Things to do this week in NYC Oct 29-Nov 5: MuseumsOctober 29, 2011 - by CG Directory Editor
Some of the world's most impressive museums and exhibits are in New York?including the Whitney, the Guggenheim, the Museum of Modern Art (MoMA), and (of course) the Metropolitan Museum of Art. One of the great things to do in NYC is to visit these spectacular collections. Whether you're a native New Yorker or here on vacation, NYC's museums have something new and interesting to offer everybody! Here is a list of what's going on this week at museums throughout New York City.
Anthony Caro on the Roof - Metropolitan Museum of Art
Sculptures by Anthony Caro (b. 1924) -- who is considered the most influential and prolific British sculptor of his generation and a key figure in the development of modernist sculpture over the last sixty years -- is featured in the 2011 installation on The Iris and B. Gerald Cantor Roof Garden. The installation features a selection of sculpture in steel, painted and unpainted, spanning the artist's career to date and highlighting principal aspects of his long career: engagement with form in space, dialogue between sculpture and architecture, and creation of new, abstract analogies for the human figure and landscape.
The Buddhist Heritage of Pakistan: Art of Gandhara - Asia Society and Museum
An exhibition of spectacular Buddhist sculptures, architectural reliefs and works of gold and bronze from the Gandhara region of Pakistan, most never exhibited before in the United States. The Buddhist Heritage of Pakistan: Art of Gandhara reveals the complex cultural influences -- from Scytho-Parthian to Greco-Roman traditions -- that fed the extraordinary artistic production of this region from the first century B.C.E. through fifth century C.E.
THE HUGO BOSS PRIZE 2010 - Hans-Peter Feldmann - Solomon R. Guggenheim Museum
Hans-Peter Feldmann, winner of THE HUGO BOSS PRIZE 2010, has spent over four decades conducting a profound investigation into the influence of the visual environment on our subjective reality. Composing images and objects into serial archives, uncanny combinations, and other illuminating new contexts, his work unearths the latent associations and sentiments that permeate the familiar landscape of daily life.
Talk to Me: Design and the Communication between People and Objects - Museum of Modern Art (MoMA)
Talk to Me explores the communication between people and things. All objects contain information that goes well beyond their immediate use or appearance. In some cases, objects like cell phones and computers exist to provide us with access to complex systems and networks, behaving as gateways and interpreters. Whether openly and actively, or in subtle, subliminal ways, things talk to us, and designers help us develop and improvise the dialogue. The exhibition focuses on objects that involve a direct interaction, such as interfaces, information systems, visualization design, and communication devices, and on projects that establish an emotional, sensual, or intellectual connection with their users. Examples range from a few iconic products of the late 1960s to several projects currently in development—including computer and machine interfaces, websites, video games, devices and tools, furniture and physical products, and extending to installations and whole environments. The Department of Architecture and Design is documenting the process of organizing Talk to Me from its early stages through its opening in July 2011 and beyond via an online journal. The site features projects we are currently studying and some we have already selected, along with relevant references and feedback and suggestions from designers and writers. Since we always cast our nets very wide and count on suggestions and opinions from the design community, this step comes very naturally. Besides, communication is what this exhibition is all about. Visit the online journal at MoMA.org/talktome.
Carlito Carvalhosa: Sum of Days - Museum of Modern Art (MoMA)
Brazilian artist Carlito Carvalhosa (b. 1961) conceived Sum of Days as an environmental and participatory sound installation—a monumental, voluminous construction made of soft, white, translucent material that hangs from ceiling to floor and takes the shape of an elliptical labyrinth. This structure hides, or interrupts, the defined limits of its surrounding architectural space, suspending visitors' spatial references and allowing an experience of total immersion. A system of microphones hangs from various heights and records the day's ambient noise, which is played back the following day through several speakers. Each day a new recording is superimposed over the previous one, gradually dimming the oldest sounds into a layer of whispers. Adding yet another element of sound will be periodic musical performances from within the installation. The accumulation of these recordings will constitute an immaterial layering of time—an auditory memory of the accidental noise inherent in everyday experience. This marks the artist's first exhibition in the United States. Musical performances, each 60 to 90 minutes long, take place weekly within the installation between September 8 and November 10. The performers are Lisa Bielawa, David Crowell, Jon Gibson, Philip Glass, Carla Kihlstedt, Michael Riesman, Mick Rossi, and Andrew Sterman. Times are announced via MoMA's Twitter account (@MuseumModernArt) on the day of the event.
Tibetan Contemporary: Tantric Vision in Contemporary Self- Expression - Tibet House US
Tibet House US is proud to present an exhibition of visionary Tibetan contemporary art entitled "Tibetan Contemporary: Tantric Vision in Contemporary Self- Expression.” The featured Tibetan artists have created remarkable modern works that merge their classical aesthetics with individual expressiveness, creating a new art that expands magnificently beyond their highly disciplined traditional artistic heritage. The exhibition will be on display at the Tibet House US gallery from September 14th – November 15th, 2011. There will be a special opening reception on September 14th from 6-8pm. Tibet House US is located at 22 West 15th Street. The gallery is open to the public Monday-Friday from 12noon - 5 p.m.
Building Back: 30 Years of Growth in New York City - Center for Architecture
Remember New York City 30 years ago? Think graffiti; soaring crime rates; burned out or abandoned buildings everywhere. A new word: "disinvestment." Recall the famous headline, "Ford to NYC: Drop Dead." Remember the oil crises that stalled our economy. The "homeless problem" seemed insurmountable. In 1981, we were just beginning to see the glimmers of a turnaround, but after nearly a decade of virtually no construction, the office and housing stock were inadequate to meet demand. Meanwhile, the new Reagan administration cut back funding to states and local communities. Clearly, change called for new approaches?and these became the hallmark of the city's recovery. The City found new ways to use its regulatory powers and its limited funds as seeds for change. State development, financing and operating agencies stepped in to meet the challenge, as well. At the same time a host of citizen-based parks conservancies, local development corporations, business improvement districts, and other non-profit groups organized to address problems on the ground. The result is what we see today: thriving neighborhoods, expanding commercial centers in all five boroughs, cleaner water and air, safe and beautiful parks, an accessible and exciting waterfront, and the bright lights of Times Square once again inviting us all to celebrate. This is a story of New York City moxie!
Split Second - Indian Paintings - Brooklyn Museum
Split Second invites the Brooklyn Museum's online community to participate in a project that will result in a small installation of Indian paintings from the Museum's permanent collection. Taking its inspiration from the critically acclaimed book Blink: The Power of Thinking Without Thinking, by Malcolm Gladwell, this online experiment and resulting installation will explore how our initial reaction to a work of art is affected by what we know, what we're asked, and what we're told about the object in question. Split Second begins with a three-part activity that explores the Museum's collection of Indian paintings; participation is open to anyone with an Internet connection. The first stage explores split-second reactions: in a timed trial, participants will be asked to select which painting they prefer from a randomly generated pair of images. Next, participants will be asked to write in their own words about a painting before rating its appeal on a scale. In the third phase, participants will be asked to rate a work of art after being given unlimited time to view it alongside a typical interpretive text. Each part of the exercise aims to examine how a different type of information—or a lack thereof—might affect a person's reaction to a work of art. Split Second culminates with an installation on the Museum's second floor, opening July 13, 2011. Visitors will be able to view a small selection of the paintings that generated the most controversial and dynamic responses during the evaluation process, accompanied by a visualization and analysis of the data collected. The Brooklyn Museum's collection of Indian paintings ranks among the top ten in the United States, representing the artistic traditions of many different regions, with examples dating from the fifteenth century to the nineteenth. Many of the works in this project have not been on view for several years, owing to their light sensitivity. The installation offers a rare opportunity to see these paintings in person and consider them in a new light. Split Second: Indian Paintings is organized by Shelley Bernstein, Chief of Technology, in consultation with Joan Cummins, Lisa and Bernard Selz Curator of Asian Art, Brooklyn Museum.
Maurizio Cattelan: All - Solomon R. Guggenheim Museum
This retrospective survey marks the first time that the entirety of Maurizio Cattelan's oeuvre will be assembled into a coherent exhibition narrative, with more than 130 works borrowed from private and public collections around the world, ranging from the late 1980s to the present.
The World's Largest Dinosaurs - American Museum of Natural History
A new exhibition that goes beyond traditional fossil shows to reveal how dinosaurs actually lived by taking visitors into the amazing anatomy of a uniquely super-sized group of dinosaurs: the long-necked and long-tailed sauropods, which ranged in size from 15 to 150 feet long. Drawing on the latest science that looks in part to existing organisms to understand these extinct giants, The World's Largest Dinosaurs will answer such intriguing questions as how an extremely large animal breathes, eats, moves, and survives by illuminating how size and scale are related to basic biological functions. Innovative interactive exhibits -- including the exhibition centerpiece, a life-sized, fleshed-out model of a 60-foot- long, 11-foot-tall female Mamenchisaurus, known for its remarkable, 30-foot neck -- will take visitors inside these giants' bodies, shedding light on how heart rate, respiration, metabolism, and reproduction are linked to size. An interactive excavation at the end of the exhibition will introduce visitors to how dinosaurs are discovered in the field through a replicated dig site.
194X–9/11: American Architects and the City - Museum of Modern Art (MoMA)
In 1942 -- shortly after the U.S. entered World War II -- Architectural Forum magazine commissioned a group of architects, including Ludwig Mies van der Rohe, to design projects for a hypothetical postwar American city, rethinking both urban community life and the relationship between architecture and urban planning. The aim was to project an optimistic postwar period of growth and prosperity to begin as soon as hostilities ended, in 194X -- soon, it was hoped. Over half a century later the country is once again engaged in global conflict and—in the wake of 9/11 and the ongoing financial crisis -- undergoing a major reconsideration of urban and suburban space. This year marks the 10th anniversary of 9/11, an event that ushered in a new era of architectural anticipation and uncertainty, and gave rise to a flurry of urban rebuilding projects, some of which are only finally seeing the light of day at Ground Zero. Drawn from MoMA's architectural holdings, this exhibition shows the work of a variety of architects who took on the urban scale in a spirit of recasting the form and daily experience of the city. In addition to Mies van der Rohe, featured architects include Louis Kahn, Paul Rudolph, Rem Koolhaas and OMA, and United Architects.
Romare Bearden (1911–1988): A Centennial Celebration - Metropolitan Museum of Art
Romare Bearden's vibrant mural-size tableau The Block (1971) will be on view as part of a centennial celebration of the artist's birth. The Block, an eighteen-foot-long collage, celebrates the Harlem neighborhood in New York City that nurtured and inspired so much of the artist's life and work. Bearden's elaborate and colorful cut-paper collages elevated this genre to a major art form through its unusual materials, expressionist color, abstracted forms, flattened shapes and spaces, and shifts in perspective and scale—all the while maintaining focus on the human narrative being told within a single city block.
Stieglitz and His Artists - Matisse to O'Keeffe - Metropolitan Museum of Art
This exhibition is the first large-scale presentation of paintings, sculptures, drawings, and prints from Alfred Stieglitz's collection, acquired by the Metropolitan in 1949. In addition to being a master photographer, Stieglitz (1864-1946) was a visionary promoter of modern American and European art, and he assembled a vast art collection of exceptional breadth and depth. Through a succession of influential galleries that he ran in New York City between 1905 and 1946, Stieglitz exhibited many of the most important artists of the era, and he collected works by Pablo Picasso, Henri Matisse, Constantin Brancusi, Gino Severini, Vasily Kandinsky, Georgia O'Keeffe, Marsden Hartley, John Marin, Charles Demuth, and Arthur Dove. For more than sixty years, The Alfred Stieglitz Collection has been the cornerstone of the Museum's holdings of modern American art. The exhibition will feature some two hundred major works by American and European modernists, supplemented by photographs by the Photo-Secessionists and publications by Stieglitz -- all from the Metropolitan's holdings. Highlights include Picasso's Woman Ironing and Standing Female Nude, Kandinsky's Improvisation 27 (Garden of Love), Brancusi's Sleeping Muse, O'Keeffe's Black Iris and Cow's Skull: Red, White, and Blue, Demuth's I Saw the Figure 5 in Gold, and Hartley's Portrait of a German Officer.
Frogs: A Chorus of Colors - American Museum of Natural History
This delightful exhibition will introduce visitors to the colorful and richly diverse world of frogs. More than 200 live frogs, from tiny dart poison frogs (some less than an inch long) to the enormous African bullfrog (as big as eight inches in diameter) will be shown in their re-created habitats, complete with rock ledges, live plants, and waterfalls. Approximately 25 species native to Argentina, Bolivia, Borneo, Brazil, China, Ecuador, Indonesia, Madagascar, Myanmar, Paraguay, Russia, Sumatra, the United States, Uruguay, and Vietnam, will be featured. The exhibition will explore the evolution and biology of these amphibians, their importance to ecosystems, and the threats they face in the world's changing environments. Interactive stations throughout the exhibition will invite visitors to activate recorded frog calls, view videos of frogs in action, and test their knowledge about frogs. Admission to the exhibition is $24 for adults, $14 for children, and $18 for seniors and students.
"Frogs: A Chorus of Colors" - American Museum of Natural History
More than 200 live frogs are shown in their re-created habitats from around the world. The exhibition explores the evolution and biology of these amphibians, their importance to ecosystems, and the threats they face in the world's changing environments. Interactive stations invite visitors to activate recorded frog calls, view videos of frogs in action, and test their knowledge about frogs.
El Museo's Bienal: The (S) Files 2011 - El Museo Del Barrio
El Museo's Bienal: The (S) Files 2011 is El Museo del Barrio's sixth biennial of the most innovative, cutting-edge art created by Latino, Caribbean, and Latin American artists currently working in the greater New York area. This year's edition spreads all over the city, showcasing a record 75 emerging artists in six different venues. Aiming to expand the definition of contemporary Latino and Latin American art, The (S) Files 2011 takes on a broad exploration of the visual energy, events, and aesthetics of the street. While considering the more conventional understandings of street art such as graffiti and mural painting, The (S) Files 2011 extends the definition of street art by also considering non-traditional art objects as well as works from other disciplines, including music and fashion. The (S) Files 2011 explores how the boundaries between public/private and personal/universal are blurred by urban culture, and examines the street as catalyst for change in mainstream culture. The exhibition looks at how these social borders mix and dissolve in urban environments, and how artists use these social alterations as points of creative departure. Among the themes developed in The (S) Files 2011 are the influence of early New York street art movements, text and urban styles, and the creation of art works from urban debris. The variety of issues addressed by the artists range from daily life situations, to social behaviors, to economic distress. In addition to its overall focus on New York-based artists, The (S) Files 2011 celebrates the Biennial of the Central American Isthmus (Bienal del Istmo Centroamericano) by showcasing the work of a group of artists featured in its most recent edition.
de Kooning: A Retrospective - Museum of Modern Art (MoMA)
This is the first major museum exhibition devoted to the full scope of the career of Willem de Kooning, widely considered to be among the most important and prolific artists of the 20th century. The exhibition, which will only be seen at MoMA, presents an unparalleled opportunity to study the artist's development over nearly seven decades, beginning with his early academic works, made in Holland before he moved to the United States in 1926, and concluding with his final, sparely abstract paintings of the late 1980s. Bringing together nearly 200 works from public and private collections, the exhibition will occupy the Museum's entire sixth-floor gallery space, totaling approximately 17,000 square feet. Representing nearly every type of work de Kooning made, in both technique and subject matter, this retrospective includes paintings, sculptures, drawings, and prints. Among these are the artist's most famous, landmark paintings—among them Pink Angels (1945), Excavation (1950), and the celebrated third Woman series (1950–53)—plus in-depth presentations of all his most important series, ranging from his figurative paintings of the early 1940s to the breakthrough black-and-white compositions of 1948–49, and from the urban abstractions of the mid 1950s to the artist's return to figuration in the 1960s, and the large gestural abstractions of the following decade. Also included is de Kooning's famous yet largely unseen theatrical backdrop, the 17-foot-square Labyrinth (1946).
Kandinsky's Painting With White Border - Solomon R. Guggenheim Museum
This focused exhibition, co-organized with the Phillips Collection, Washington, D.C., brings the Guggenheim's final version of the painting from May 1913 together with twelve related drawings and watercolors and one major oil sketch, and features the results of an extensive conservation study of the Guggenheim and Phillips paintings.
Jim Henson's Fantastic World - Museum of the Moving Image
The exhibition features more than 120 artifacts, including drawings, storyboards, and props, and video material that illustrate Henson's boundless creativity and innumerable accomplishments. A special addition to the exhibition at Museum of the Moving Image is a puppet of Miss Piggy from The Muppets Take Manhattan. Among other highlights are fourteen additional iconic original puppets of such characters as Kermit the Frog, Rowlf, Bert, and Ernie; photographs of Henson and his collaborators at work; and excerpts from Henson's early projects and experimental films. The exhibition spans Henson's entire career, beginning with drawings, cartoons, and posters produced during his college years in the late 1950s and concluding with objects related to the inspired imaginary worlds of his popular fantasy film The Dark Crystal (1982). Visitors will encounter materials from Henson's best-known projects, The Muppet Show, The Muppet Movie and its sequels, and Fraggle Rock, as well as objects related to his Sesame Street characters. Visitors will also learn about Sam and Friends, an early show Henson created in the 1950s, Henson's television commercial work in the 1960s, and the segments Henson made for The Ed Sullivan Show.
New Photography 2011 - Museum of Modern Art (MoMA)
This year, MoMA's annual New Photography series expands to feature the work of six artists, with the aim of capturing the diversity and international scope of contemporary photographic work. New Photography 2011: Moyra Davey, George Georgiou, Deana Lawson, Doug Rickard, Viviane Sassen, Zhang Dali includes the work of Davey (Canada), whose mailed-photograph grids feature the stamps, postmarks, and return addresses that have accreted on each photograph -- analog elements that are particularly unique in these digital times; Georgiou (England), who looks at modern-day Turkey as it seeks to hold on to its traditions and landscape amid the oncoming wave of Westernization and development; Lawson (U.S.), whose work showcases the African American experience, with a particular emphasis on the human figure and form, in powerfully intimate portraits of people from all walks of life; Rickard (U.S.), whose photographs document the blurred faces of people and crumbling American cities as captured by the Google Streetview lens, and explore issues of poverty, race, and privacy; Sassen (The Netherlands), who incorporates images of the people and places of the African continent in an attempt to recapture her surreal dreams and memories of growing up in Kenya; and Dali (China), who uses original source materials, including Chinese archives, books, and periodicals, to trace the lineage of propaganda made during Mao Tse Tung's Great Leap Forward and Cultural Revolution. The artists in New Photography 2011 approach image-making from very different perspectives, making for a truly dynamic combination.
The 9/11 Peace Story Quilt - Metropolitan Museum of Art
The 9/11 Peace Story Quilt was designed by Faith Ringgold and constructed in collaboration with New York City students ages eight through nineteen. The quilt poignantly conveys the importance of communication across cultures and religions to achieve the goal of peace. Comprised of three panels, each with twelve squares on the theme of peace, the quilt will be displayed alongside several original works of art that inspired its content. Faith Ringgold is well known for her story quilts: art that combines painting, quilted fabric, and storytelling. Her work has been exhibited in major museums around the world and can be found in the collections of The Metropolitan Museum of Art, the Studio Museum in Harlem, the Solomon R. Guggenheim Museum, and The Museum of Modern Art, among others. In addition to writing and illustrating eleven children's books, she has been the recipient of more than seventy-five awards, fellowships, citations, and honors, including the Solomon R. Guggenheim Fellowship for painting, two National Endowment for the Arts Awards, and seventeen honorary doctorates. The quilt was commissioned by InterRelations Collaborative Inc., a nonprofit organization dedicated to fostering cross-cultural understanding through art among the increasingly diverse student populations in New York City and the tri-state area. The exhibition was organized by The Metropolitan Museum of Art in collaboration with the InterRelations Collaborative, Inc.
Youth and Beauty: Art of the American Twenties - Brooklyn Museum
The exhibition Youth and Beauty: Art of the American Twenties brings together for the first time the work of sixty-eight painters, sculptors, and photographers who explored a new mode of modern realism in the years bounded by the aftermath of the Great War and the onset of the Great Depression. Throughout the 1920s, artists created images of liberated modern bodies and the changing urban-industrial environment with an eye toward ideal form and ordered clarity -- qualities seemingly at odds with a riotous decade best remembered for its flappers and Fords.
The Making of a Collection - Islamic Art at the Metropolitan - Metropolitan Museum of Art
The Metropolitan Museum of Art houses one of the largest, most comprehensive collections of Islamic art in the world. This could not have been achieved without the generosity of dedicated individuals who supported the Museum with gifts and bequests. This exhibition will be a chronological study of some of the Museum's major donor-collectors, whose gifts form the core of the collection of the Department of Islamic Art, illuminating the factors and motivations that inspired their collecting habits. Particular attention will be paid to the early collectors during the first decades of Islamic art collecting in America, a period when as much as fifty percent of the Department's collection was established. From the last quarter of the nineteenth century to the early 1930s, objects from the Islamic world were introduced to the American market as exotic treasures and gradually gained public recognition. The interest in travel to the Middle East that had earlier spawned a vast travel literature in Europe caught on in America as well. It was the time of the Orientalist movement. At international expositions, governments of the Near East erected pavilions in which imported objects and parts of buildings where shown and, afterward, sold to Americans. Oriental art dealers played a critical role: as tastemakers for Islamic art, they acted as intermediaries between governments, American collectors, and museums. Since then, the Metropolitan's collection has continued to grow and, as in the past, generous donors continue to support its acquisitions. Today, the collection comprises approximately twelve thousand objects, of which -- in conjunction with the reopening of the New Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia on November 1 -- twelve hundred will be on view.
Pop Objects and Icons from the Guggenheim Collection - Solomon R. Guggenheim Museum
This focused exhibition demonstrates various artists' engagement with Pop art and the Guggenheim's ongoing interest in the legacy of the style.
Gifted: Collectors and Drawings at MoMA, 1929-1983 - Museum of Modern Art (MoMA)
This exhibition examines the history of MoMA's drawings collection through key gifts from donors whose connections with the Museum helped shape the institution from its earliest days. Lillie P. Bliss and Abby Aldrich Rockefeller, founders of MoMA, gave numerous masterworks to the new museum, including some of its most prized drawings. In later decades bequests by influential collectors such as James Thrall Soby continued to augment the holdings of works by artists the Museum had already shown a commitment to, while other collections, like that of Joan and Lester Avnet, were formed with MoMA's needs specifically in mind. More idiosyncratic collections, such as Ruth Vollmer's bequest to the Museum, accepted in 1983, reflect the life and activities of individual art enthusiasts during key moments in art history. Gifted is a reevaluation of the drawings collection, reflecting not only the richness of MoMA's holdings, but also the diverse forces that have shaped it and the corresponding history it represents.
Korean Eye: Energy and Matter - Museum of Arts & Design
Internationally-acclaimed exhibition Korean Eye: Energy and Matter, sponsored by Standard Chartered, shines a spotlight on new work by contemporary Korean artists. Korean Eye: Energy and Matter reflects a new era of diversity in Korean life, politics, and culture, and offers a unique opportunity for education and appreciation of Korea's rapidly developing art scene, which until recently has seen little global exposure. Korean Eye: Energy and Matter extends MAD's focus on materials and process in contemporary art and design by showcasing works of art in an astonishing range of materials, reflecting the ways in which Korean artists today are exploring techniques both traditional and innovative. Korean Eye: Energy and Matter offers an illuminating commentary on the philosophical and aesthetic conditions of modern Korean culture, from virtual reality and the pervasive influence of fantasy and pop culture to the dehumanization inherent in a post-industrial society. By turns ironic, satirical, and metaphorical, the exhibition includes photo-sculptures by Seung Hyo Jang; embroidery and acrylic paintings by Young In Hong; a large, imposing shark fabricated from reclaimed and repurposed automobile tires by Yong Ho Ji; and Meekyoung Shin's astonishing "antique" porcelain vases, rendered in soap.
Infinite Jest: Caricature and Satire from Leonardo to Levine - Metropolitan Museum of Art
The exhibition explores caricature and satire in its many forms from the Italian Renaissance to the present, drawn primarily from the rich collection of this material in the Museum's Department of Drawings and Prints. The show includes drawings and prints by Leonardo da Vinci, Eugene Delacroix, Francisco de Goya, Henri de Toulouse-Lautrec, and Enrique Chagoya alongside works by artists more often associated with humor, such as James Gillray, Thomas Rowlandson, Honore Daumier, Al Hirschfeld, and David Levine. Many of these engaging caricatures and satires have never been exhibited and are little known except to specialists.
Remembering 9/11 - New-York Historical Society
To commemorate the tenth anniversary of September 11, the New-York Historical Society will present a special exhibition, Remembering 9/11, which will be free to the public. The exhibition opens on September 8, 2011 and will remain on view through April 1, 2012. The exhibition presents a selection of several hundred photographs taken by professional and amateur photographers in the immediate aftermath of the attack on the World Trade Center (originally collected in the independent exhibition "here is new york: a democracy of photographs"), as well as letters written to policemen and firemen; objects that were placed in makeshift shrines around New York; images and texts from the New York Times "Portraits of Grief" series; photographs of the Tribute in Light; and drawings of the National September 11 Memorial, designed by architect Michael Arad with the assistance of landscape architect Peter Walker.
The Ronald S. Lauder Collection: Selections from the 3rd Century BC to the 20th Century/Germany, Austria, and France - Neue Galerie
Devoted to the extraordinary collection of Neue Galerie co-founder Ronald Lauder, the show will provide a rare glimpse into one of the finest private art collections in the world. The Ronald S. Lauder collection encompasses a broad range of masterworks. The exhibition will focus on six areas: medieval art, arms and armor, Old Master paintings, 19th- and 20th-century drawings, fine and decorative art of Vienna 1900, and modern and contemporary art. Among the artists represented are Joseph Beuys, Constantin Brancusi, Paul Cézanne, Vasily Kandinsky, Anselm Kiefer, Gustav Klimt, Henri Matisse, Pablo Picasso, and Gerhard Richter.
The Butterfly Conservatory: Tropical Butterflies Alive in Winter! - American Museum of Natural History
The Butterfly Conservatory: Tropical Butterflies Alive in Winter!, a perennial favorite visited by millions of children and adults, returns to the American Museum of Natural History. This popular winter attraction invites visitors to mingle with up to 500 iridescent butterflies fluttering among blooming tropical flowers and lush green vegetation inside a free-standing, balmy, 1,200-square-foot enclosure.