early work, Joan Semmel has turned her attention over the past decade to the process of image making. Photography has played a central role in Semmel's work since she decided to represent the figure in the early 1970s. However, Semmel's use of photography has often escaped the viewer whose attention focuses on the depicted image. In 2005, Semmel began to afford the viewer a glimpse into her method by aiming the camera towards a mirror, thus capturing the artist in the process of composing the image. Lately, using the camera and mirrors, Semmel has created a haunting series of self-portraits that evoke the passage of time. Organized by Antonio Sergio Bessa.
After the Museum - The Home Front 2013 - Museum of Arts & Design
Transforming the physical and contextual environment of the museum into a focal point for the NYC design community, the Museum of Arts and Design's annual design program, The Home Front: American Design Now, expands into its first physical exhibition, After the Museum. Gathering a variety of unique design voices from throughout NYC, After the Museum utilizes the institution as a platform for launching new, radical and unorthodox proposals for contemporary art and design museums in the 21st century. As artists, designers, and corporations have increasingly begun to stage exhibitions, lectures, and workshops modeled from the role of museums in the 20th century, current museum forms are increasingly called into question. Reacting to this new cultural reality, After the Museum stages and presents a series of installations and programs that reveal the largely hidden research component of the design practice, while examining cultural institution's role in the shaping of design past, present, and future.
Aesthetic Ambitions: Edward Lycett and Brooklyn's Faience Manufacturing Company - Brooklyn Museum
This exhibition highlights the nearly fifty-year career of ceramicist Edward Lycett (American, 1833-1910), creative director of the Faience Manufacturing Company from 1884 to 1890. The range of works illustrates Lycett's talent and adaptability to stylistic changes in the late nineteenth and early twentieth centuries, as well as his vision for Faience, a company based in Greenpoint, Brooklyn, that earned acclaim for producing ornamental wares that introduced a new standard of excellence in American ceramics. These bold and eclectic pieces synthesized Japanese, Chinese, and Islamic influences characteristic of the Aesthetic movement and were sold in the United States' foremost art ware emporiums, including Tiffany & Company. Among the ceramics on view are 39 Faience pieces, including a number of large-scale vases. Also on view are Lycett's formula books, family photographs, and other ephemera; rare examples of ceramic works by his three sons; and other Brooklyn-made ceramics from the Museum's collection.
The Impressionist Line from Degas to Toulouse-Lautrec: Drawings and Prints from the Clark - Frick Collection
The Frick Collection presents approximately sixty prints and drawings from the Sterling and Francine Clark Art Institute, renowned for its rich holdings in nineteenth-century French art. The works were selected by Colin B. Bailey, Deputy Director and Peter Jay Sharp Chief Curator, Susan Grace Galassi, Senior Curator at the Frick, and Jay A. Clarke, Manton Curator of Prints, Drawings, and Photographs at the Clark. The selection focuses on several artistic visionaries of the nineteenth century, including Courbet, Manet, Monet, Degas, Gauguin, and Toulouse-Lautrec.
C.Maxx Stevens: House of Memory - National Museum of the American Indian
C.Maxx Stevens (Seminole/Muscogee) is a visual storyteller whose deeply personal, eclectic constructions tell stories about places and people from her past. Working with "found objects" and ephemeral materials such as paper, wood and hair, her art has a dark, gritty quality that is both haunting and familiar. The selected sculpture, installation and prints in this solo exhibition address memory through cultural and personal symbols, and illustrate the complexities of the contemporary Native experience.
Spectacle: The Music Video - Museum of the Moving Image
This groundbreaking exhibition explores music video as an important and influential art form in contemporary culture and is the most comprehensive museum exhibition on music videos presented to date. Spectacle highlights the form's place at the forefront of creative technology, its role in pushing the boundaries of innovative production, its important role as an experimental sandbox for filmmakers, and its lasting effects on popular culture globally. The exhibition features more than 300 videos, presented alongside artifacts and interactive experiences, and will be installed in the Museum's 4,000 sq.-ft. changing exhibitions gallery, amphitheater gallery, and other spaces.
A Year With Children 2013 - Solomon R. Guggenheim Museum
Learning Through Art, the pioneering arts-education program of the Guggenheim Museum, presents A Year with Children 2013, an exhibition that showcases selected artworks by New York City public-school students in grades two through six.
Sleeping Eros - Metropolitan Museum of Art
The exhibition focuses on the Museum's statue of Sleeping Eros, one of the finest of the few surviving ancient bronze statues from antiquity. It will explore a number of topics associated with this work, including the issue of originals and copies in Greek and Roman sculpture, new research that suggests it is a Hellenistic bronze that was restored in antiquity, and its original function and ancient context. The exhibition will also present the cult and image of Eros before and after the development of the Sleeping Eros statue type to show its enormous influence as well as to trace the wide dispersal of the type in Roman times and its subsequent rediscovery during the Renaissance. Some forty-five works will be displayed, primarily from the Museum's collection.
Abstract Generation: Now in Print - Museum of Modern Art (MoMA)
Since the early 20th century, abstraction has been associated with so many artistic movements, from Suprematism and Constructivism to Abstract Expressionism and Op art, that it can no longer be defined by any one style or tradition. Indeed, abstraction exists now as a rich and varied trove of formal languages and ideas -- an open source of inspiration that extends well beyond the boundaries of art. This exhibition focuses on the print medium, highlighting ways in which abstraction has played a generative role in works of the past decade. Featuring prints, artists' books, and multiples from the Museum's collection -- by artists such as Cory Arcangel, Tauba Auerbach, Philippe Decrauzat, Liam Gillick, Wade Guyton, Nadia Kaabi-Linke, R. H. Quaytman, and Haegue Yang -- Abstract Generation examines contemporary notions of abstraction through a range of contemporary practices.
Wait, Later This Will Be Nothing: Editions by Dieter Roth - Museum of Modern Art (MoMA)
The artistic practice of Dieter Roth (Swiss, b. Germany, 1930-1998) encompassed everything from painting and sculpture to film and video, but it is arguably through his editioned works -- prints, books, and multiples -- that he made his most radical contributions. These experiments include the use of organic materials in lieu of traditional mediums, including book-sausages filled with ground paper in place of meat, and multiples of plastic toys mired in melted chocolate, as well as a dazzling array of variations on printed postcards. Wait, Later This Will Be Nothing: Editions by Dieter Roth focuses on Roth's incredibly innovative and prolific period from 1960 to 1975. The centerpiece of the exhibition is an expanded presentation of Snow (1963-69), a Roth artist's book in MoMA's collection, featuring many more pages of the book than have ever been exhibited. These pages contain a trove of insightful information about the artist's creative process and plans for other works. A selection of handmade books, miniature volumes, and the newly acquired Literaturwurst (1961-69), considered Roth's most radical experiment with the book format, will also be on view. Beginning in the late 1960s, the artist began working with chocolate, a material that became intimately associated with his work, as he explored issues of decay and decomposition. Taken together, this selection of works offers a radical view of mediums that are historically considered staid and traditional, while giving insight into the work of one of the artistic titans of the 20th century.
Henri Labrouste: Structure Brought to Light - Museum of Modern Art (MoMA)
Henri Labrouste: Structure Brought to Light, the first solo exhibition of Labrouste's work in the United States, establishes his work as a milestone in the modern evolution of architecture. The exhibition includes over 200 works, from original drawings -- many of them watercolors of haunting beauty and precision -- to vintage and modern photographs, films, architectural models, and fragments. Labrouste made an invaluable impact on 19th-century architecture through his exploration of new paradigms of space, materials, and luminosity in places of great public assembly. His two magisterial glass-and-iron reading rooms in Paris, the Bibliotheque Sainte-Genevieve (1838-50) and the Bibliotheque nationale (1859-75), gave form to the idea of the modern library as a temple of knowledge and as a space for contemplation. Labrouste also sought a redefinition of architecture by introducing new materials and new building technologies. His spaces are at once overwhelming in the daring modernity of their exposed metal frameworks, lightweight walls, and brightness, and immersive in their timelessness. Works by an international array of architects, such as Labrouste's pupils in France, Spain, the Netherlands, Peru, and the United States, and projects with more distant resonances by architects such as Louis Sullivan, Frank Lloyd Wright, and Richard Rogers, will also be featured.
Picturing Science: Museum Scientists and Imaging Technologies - American Museum of Natural History
More than 20 sets of large-format images showcase the wide range of research being conducted at the Museum as well as how various optical tools are used in scientific studies.
The Sau-Wing Lam Collection of Rare Italian Stringed Instruments - Metropolitan Museum of Art
The Sau-Wing Lam collection of violin-family instruments is one of the most important collections of bowed Italian stringed instruments ever assembled by a private individual. Sau-Wing Lam (1923-1988) was born in Shanghai, China, where he graduated with a degree in economics from the prestigious Saint John's University. In 1948 he moved to New York City and eventually became the president of the Dah Chong Hong Trading Corporation, Inc., an import-export business that founded some of the most successful automobile dealerships in the country. An amateur violinist and violist, Lam bought his first important violin in the 1960s and assembled his impressive collection of violins and bows over the next twenty-five years. His holdings eventually included such significant instruments as the "Baltic" violin by Giuseppe Guarneri "del Gesu," the "Bavarian" and "Scotland University" violins by Antonio Stradivari, the "ex Collin" violin by Nicolo Amati, an extremely early viola by Andrea Amati, and Lam's favorite violin, an instrument by Giuseppe Guarneri, one of his earliest acquisitions. Sau-Wing Lam enjoyed sharing his collection and regularly opened his home to scholars, dealers, and musicians. The family hosted impromptu chamber concerts and passionate discussions about music that would last well into the early morning hours. On the twenty-fifth anniversary of Mr. Lam's death, the collection is being exhibited here for the first time in the United States.
David Hartt - Stray Light - Studio Museum in Harlem
Color photographs, sculptures and a video installation by Chicago-based conceptual photographer David Hartt (b. 1967) reflecting on the iconic headquarters of the Johnson Publishing Company in downtown Chicago.
Fred Wilson - Local Color - Studio Museum in Harlem
For the first time since its exhibition in 1993, the Studio Museum will be presenting conceptual artist Fred Wilson (b. 1954)'s installation Local Color, originally created for the Studio Museum exhibition Artists Respond: The "New World" Question.
Assembly Required - Selections from the Permanent Collection - Studio Museum in Harlem
Photographs, drawings, sculptures and paintings from the Studio Museum's permanent collection that explore the ways in which certain works are dependent on site, and the viewer's conceptual and perceptual experience of that locale through the artist's intervention.
Aye A. Aton: Space-Time Continuum - Studio Museum in Harlem
This collection of over 200 slides documents the artist and avant-garde jazz musician's murals through image and sound, providing an intimate glimpse into the domestic lives of an African-American community on the cusp of cultural transformation. This project marks Aton's first solo museum presentation.
Brothers and Sisters - Studio Museum in Harlem
This show takes as a starting point works on paper by twentieth-century painter Beauford Delaney (1901-1975). This cross-generational exhibition examines the relationship between Delaney's paintings and prints made between 1958 and 1969 in Paris and works in the Studio Museum's permanent collection by African-American artists continuing and expanding the project of painterly abstraction.
Harlem Postcards - Spring 2013 - Studio Museum in Harlem
Harlem Postcards is an ongoing project that invites contemporary artists of diverse backgrounds to reflect on Harlem as a site of cultural activity, political vitality, visual stimuli, artistic contemplation and creative production. Representing intimate and dynamic perspectives of Harlem, the images reflect the idiosyncratic visions of contemporary artists from a wide range of backgrounds and locations. Each photograph has been reproduced as a limited edition postcard available free to visitors.
Mendi + Keith Obadike: American Cypher - Studio Museum in Harlem
The Studio Museum presents a site-specific iteration of a suite of projects that respond to American stories about race and DNA by the intermedia artists Mendi and Keith Obadike (both b. 1973).
Gordon Parks: A Harlem Family 1967 - Studio Museum in Harlem
Gordon Parks: A Harlem Family 1967 honors the legacy and the work of late iconic artist and photojournalist Gordon Parks, who would have turned 100 on November 30, 2012. The exhibition, organized by Director and Chief Curator Thelma Golden and Assistant Curator Lauren Haynes, will feature approximately thirty black and white photographs of the Fontenelle family, whose lives Parks documented as part of a 1968 Life magazine photo essay.
Flight of the Butterflies - American Museum of Natural History
Flight of the Butterflies, a breathtaking new giant-screen adventure takes viewers on the epic 3,000-mile journey traveled every fall by half a billion monarch butterflies. The film is the awe-inspiring story of two unlikely heroes that share a common strength. Based on true events, it follows the perilous journey of the iconic monarch butterfly in one of the most incredible migrations on Earth and the determined scientist, Dr. Fred Urquhart, who spent 40 years trying to discover the mysteries surrounding their journey and secret winter hideaway. Presented in the LeFrak Imax Theater.
Museum as Hub: Center for Historical Reenactments: After-after Tears - New Museum
CHR was an artist collective and curatorial platform in Johannesburg (2010-12) that explored social and political memory within postapartheid South Africa. The exhibition will present a site-specific response to New York, developed through their Museum as Hub residency.
Cambodian Rattan - The Sculptures of Sopheap Pich - Metropolitan Museum of Art
This exhibition presents ten works by the contemporary Cambodian artist Sopheap Pich (born 1971), who lives and works in Phnom Penh. Pich works principally in rattan and bamboo, constructing organic open-weave forms that are solid and ethereal, representational and abstract. Much of his work is inspired by elements of the human anatomy or plant life. His constructions combine his training as a painter with the spatial conceptualization of a sculptor, creating three-dimensional objects that are largely defined by their graphic character. Pich's art consciously embodies his memories of culture and place. The exhibition will be installed in three spaces in the Asian galleries, including an integration into historical displays, and is part of the Museum's contribution to the New York-wide Season of Cambodia.
Paul Thek and His Circle: Gay in the 1950s - Leslie Lohman Museum of Gay and Lesbian Art
Raw/Cooked: Michael Ballou - Brooklyn Museum
Ballou is the eighth artist in the continuing Raw/Cooked series, presented with support from Bloomberg and highlighting the work of under-the-radar Brooklyn artists. The Museum offers each of the participating artists a variety of unconventional spaces in which they may make art interventions, creating projects that draw inspiration from the architecture of the building and/or works from the Museum's collection.
'A Sport for Every Girl': Women and Sports in the Collection of Jefferson R. Burdick - Metropolitan Museum of Art
Beginning in the late 1870s, tobacco producers used inventive imagery of actresses, athletes, politicians, animals, flags, and world capitals -- to name only a few of the hundreds of categories -- to advertise their brands.
Adhocracy - New Museum
The exhibition explores a new direction in contemporary design through twenty-five projects -- presented through artifacts, objects, and films. In the place of standardized, industrialized perfection, the exhibition embraces imperfection as evidence of an emerging force of identity, individuality, and nonlinearity in design.
Living Shrines of Uyghur China - Rubin Museum of Art
Featuring photographs of sacred landscapes in northwestern China by New York-based artist Lisa Ross. In and around the Taklamakan Desert, Ross photographs Muslim shrines, or mazars, often adorned with recycled flags and fabrics. Ross's remarkable images are largely without the presence of the human figure, allowing the viewer to inhabit a space that is unmediated and complex.
Velazquez's Portrait of Francesco I d'Este - Metropolitan Museum of Art
Among the most distinctive portraits by Diego Velazquez is one he painted of Francesco I d'Este (1610-58), the Duke of Modena, during the duke's visit to Madrid in 1638 to secure the support of Philip IV. The duke is shown in armor, wearing a red sash, his head turned toward the viewer. It is a work that conveys a quality of arrogance and sensuality, and is a high watermark in the history of baroque portraiture, while also illustrating the importance of Velazquez's portraits to Spanish diplomacy. In 1843 the painting was acquired by the Galleria Estense -- one of the most prestigious of Italy's regional museums -- in Modena, Italy, and it has never before been lent to an institution in the United States. This special, three-month loan coincides with the re-installation of the Metropolitan's collection of Old Master paintings. It not only makes accessible to an American public one of the least known of Velazquez's works, but also calls attention to the severe damage suffered throughout the Italian region of Emilia Romagna after a devastating earthquake in May 2012. The Galleria Estense has been temporarily closed due to the damage it sustained.
The Woolworth Building @ 100 - Skyscraper Museum
A masterpiece of early 20th-century art and technology, the Woolworth Building celebrates its centennial year in the process of conversion, with office space remaining below and luxury residences planned for the upper tower. Still radiant on the lower Manhattan skyline, the landmark heralds both the past and future of New York.
My Life Ruined by Sex: The Works of William Kent - Museum of Sex
This exhibition explores William Kent's (1919-2012) calamitous life through his art, highlighting his skill and creativity as well as the paradoxes that drove him, bringing his erotically charged work back to New York for the first time in nearly 50 years. From rising art star to recluse, self-taught printmaker and sculptor William Kent in many respects embodied the title of his semi-autobiographical 1964 print, "My Life Ruined By Sex". While Kent's first foray into the formal art world in New York in 1962 was met with positive reviews, with the New York Times declaring him a "definite discovery" in 1963 and noting that Kent was an artist "with one eye on old carvings of the cigar store Indian type and the other on Pop art at its most saucy," these positive reviews could not protect him from the censorship of the time and the detrimental impact his political critique would have upon his career. His 1965 exhibition of sexual-political prints at the Castellane Gallery in new York City entitled "Sex and Violence, Or Erotic and Patriotic Prints!" turned out to be the last straw and following its opening, and Kent was dismissed from his post at the John Slade Ely House, in part for creating "sick" works in its premise. Kent never fully recovered from the aftermath of this exhibition, losing his footing once and for all within the formal New York City-centric art scene he revered. He took solitary refuge in his barn in Durham, Connecticut, continuing to make prints regularly until 1977 when he turned his attention to wood sculpture, focusing on large scale pieces of everyday objects. Though far removed from the New York City art scene he so coveted after 1965, his creative output over the course of six decades never ceased. Kent carried out most of his life as a solitary, indigent, and overlooked master. This exhibition seeks to rectify this by bringing attention to his prints, slates, sculpture and personal ephemera, placing a life and a life's work in context.
2013 Doodle 4 Google Showcase - American Museum of Natural History
The American Museum of Natural History and Google have teamed up to present and showcase this year's 2013 Doodle 4 Google winners. The annual Doodle 4 Google competition invites students (grades K-12) across the country to submit their designs of the Google logo based off this year's theme "My Best Day Ever..."
Please Come to the Show, Part I (1960-1980) - Museum of Modern Art (MoMA)
Since its beginnings, the MoMA Library has housed several collections of artists' files and subject files, which contain assorted printed ephemera like announcement cards, press clippings, posters, and flyers. These materials illustrate an elaborate range of artistic activities and can contain unique elements from an artist's practice. This two-part exhibition gathers a sample of innovative printed invitations, small posters, and flyers from the early 1960s to the present. The selection traces ways in which artists, designers, and galleries have used invitation cards and other printed announcements as a part of the staging of conceptual works, installations, performances, and other time-based events and screenings. This diverse grouping of ephemera explores the various, surprising ways that we have been invited to experience art.
Munch | Warhol and the Multiple Image - Scandinavia House: The Nordic Center in America
An exhibition that brings together two of the 20th century's most prolific and inventive printmakers - Norwegian Edvard Munch and American Andy Warhol. Co-curated by Dr. Patricia G. Berman and Pari Stave and organized in honor of the 150th anniversary of Munch's birth, the exhibition closely examines four graphic images produced by Munch at the turn of the century - The Scream, Madonna, The Brooch. Eva Mudocci, Self-Portrait with Skeleton Arm - and later revisited by Andy Warhol in a little-known but extraordinary series of prints from 1984. Comprising over 30 original works from private and museum collections - some of which will be seen for the first time - the exhibition reveals remarkable affinities between the two artists: a preoccupation with themes of anxiety and alienation, ideal beauty, sex and mortality, and an ability to skillfully mine the iconic power of the image to craft their own mythic identities in self-portraits and in life.
John Singer Sargent Watercolors - Brooklyn Museum
This landmark exhibition unites for the first time the John Singer Sargent watercolors acquired by the Brooklyn Museum and the Museum of Fine Arts, Boston, in the early twentieth century. The culmination of a yearlong collaborative study by both museums, John Singer Sargent Watercolors explores the watercolor practice that has traditionally been viewed as a tangential facet of Sargent's art making. The ninety-three pieces on display provide a once-in-a-generation opportunity to view a broad range of the artist's finest production in the medium. Brooklyn's thirty-eight watercolors, most of which have not been on view for decades, were largely purchased from Sargent's 1909 debut exhibition in New York. Their subjects include Venetian scenes (The Bridge of Sighs), Mediterranean sailing vessels, intimate portraits (A Tramp), and Bedouin subjects (Bedouins). Boston's watercolors, purchased in 1912, are more highly finished than the Brooklyn works. They feature subjects from his travels to the Italian Alps, the villa gardens near Lucca, and the marble quarries of Carrara, as well as portraits. The exhibition also presents nine oil paintings, including Brooklyn's An Out-of-Doors Study, Paul Helleu and His Wife (1889) and Boston's The Master and His Pupils (1914). New discoveries based on scientific study of Sargent's pigments, drawing techniques, and paper preparation are featured in a special section deconstructing his techniques. Select works throughout the exhibition are paired with videos that show a contemporary watercolor artist demonstrating some of Sargent's methods.
Birds in the Art of Japan - Metropolitan Museum of Art
This exhibition presents approximately 150 works in various media from medieval times to the present. Highlights include a unique, early seventeenth-century pair of ink-painted screens showing a flock of 120 mynah birds in flight or strutting on the shore; and a set of four enormous paintings of birds of prey by the nineteenth-century master Kawanabe Kyōsai, each over nine feet high. Displays of paintings will be juxtaposed with examples of modern and contemporary textiles, ceramics, lacquerware, and bamboo art. Drawn mostly from the Museum's own collection, it will also feature some fifteen works on loan from private collections.
At War with the Obvious: Photographs by William Eggleston - Metropolitan Museum of Art
The Met presents the work of this idiosyncratic artist, whose influences are drawn from disparate if surprisingly complementary sources -- from Walker Evans and Henri Cartier-Bresson in photography to Bach and late Baroque music. Many of Eggleston's most recognized photographs are lush studies of the social and physical landscape found in the Mississippi delta region that is his home. From this base, the artist explores the awesome and, at times, the raw visual poetics of the American vernacular.
A Trip from Here to There - Museum of Modern Art (MoMA)
Over the course of two years, from 2008 to 2010, the artist Mateo Lopez traveled through his native Colombia, from Bogota to Cali to Medellin. Crisscrossing vast expanses of territory via Vespa, Lopez made drawings, rendering the ordinary objects he encountered in precise detail. In a country occupied by government forces and paramilitary rebels, traveling itself -- and the diaristic drawing that served as documentation -- became an act of resistance. Using Lopez's Viaje sin movimiento -- an installation of his drawings from this journey -- as a starting point, A Trip from Here to There explores practices and works generated by walking and wandering. As members of exploratory expeditions and surveys, painters and draftsmen have long played key roles in the plotting and investigation of place. However, in the second half of the 20th century, the journey itself became both medium and subject for many artists. In some works, a walk or sojourn is precisely documented via maps and charts, dates and times, while in others, wandering's inherent detours and deviations are exploited, resulting in collages of impressions or graphs of explored terrain. For some artists, drawing is both nomadic and solitary, while for others it is a way to engage with one's environment and its inhabitants. In addition to Lopez, featured artists include Marcel Broodthaers, Juan Downey, Hamish Fulton, Brion Gysin, Mona Hatoum, Richard Long, Jorge Macchi, and Robert Morris. Genzken's work has been part of the artistic discourse since she began exhibiting in the mid-1970s, but over the last decade a new generation has been inspired by her radical inventiveness. The past 10 years have been particularly productive for Genzken, who, with a new language of found objects and collage, has created several bodies of work that have redefined assemblage for a new era. These groups of sculptures range from smaller, diorama-like works to room-filling installations.
A Long-Awaited Tribute: Frank Lloyd Wright's Usonian House and Pavilion - Solomon R. Guggenheim Museum
On October 22, 1953, Sixty Years of Living Architecture: The Work of Frank Lloyd Wright opened in New York on the site where the Solomon R. Guggenheim Museum would eventually be built. Two Frank Lloyd Wright-designed buildings were constructed specifically to house the exhibition: a temporary pavilion made of glass, fiberboard, and pipe columns; and a 1,700-square-foot, fully furnished, two-bedroom, model Usonian house representing Wright's organic solution for modest, middle-class dwellings.
Barings in America - An Interactive Investment Experience - Museum of American Finance
Barings Bank provided financial backing in the US from the nation's beginning through the industrial revolution. This exhibition explores five of the firm's US investments, some good and some bad. Barings chose to invest in the fledgling government and its industry. Would you have done the same?
Hava Nagila: A Song for the People - Museum of Jewish Heritage - A Living Memorial to the Holocaust
An exhibit that uses engaging imagery, video, music, and imaginative design to tell the little-known history of the wordless melody from Ukraine that became the theme song for Jewish celebrations around the world.
Making the Invisible Visible - Conservation and Islamic Art - Metropolitan Museum of Art
Conservators and conservation scientists made many exciting and interesting discoveries as they and the curators re-examined the Museum's collection of Islamic art prior to the reopening of the New Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia in November 2011. This exhibition will trace their investigative journey with a range of works of art providing new perspectives for appreciating this extraordinary collection.
Patronage and Power: Selections from the Asia Society Museum Collection - Asia Society and Museum
This exhibition comprises select pieces from Asia Society's Mr. and Mrs. John D. Rockefeller 3rd Collection. The show explores the role of patrons of wealth and rank as dominating figures in the production of artistic creations. Approximately fifty examples of sculptureand ceramic from South, Southeast, and East Asia. The selection includes religious art, both Buddhist and Hindu. In addition, ceremonial objects that served as a visual structure for the governing patterns of patrons both for this life and beyond will be on view. Decorative functional objects such as plates and vases, and prized collectables like porcelains, which testify to the legitimacy and supremacy of rulers and aristocrats, round out the exhibition.
Gravity and Grace: Monumental Works by El Anatsui - Brooklyn Museum
The first solo exhibition in a New York museum by the globally renowned contemporary artist El Anatsui, this show will feature over 30 works in metal and wood that transform appropriated objects into site-specific sculptures. Anatsui converts found materials into a new type of media that lies between sculpture and painting, combining aesthetic traditions from his birth country, Ghana; his home in Nsukka, Nigeria; and the global history of abstraction. Included in the exhibition are twelve recent monumental wall and floor sculptures, widely considered to represent the apex of Anatsui's career. The metal wall works, created with bottle caps from a distillery in Nsukka, are pieced together to form colorful, textured hangings that take on radically new shapes with each installation. Anatsui is captivated by his materials' history of use, reflecting his own nomadic background. Gravity and Grace responds to a long history of innovations in abstract art and performance, building upon cross-cultural exchange among Africa, Europe, and the Americas and presenting works in a wholly new, African medium. Gravity and Grace: Monumental Works by El Anatsui is organized by the Akron Art Museum and made possible by a major grant from the John S. and James L. Knight Foundation. The Brooklyn presentation is organized by Kevin Dumouchelle, Associate Curator of the Arts of Africa and the Pacific Islands, Brooklyn Museum.
As it were ... So to speak - A Museum Collection in Dialogue with Barbara Bloom - The Jewish Museum
Artist Barbara Bloom has devoted her career to questioning the ways we perceive and value objects. With a light touch and subtle wit, she divines the meanings encoded in the things with which we surround ourselves. The Jewish Museum invited Bloom to create an installation drawn from its more than 26,000 works of ceremonial, decorative, and fine art. Her presentation sets a selection of over 270 pieces in unconventional contexts, and offers visitors new ways to view the Museum and its holdings. The exhibition she is creating materializes the idea of people in dialogue across time and space, inspired in part by Bloom's reflections on Talmudic discourse, which takes place over centuries. Integrating the former Warburg mansion's historic rooms into her concept, the artist envisions the space as both museum and home filled with imagined historical guests - Nefertiti, Emile Zola, George Gershwin and others - from diverse times engaged in discourse and argument. The subjects are wide-ranging and reflect ideas that have long interested the artist: inferring a whole from surviving remnants, navigating the intricacies of bestowing gifts, representing the unspeakable. Furniture-shaped display cases contain collection objects that the artist finds intriguing or appealing. For example, Torah pointers with their delicate hands and extended forefingers stand in for strings inside a piano; a cigar box owned by Sigmund Freud is displayed in a psychoanalyst's consultation space; and a Dreyfus Affair game board sits on a table with ancient Roman dice. Each tableau is accompanied by written passages suggesting conversations between people. These evocative juxtapositions of found texts, Bloom's writings, artworks, and cases, create unexpected connections and spark dialogue.
Six Things: Sagmeister & Walsh - The Jewish Museum
Artist Barbara Bloom has devoted her career to questioning the ways we perceive and value objects. With a light touch and subtle wit, she divines the meanings encoded in the things with which we surround ourselves. The Jewish Museum invited Bloom to create an installation drawn from its more than 26,000 works of ceremonial, decorative, and fine art. Her presentation sets a selection of over 270 pieces in unconventional contexts, and offers visitors new ways to view the Museum and its holdings. The exhibition she is creating materializes the idea of people in dialogue across time and space, inspired in part by Bloom's r