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Audubon: National Treasures - The Five Watercolors for the Second Fascicle of 'The Birds of America'
at New-York Historical Society

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Add to Calendar 17-01-2012 08-04-2012 15 Audubon: National Treasures - The Five Watercolors for the Second Fascicle of 'The Birds of America' Looking at these five watercolors you are enjoying an experience similar to that of John James Audubon's (1785–1851) original subscribers to The Birds of America (1827-1838). In distributing its 435 plates, he followed a nineteenth-century practice of issuing them serially by subscription in 87 fascicles (groups) of five prints. In a brilliant marketing ploy, John James Audubon packaged each group of engravings to consist of three small, one medium, and one large, spectacular species. The latter fully exploited the double-elephant-size paper, the largest then available, used for the prints and the watercolors of the biggest birds. In the second grouping, the pièce de résistance was the Wild Turkey (hen and chicks). Two of the other four preparatory watercolors date from an intense early period of studying birds in the company of his best pupil from Cincinnati, Joseph Mason (1808–1842), who painted many of the botanical specimens during 1821-22. All five prints after these watercolor models were initially engraved by William Home Lizars (1788–1859) in Edinburgh and retouched later by Robert Havell Jr. (1793–1878) in London. The 435 hand-colored aquatints and etchings of The Birds of America contain at least 1,026 life-size birds representing around 500 species (a number that changes as DNA evidence alters modern taxonomy). This deluxe edition, considered the most spectacular color folio print series ever produced, remains one of the world's preeminent natural history documents. http://www.cityguideny.com/eventinfo.cfm?id=101936 New-York Historical Society true DD/MM/YYYY

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Date: 01/17/12 through 04/08/12
Ages: All Ages
Address: 170 Central Park West (77 St.) - 212-873-3400
www.nyhistory.org

Description: Looking at these five watercolors you are enjoying an experience similar to that of John James Audubon's (1785–1851) original subscribers to The Birds of America (1827-1838). In distributing its 435 plates, he followed a nineteenth-century practice of issuing them serially by subscription in 87 fascicles (groups) of five prints. In a brilliant marketing ploy, John James Audubon packaged each group of engravings to consist of three small, one medium, and one large, spectacular species. The latter fully exploited the double-elephant-size paper, the largest then available, used for the prints and the watercolors of the biggest birds. In the second grouping, the pièce de résistance was the Wild Turkey (hen and chicks). Two of the other four preparatory watercolors date from an intense early period of studying birds in the company of his best pupil from Cincinnati, Joseph Mason (1808–1842), who painted many of the botanical specimens during 1821-22. All five prints after these watercolor models were initially engraved by William Home Lizars (1788–1859) in Edinburgh and retouched later by Robert Havell Jr. (1793–1878) in London. The 435 hand-colored aquatints and etchings of The Birds of America contain at least 1,026 life-size birds representing around 500 species (a number that changes as DNA evidence alters modern taxonomy). This deluxe edition, considered the most spectacular color folio print series ever produced, remains one of the world's preeminent natural history documents.

Venue Description: Founded in 1804, the New-York Historical Society is the oldest cultural institution in New York and serves as the collective memory of the city. The N-YHS offers a vast collection of American painting, sculpture, photographs, books, manuscripts, antique coaches and fire engines, works by Tiffany and more. Several exhibitions are featured yearly, as well as lectures and educational programs. Don't miss four centuries of museum collections--Tiffany lamps, furniture and paintings in the Henry Luce III Center for American Culture. It is a not-to-be-missed location while visiting New York City.

The New-York Historical Society is located in a landmark building at 170 Central Park West between 76th and 77th Street. It is open to the general public Tuesday through Sunday and on selected holiday Mondays. It is also open on Mondays during special exhibitions for school and adult groups. N-YHS facilities, galleries and auditorium are wheelchair accessible; a wheelchair accessible entrance is located at 2 West 77th Street. The N-YHS provides guided tours of the galleries several times a day and special tours for small and large groups may be arranged.

Visiting the Society: The New-York Historical Society is open to the general public Tuesday through Saturday from 10:00 a.m. to 6:00 p.m; we offer free admission on Friday from 6:00 p.m. to 8:00 p.m. Sunday hours are from 11:00 a.m. until 5:45 p.m.

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