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Gretchen Parlato, Alan Hampton

04/21/17 | 10:00 PM

Rockwood Music Hall

196 Allen Street Map

212-477-4155

$15.00 and up

Official Web Site


Add to Calendar 21-04-2017 21-04-2017 EST Gretchen Parlato, Alan Hampton | 10:00 PM In the ten years since her arrival in New York City, Gretchen Parlato has emerged as one of the most inventive and mesmerizing vocalists of her generation. In an artful communion of space, texture and a genre-bending repertoire, she has introduced a musical sea-change, making the power of subtlety front and center in jazz. Parlato´s new album and DVD set, Live in NYC, serves as both a gift of gratitude for those loyal fans and a window into her captivating concert performances. Style Weekly gives insight to her live performances, saying "in performance, jazz vocalist Gretchen Parlato is a revelation… her diaphanous voice expands into an instrument of impressive range, rhythmic sophistication and emotional power." The Jazz Breakfast even picks up on the differences between her records and live performance, commenting, "the New York-based Californian and her band are terrific on record, but in live performance they fill the music with even more energy, stretching it like some magic pliable plastic into new and exciting forms. The rhythmic and dynamic expertise of all four is extraordinary. They shift the accents around, they pause, and fall back in perfectly, they deepen the groove and then ´shallow´ it gently again." This set truly exemplifies the evolution of these songs since their inception years ago. For Parlato, the release of Live in NYC is an opportunity to take a pause and look back over what has been a remarkably active and creative decade, and also to pay tribute to the city that has made it possible. "This album represents the beloved live performances we´ve shared over many years of playing together all over the world," says Parlato. "Though, it´s especially personal for me to have recorded in New York City, as 2013 marks 10 years of calling NYC my home after moving from Los Angeles." While Parlato has performed on some of the world´s most prestigious concert halls including Carnegie Hall, Hollywood Bowl, London Jazz Festival, North Sea & Montreal Jazz Festival, she chose the intimacy of Rockwood Music Hall for this special recording. Two different incarnations of Parlato´s transfixing working bands came together for two nights in December 2012 to record Live in NYC. "Over these years of touring together, two specific bands have stood out to me: Taylor Eigsti, Alan Hampton, and Mark Guiliana, and Eigsti, Burniss Earl Travis II, and Kendrick Scott. Each band has their own unique dynamic and approach to the music. I knew I had to feature both. I´ve spent so many years touring with these wonderful musicians," she explains. "I´ve always wanted to capture and share the magical energy, connection, and interaction of a live performance. Singing with these musicians has uplifted and inspired me, each of them supporting and challenging me as a singer." The album´s nine live tracks (four of which appear on the accompanying DVD) are culled from Parlato´s three albums but all of the material has been significantly transformed in the years since it was recorded. While her artistic growth has been evident on each successive album, it´s particularly enlightening to have the opportunity to revisit this material and witness first-hand how it has changed over years of bandstand evolution. It also allows Parlato´s dedicated fans to carry home the experience they´ve only been able to share in nightclubs or via festival stages. "I thought of featuring the songs that been reworked into versions that are different from how we recorded them in the studio," reflects Parlato. "So much of what we do is about the interpretive and improvisatory element each time we approach the music. The live album is accompanied by a DVD, as I wanted to make sure there was a visual component to enhance the aural experience. I find it especially fascinating to watch performers live, and get a detailed look into how they approach and play their instruments, and the dynamic and often subtle interplay between musicians," says Parlato. Herbie Hancock´s "Butterfly," which opens the album, has changed from In a Dream´s intimate trio performance with guitarist/vocalist Lionel Loueke and bassist Derrick Hodge, to a simmering, soulful full-band treatment here. "Alô Alô" from The Lost and Found, has intensified from its original multi-layered track of Parlato´s voice and percussion, to a driving rhythmic showcase, each band member playing their instruments percussively. One of Parlato´s most popular covers, a Robert Glasper re-arrangement of SWV´s "Weak," played live moves with a spacious, shifting, and elusive groove that spotlights the band´s elastic cohesion. Live in NYC closes with Parlato´s original "Better Than," with the audience singing along, almost chanting together in this spellbinding arrangement. In documenting the evolution of song and artist, Live In NYC both captures the kinetic energy of the room and reveals the tender relationship between artist and audience. It is, at its core, a joyful expression of Parlato´s heartfelt appreciation for those she has met along the way. **************************************************************** Alan Hampton's debut record, "The Moving Sidewalk" effortlessly showcases his range of musicality and resourcefulness. His tender, ashy voice shimmers over lush string trios, Dr. Who synthesizers, and finger-picked acoustic guitars, all performed by many of Brooklyn's finest musicians. The ten, carefully constructed songs are intricate hybrids of various genres and influences, pooling from Brian Wilson, Wayne Shorter, and The Band. Enhanced only by its homebrewed process, "The Moving Sidewalk" was recorded in Pete Rende's Brooklyn apartment, and mixed in David Boucher's Culver City garage. The album's cover features Hampton's whittled self-portrait standing on a winding sidewalk that ribbons from a cityscape made of papier mâché and wire form, which was designed and constructed with close friend Lindsey Anderson. An extensive musical education; years of experience as a sideman and bassist in NYC; and practice in a variety of different genres have all contributed to the abundant reservoir of resources that make Hampton's record at once eloquent and unassuming. Hampton studied composition and performance with jazz luminaries Terence Blanchard, Herbie Hancock, and Wayne Shorter at the Thelonious Monk Institute of Jazz in Southern California. After completing the program, he moved to Brooklyn where he made his mark as a bassist and sideman, performing around the world and recording with the likes of Gretchen Parlato, Sufjan Stevens, Clare and the Reasons, Robert Glasper, and Elizabeth and the Catapult. Since the arrival of "The Moving Sidewalk," and his leap from sideman to solo artist, Hampton has gained notoriety as a singer and a songwriter, and has appeared on records by Andrew Bird, Gretchen Parlato, Kendrick Scott and bassist Derrick Hodge, who is known for his work with Common, Mos Def, and Maxwell. Hampton is currently finishing his next project with featured tracks by Andrew Bird and Robert Glasper. http://www.cityguideny.com/eventinfo.cfm?id=221802 Rockwood Music Hall< Rockwood Music Hall< false DD-MM-YYYY aPCgobqrazCObPvIAmjO26779

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In the ten years since her arrival in New York City, Gretchen Parlato has emerged as one of the most inventive and mesmerizing vocalists of her generation. In an artful communion of space, texture and a genre-bending repertoire, she has introduced a musical sea-change, making the power of subtlety front and center in jazz.

Parlato´s new album and DVD set, Live in NYC, serves as both a gift of gratitude for those loyal fans and a window into her captivating concert performances. Style Weekly gives insight to her live performances, saying "in performance, jazz vocalist Gretchen Parlato is a revelation… her diaphanous voice expands into an instrument of impressive range, rhythmic sophistication and emotional power." The Jazz Breakfast even picks up on the differences between her records and live performance, commenting, "the New York-based Californian and her band are terrific on record, but in live performance they fill the music with even more energy, stretching it like some magic pliable plastic into new and exciting forms. The rhythmic and dynamic expertise of all four is extraordinary. They shift the accents around, they pause, and fall back in perfectly, they deepen the groove and then ´shallow´ it gently again." This set truly exemplifies the evolution of these songs since their inception years ago.

For Parlato, the release of Live in NYC is an opportunity to take a pause and look back over what has been a remarkably active and creative decade, and also to pay tribute to the city that has made it possible. "This album represents the beloved live performances we´ve shared over many years of playing together all over the world," says Parlato. "Though, it´s especially personal for me to have recorded in New York City, as 2013 marks 10 years of calling NYC my home after moving from Los Angeles."

While Parlato has performed on some of the world´s most prestigious concert halls including Carnegie Hall, Hollywood Bowl, London Jazz Festival, North Sea & Montreal Jazz Festival, she chose the intimacy of Rockwood Music Hall for this special recording. Two different incarnations of Parlato´s transfixing working bands came together for two nights in December 2012 to record Live in NYC. "Over these years of touring together, two specific bands have stood out to me: Taylor Eigsti, Alan Hampton, and Mark Guiliana, and Eigsti, Burniss Earl Travis II, and Kendrick Scott. Each band has their own unique dynamic and approach to the music. I knew I had to feature both. I´ve spent so many years touring with these wonderful musicians," she explains. "I´ve always wanted to capture and share the magical energy, connection, and interaction of a live performance. Singing with these musicians has uplifted and inspired me, each of them supporting and challenging me as a singer."

The album´s nine live tracks (four of which appear on the accompanying DVD) are culled from Parlato´s three albums but all of the material has been significantly transformed in the years since it was recorded. While her artistic growth has been evident on each successive album, it´s particularly enlightening to have the opportunity to revisit this material and witness first-hand how it has changed over years of bandstand evolution. It also allows Parlato´s dedicated fans to carry home the experience they´ve only been able to share in nightclubs or via festival stages.

"I thought of featuring the songs that been reworked into versions that are different from how we recorded them in the studio," reflects Parlato. "So much of what we do is about the interpretive and improvisatory element each time we approach the music. The live album is accompanied by a DVD, as I wanted to make sure there was a visual component to enhance the aural experience. I find it especially fascinating to watch performers live, and get a detailed look into how they approach and play their instruments, and the dynamic and often subtle interplay between musicians," says Parlato.

Herbie Hancock´s "Butterfly," which opens the album, has changed from In a Dream´s intimate trio performance with guitarist/vocalist Lionel Loueke and bassist Derrick Hodge, to a simmering, soulful full-band treatment here. "Alô Alô" from The Lost and Found, has intensified from its original multi-layered track of Parlato´s voice and percussion, to a driving rhythmic showcase, each band member playing their instruments percussively. One of Parlato´s most popular covers, a Robert Glasper re-arrangement of SWV´s "Weak," played live moves with a spacious, shifting, and elusive groove that spotlights the band´s elastic cohesion. Live in NYC closes with Parlato´s original "Better Than," with the audience singing along, almost chanting together in this spellbinding arrangement.

In documenting the evolution of song and artist, Live In NYC both captures the kinetic energy of the room and reveals the tender relationship between artist and audience. It is, at its core, a joyful expression of Parlato´s heartfelt appreciation for those she has met along the way.

****************************************************************

Alan Hampton's debut record, "The Moving Sidewalk" effortlessly showcases his range of musicality and resourcefulness. His tender, ashy voice shimmers over lush string trios, Dr. Who synthesizers, and finger-picked acoustic guitars, all performed by many of Brooklyn's finest musicians. The ten, carefully constructed songs are intricate hybrids of various genres and influences, pooling from Brian Wilson, Wayne Shorter, and The Band.

Enhanced only by its homebrewed process, "The Moving Sidewalk" was recorded in Pete Rende's Brooklyn apartment, and mixed in David Boucher's Culver City garage. The album's cover features Hampton's whittled self-portrait standing on a winding sidewalk that ribbons from a cityscape made of papier mâché and wire form, which was designed and constructed with close friend Lindsey Anderson.

An extensive musical education; years of experience as a sideman and bassist in NYC; and practice in a variety of different genres have all contributed to the abundant reservoir of resources that make Hampton's record at once eloquent and unassuming. Hampton studied composition and performance with jazz luminaries Terence Blanchard, Herbie Hancock, and Wayne Shorter at the Thelonious Monk Institute of Jazz in Southern California. After completing the program, he moved to Brooklyn where he made his mark as a bassist and sideman, performing around the world and recording with the likes of Gretchen Parlato, Sufjan Stevens, Clare and the Reasons, Robert Glasper, and Elizabeth and the Catapult.

Since the arrival of "The Moving Sidewalk," and his leap from sideman to solo artist, Hampton has gained notoriety as a singer and a songwriter, and has appeared on records by Andrew Bird, Gretchen Parlato, Kendrick Scott and bassist Derrick Hodge, who is known for his work with Common, Mos Def, and Maxwell.

Hampton is currently finishing his next project with featured tracks by Andrew Bird and Robert Glasper.

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