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Valerie Hegarty: Alternative Histories
at Brooklyn Museum

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Add to Calendar 17-05-2013 01-12-2013 15 Valerie Hegarty: Alternative Histories Valerie Hegarty: Alternative Histories is the second in a series inviting contemporary artists to activate the Brooklyn Museum's Period Rooms. Hegarty's site-specific artworks, which address themes of colonization, Manifest Destiny, and repressed history, are on display in the Cupola House parlor and dining room, and in the dining room of the Cane Acres Plantation. Her installation in the Cupola House includes a Native American -- patterned rug that appears to be overgrown with grass, roots, and flowers, as well as two portraits in "conversation," one of George Washington and the other of an unidentified Native American chief. In her signature style, Hegarty has fabricated the portraits to look as though they are partially dissolved. In the plantation dining room, she has created a tableau that includes 19th-century still-life paintings come to life, with fruit bursting from their frames and into the room, to be picked at by three-dimensional crows. The installation's cultural referents include Alfred Hitchcock, racial segregation, and vanitas paintings (still-life meditations on mortality). http://www.cityguideny.com/eventinfo.cfm?id=131483 Brooklyn Museum true DD/MM/YYYY

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Date: 05/17/13 through 12/01/13
Ages: All Ages
Address: 200 Eastern Parkway - 718-638-5000
brooklynmuseum.org

Description: Valerie Hegarty: Alternative Histories is the second in a series inviting contemporary artists to activate the Brooklyn Museum's Period Rooms. Hegarty's site-specific artworks, which address themes of colonization, Manifest Destiny, and repressed history, are on display in the Cupola House parlor and dining room, and in the dining room of the Cane Acres Plantation. Her installation in the Cupola House includes a Native American -- patterned rug that appears to be overgrown with grass, roots, and flowers, as well as two portraits in "conversation," one of George Washington and the other of an unidentified Native American chief. In her signature style, Hegarty has fabricated the portraits to look as though they are partially dissolved. In the plantation dining room, she has created a tableau that includes 19th-century still-life paintings come to life, with fruit bursting from their frames and into the room, to be picked at by three-dimensional crows. The installation's cultural referents include Alfred Hitchcock, racial segregation, and vanitas paintings (still-life meditations on mortality).

Venue Description: Open Wed., Fri.-Sun., 11am-6pm; Thurs., 11am-10pm; First Saturday of each month (except September), 5-11pm. $12; $8, students and seniors (62 & over). Under 19, free (as of 9/3/2014).

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