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Vienna Waltzes at New York City Ballet

02/08/12 through 02/12/12 David H. Koch Theater, 20 Lincoln Center Plaza (Columbus Ave. at 63rd St.) Map
212-721-6500
nycballet.com Ages: All Ages
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The waltz became popular in the late 1700's. It was banned at first by some authorities who thought it immoral for couples to dance so closely, but by the mid-1800's, it was accepted everywhere. The faster Viennese form, characterized by swift, gliding turns, expressed the vivacity and brilliance of the Hapsburg court. The waltz was a dance form Balanchine revisited and explored often over his career, but never on as grand a scale as the 1977 Vienna Waltzes. Vienna Waltzes — Balanchine's homage to the pleasures and delights of an age that epitomized imperial grandeur — transforms from sylvan forest glen to sassy dance hall to glittering society cafe to, at last, a majestic mirrored ballroom through Rouben Ter-Arutunian's evolving scenery. The music selected for each section of the ballet is associated with the transformation of the waltz across society and over the years. The many elaborate costumes designed by Karinska are the last she created for New York City Ballet. For most of this century, first in Paris, and after 1938, in New York, Karinska, who left Russia after the October Revolution, designed and created many legendary costumes for Broadway, ballet and opera. As one of Balanchine's long-time collaborators, she was for many years New York City Ballet's principal costume-maker.

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