Things to do this week in NYC Jun 18-Jun 25: MuseumsJune 18, 2011 - by CG Directory Editor
Some of the world's most impressive museums and exhibits are in New York?including the Whitney, the Guggenheim, the Museum of Modern Art (MoMA), and (of course) the Metropolitan Museum of Art. One of the great things to do in NYC is to visit these spectacular collections. Whether you're a native New Yorker or here on vacation, NYC's museums have something new and interesting to offer everybody! Here is a list of what's going on this week at museums throughout New York City.
Father's Day - Intrepid Sea, Air & Space Museum
Today we celebrate Fathers by extending the same price as KIDS! Fathers will pay the price of a youth ticket just by bringing in this coupon with them when they visit the Intrepid Museum. Bring Dad, and Grandpa too, for a fun-filled day that includes special competitions on the Flight Deck of Intrepid. Check back to our website to see select times for competitions. Offer limitations: Valid for June 19, 2011 only, Must present coupon, Good for youth ticket only, Not to be combined with any other offer, not valid towards group packages, memberships or family pack.
Vertical Urban Factory - Skyscraper Museum
Vertical Urban Factory surveys more than 30 projects, including canonic examples of Modernism and new or recycled industrial architecture. The installation features over 200 photographs, diagrams, and drawings. Nine architectural models created for the exhibit using state-of the-art computer fabrication highlight a progressive design and construction. A series of films by documentary filmmaker Eric Breitbart use historical and contemporary footage to immerse the gallery visitor in the environment of conveyors systems and industrial processes. Hours: Noon-6pm, Wed.–Sun.
"Vertical Urban Factory" - Skyscraper Museum
This exhibit surveys more than 30 projects, including canonic examples of Modernism and new or recycled industrial architecture. The installation features more than 200 photographs, diagrams, and drawings.
Rooms with a View: The Open Window in the 19th Century - Metropolitan Museum of Art
This exhibition focuses on the Romantic motif of the open window as first captured by German, Danish, French, and Russian artists around 1810–20. These works include hushed, sparse rooms showing contemplative figures, studios with artists at work, and window views as sole motifs. The exhibition will feature some thirty oils and thirty works on paper by, among others, C. D. Friedrich, C. G. Carus, G. F. Kersting, Adolph Menzel, C. W. Eckersberg, Martinus Rorbye, Jean Alaux, and Leon Cogniet. Loans to the exhibition will come from museums in Germany, Denmark, France, Austria, Sweden, Italy, and the United States.
A Song for the Horse Nation - National Museum of the American Indian
A Song for the Horse Nation presents the epic story of the horse's influence on American Indian tribes from the 1600s to the present. Drawing upon a treasure-trove of stunning historical objects -- including ledger drawings, hoof ornaments, beaded bags, hide robes, paintings, and other objects -- and new pieces by contemporary Native artists, the exhibition reveals how horses shaped the social, economic, cultural, and spiritual foundations of American Indian life, particularly on the Great Plains.
German Expressionism: The Graphic Impulse - Museum of Modern Art (MoMA)
From E. L. Kirchner to Max Beckmann, artists associated with German Expressionism in the early decades of the twentieth century took up printmaking with a collective dedication and fervor virtually unparalleled in the history of art. The woodcut, with its coarse gouges and jagged lines, is known as the preeminent Expressionist medium, but the Expressionists also revolutionized the mediums of etching and lithography to alternately vibrant and stark effect. This exhibition, featuring approximately 250 works by some thirty artists, is drawn from MoMA's outstanding holdings of German Expressionist prints, enhanced by selected drawings, paintings, and sculptures from the collection. The graphic impulse is traced from the formation of the Brücke artists group in 1905, through the war years of the 1910s, and extending into the 1920s, when individual artists continued to produce compelling work even as the movement was winding down. The exhibition takes a broad view of Expressionism, highlighting a diverse array of individuals—from Oskar Kokoschka and Vasily Kandinsky to Erich Heckel and Emil Nolde—who nonetheless shared visual and thematic concerns. Their works reflect a period of intense social and aesthetic transformation, and several themes of continuing resonance emerge. These include a focus on urban experience, an uncompromising approach to the body and sexuality, and an abiding preoccupation with nature, religion, and spirituality. Most pivotal for these years, however, was the experience of World War I. The war and its aftermath are the subject of works by a range of artists, including Otto Dix, whose series of fifty searing etchings, The War, was based on his own service in the trenches; Käthe Kollwitz, in a portfolio of seven woodcuts focusing on the devastation felt by the families left behind; and Max Beckmann, whose lithographic series, Hell (1919), confronts the violence and decadence in Berlin during the immediate postwar period. In addition to a publication and a major website on German Expressionism, the exhibition will mark the culmination of a major four-year grant from The Annenberg Foundation to digitize, catalogue, and conserve all of the approximately three thousand Expressionist works on paper in the Museum's collection.
Body & Spirit: Tibetan Medical Paintings - American Museum of Natural History
An exhibition of 64 Tibetan medical paintings (also known as tangkas), in the Museum's fourth-floor Audubon Gallery. On view for the first time in a museum exhibition, these hand-painted reproductions of traditional scroll paintings provide a unique and richly illustrated history of early medical knowledge and procedures in Tibet and are believed to be among only a handful of such sets in existence. Each of the paintings on display was painstakingly reproduced by hand in the late 1990s by Romio Shrestha, a Nepalese artist, and his students, who followed the Tibetan tradition of copying older paintings, basing their work on two published sets of medical tangkas likely painted in the early 1900s that were copies of the original set. The originals were created in the late 1600s to illustrate the Blue Beryl, an important commentary on the classic Tibetan medical text, The Four Tantras. Also on display in this exhibition is a Buddha statue made of gilded copper alloy, minerals used in medicine, and Tibetan medical instruments from the early 1900s. The Museum is deeply grateful to Emily H. Fisher and John Alexander, whose vision and generosity supported the acquisition and conservation of this collection of Tibetan Medical Paintings. Body and Spirit is made possible by a very generous gift from the Estate of Marian O. Naumburg.
Alexander McQueen - Savage Beauty - Metropolitan Museum of Art
The exhibition, organized by The Costume Institute, celebrates the late Alexander McQueen's extraordinary contributions to fashion. From his Central Saint Martins postgraduate collection of 1992 to his final runway presentation, which took place after his death in February 2010, Mr. McQueen challenged and expanded the understanding of fashion beyond utility to a conceptual expression of culture, politics, and identity. His iconic designs constitute the work of an artist whose medium of expression was fashion. The exhibition will feature approximately one hundred ensembles and seventy accessories from Mr. McQueen's prolific nineteen-year career. Drawn primarily from the Alexander McQueen Archive in London, with some pieces from the Givenchy Archive in Paris as well as private collections, signature designs including the 'bumster' trouser, the kimono jacket, and the three-point "origami" frock coat will be on view. McQueen's fashions often referenced the exaggerated silhouettes of the 1860s, 1880s, 1890s, and 1950s, but his technical ingenuity always imbued his designs with an innovative sensibility that kept him at the vanguard.
Francis Alÿs: A Story of Deception - Museum of Modern Art (MoMA)
Francis Alÿs (b. 1959, Antwerp, Belgium) uses poetic and allegorical methods to address political and social realities, such as national borders, localism and globalism, areas of conflict and community, and the benefits and detriments of progress. Alÿs's personal, ambulatory explorations of cities form the basis for his practice, through which he compiles extensive and varied documentation that reflects his ideas and process. As one of the foremost artists of his generation, Alÿs has produced a complex and diverse body of work that includes video, painting, performance, drawing, and photography. This exhibition draws on the Museum's unique and important collection of Alÿs's work, highlighting three recent major acquisitions—Re-enactments (2001), When Faith Moves Mountains (2002), and Rehearsal I (Ensayo I) (1999–2001)—which include video installations, paintings, drawings, collages, photographs, and newspaper clippings. These works present an investigation of methods of social action, from rehearsals and re-enactments in urban environments that address the politics of public space to large-scale communal participation where the culmination of many small acts achieves mythic proportions. The exhibition, which is conceptually grouped around these three thematic bodies of work, also includes additional artworks that the artist has developed around the idea of rehearsal and re-enactment in relation to progress in art and everyday life. The exhibition continues at MoMA PS1 with an in-depth look at Modern Procession (2002), a piece commissioned by MoMA to mark it's temporary relocation to Queens during the Museum's 2002–04 expansion project.
Joel Grey/A New York Life - Museum of the City of New York
Joel Grey/A New York Life examines the enduring impact that performer and photographer Joel Grey and his adopted city have made on each other. Through rare artifacts from his stage and screen career, objects from his personal collection, and his own photography, the exhibition offers a unique look at New York through Grey's eyes. Joel Grey/A New York Life will include posters, playbills, and costume pieces from Grey's iconic productions, combined with a selection of his New York City photographs. Together, they dramatize how the breadth of his artistic work has been nurtured and inspired by his life in New York City. Closed Mon.
Brain: The Inside Story - American Museum of Natural History
This unprecedented journey through the essential bundle of neurons that is the human brain offers insight through a sensory feast of imaginative art, vivid brain scan imaging, and thrilling interactive exhibits. Features include a "Brain Lounge," where you can view colorful, functional brain scans -- or fMRIs -- of two musicians, a NY Knick, and a U.N. translator. Open daily. $16; children 2-12, $9.
Richard Serra Drawing: A Retrospective - Metropolitan Museum of Art
This first retrospective of drawings by the contemporary American artist Richard Serra (b. 1939) presents a comprehensive overview of some forty years of his drawing activity. It traces the development of drawing as an art form independent from yet linked to his sculptural practice. Drawing for Serra has always played a crucial role in the investigation of new concepts and new creative methods. It has been a means of exploration of formal and perceptual relationships between the artwork and the viewer. His innovative ideas have radically transformed the traditional understanding of drawing as a form outlined against a background of the paper support, and exponentially expanded the definition of modern drawing through novel techniques, unusual media, monumental scale, and carefully conceived relationships to surrounding spaces.
This installation features a selection of one hundred examples of important boxes, caskets, and small chests from the Metropolitan Museum's European Sculpture and Decorative Arts Department. For centuries, boxes, caskets, cabinets, and chests played an important role in everyday life. Ranging from strongboxes to travel cases and from containers for tea or tobacco to those for the storage of toiletries or silverware, these lidded pieces were made in a large variety of shapes and sizes, and of many different materials. The form and decoration of these objects not only reflect changes in social customs and manners but also follow the stylistic developments in Europe over four hundred years. Pieces made of tortoiseshell, carved and veneered wood, porcelain, hard stones and natural substances, embroidery, various metals, leather, enamel, pastiglia, and straw will be included. These objects, some of which have not been on display for years, were much more than mere containers and often became precious works of art, collected in their own right.
A Chronology: The Guggenheim Collection, 1909-1979 - Solomon R. Guggenheim Museum
In 1937, Solomon R. Guggenheim established a foundation with the goal of opening a museum to publicly exhibit and preserve his holdings of modern art. Since then, the museum's founding collection has been enhanced through major gifts and purchases from pioneering individuals who share Guggenheim's spirit. A Chronology: The Guggenheim Collection, 1909-1979 presents a visually dynamic time line of this extraordinary metamorphosis from private collection to public museum.
Turkish Taste at the Court of Marie-Antoinette - Frick Collection
France has long been fascinated by the Ottoman Empire, and for hundreds of years the taste for turquerie was evident in French fashion, literature, theater and opera, painting, architecture, and interior decoration. Turquerie, a term that came into use in the early nineteenth century, referred to essentially anything produced in the West that evoked or imitated Turkish culture. It was during the late eighteenth century at the court of Marie-Antoinette that the Turkish style reached new heights, inspiring some of the period's most original creations, namely boudoirs or cabinets decorated entirely in the Turkish manner. In 1776 and 1777, several operas and plays with Turkish themes were performed at the French court, increasing the nobility's interest in Turkish style. Soon thereafter, three interiors à la turque were created for the comte d'Artois, Louis XVI's younger brother, and Marie-Antoinette commissioned boudoirs turcs for her apartments at Versailles and Fontainebleau. Since these retreats were intended for private entertaining, interior decorators were allowed more freedom than was permitted for the official, more public apartments at court. The highly theatrical rooms featured furniture and wall panels decorated with turbaned figures, camels, palm trees, and other Turkish motifs, but their form and function remained essentially French. Created for the royal family and wealthy aristocrats, the objects were always of the highest quality, made by the best artists and craftsmen of the day. This summer, The Frick Collection will present a dossier exhibition featuring several pieces made in the Turkish manner for members of the French court, including a pair of console tables acquired by Henry Clay Frick in 1914, that illustrate a particularly inventive aspect of French eighteenth-century decorative style. The exhibition is organized by Charlotte Vignon, Associate Curator of Decorative Arts, The Frick Collection.
Drawings and Prints: Selections from the Permanent Collection - Metropolitan Museum of Art
This exhibition includes a selection of drawings made by Northern artists visiting Italy in the eighteenth century. Some were attracted by the crumbling ruins of well-known ancient buildings like the Colosseum, while others were drawn to more anonymous corners of the verdant countryside. Also on display will be a recently acquired pastel study of a French Dragoon by Anne-Louis Girodet-Trioson (French, 1767-1824) for "The Revolt of Cairo," shown with other military-themed images from the Revolutionary and Napoleonic periods.
Inspiration and Industry - American Women on the Home Front - Intrepid Sea, Air & Space Museum
The purpose of wartime posters was to unify and mobilize Americans. During World War I and World War II, U.S. government posters urged all citizens to make a personal commitment to the war effort. The special exhibition Inspiration and Industry draws upon original wartime posters to explore the contributions of women during these two conflicts.
Breaking Ground: The Whitney's Founding Collection - Whitney Museum of American Art
At the turn of the twentieth century, Gertrude Vanderbilt Whitney, an heiress and sculptor born to one of America's wealthiest families, began to assemble a rich and highly diverse collection of modern American art. This group of objects, combined with a trove of new works purchased around the time of the Whitney Museum's opening in 1931, came together to form the founding collection. This exhibition features a selected group of works from the approximately 1,000 objects in the Whitney's founding collection, including iconic paintings by artists such as Stuart Davis, Charles Sheeler, George Bellows, Rockwell Kent, Edward Hopper, and Georgia O'Keeffe, as well as works by lesser-known artists. Co-curated by Barbara Haskell and Sasha Nicholas. Breaking Ground: The Whitney's Founding Collection is the first in a multiyear series of exhibitions aimed at reassessing the museum's collection. Unfolding in chronological order over a two year period, these exhibitions will explore overlooked developments in American art and reconsider iconic figures and masterworks within new frameworks and contexts.
Young Architects Program 2011 - Museum of Modern Art (MoMA)
This exhibition features the proposals of the five finalists in the MoMA PS1 Young Architects Program and the five finalists from our new affiliated program at the National Museum of XXI Century Arts in Rome. Now in its 12th edition, the Young Architects Program at MoMA PS1 offers emerging architectural talent the opportunity to design and present innovative projects, challenging each year's winners to develop highly innovative designs for a temporary outdoor installation at MoMA PS1 that provides shade, seating, and water. The architects must also work within guidelines that address environmental issues, including sustainability and recycling. For the first time, MoMA and MoMA PS1 are partnering with another institution, the National Museum of XXI Century Arts of Rome in Rome (MAXXI), to create an international Young Architects Program network. The winning designs, by Interboro Partners (Brooklyn) at MoMA PS1 and stARTT (Rome) at MAXXI, will be on view throughout the summer in the respective museum courtyards. The project submissions of all the finalists -- including Raffaella De Simone/Valentina Mandalari (Palermo), Ghigos Ideas (Lissone/Milan), Asif Khan (London), and Langarita Navarro Arquitectos (Madrid) for Rome; and formlessfinder (Brooklyn), IJP (London), MASS Design Group (Cambridge), and Matter Practice (Brooklyn) for New York -- are exhibited at both venues.
Special Display: A 22' USS Intrepid Model Made of Lego® Bricks! - Intrepid Sea, Air & Space Museum
Artist Ed Diment has assembled an amazing 22-foot-long, 550 pound model USS Intrepid out of LEGO bricks. The model USS Intrepid was crafted out of 250,000 LEGO(register tm) bricks, and is nearly 4.5 feet high and 4.5 feet wide. Diment resides in Portsmouth, England, where he originally built the model after visiting the Intrepid Sea, Air & Space Museum while vacationing in New York. Free with Museum admission.
Anthony Caro on the Roof - Metropolitan Museum of Art
Sculptures by Anthony Caro (b. 1924) -- who is considered the most influential and prolific British sculptor of his generation and a key figure in the development of modernist sculpture over the last sixty years -- is featured in the 2011 installation on The Iris and B. Gerald Cantor Roof Garden. The installation features a selection of sculpture in steel, painted and unpainted, spanning the artist's career to date and highlighting principal aspects of his long career: engagement with form in space, dialogue between sculpture and architecture, and creation of new, abstract analogies for the human figure and landscape.
THE HUGO BOSS PRIZE 2010 - Hans-Peter Feldmann - Solomon R. Guggenheim Museum
Hans-Peter Feldmann, winner of THE HUGO BOSS PRIZE 2010, has spent over four decades conducting a profound investigation into the influence of the visual environment on our subjective reality. Composing images and objects into serial archives, uncanny combinations, and other illuminating new contexts, his work unearths the latent associations and sentiments that permeate the familiar landscape of daily life.
The World's Largest Dinosaurs - American Museum of Natural History
A new exhibition that goes beyond traditional fossil shows to reveal how dinosaurs actually lived by taking visitors into the amazing anatomy of a uniquely super-sized group of dinosaurs: the long-necked and long-tailed sauropods, which ranged in size from 15 to 150 feet long. Drawing on the latest science that looks in part to existing organisms to understand these extinct giants, The World's Largest Dinosaurs will answer such intriguing questions as how an extremely large animal breathes, eats, moves, and survives by illuminating how size and scale are related to basic biological functions. Innovative interactive exhibits -- including the exhibition centerpiece, a life-sized, fleshed-out model of a 60-foot- long, 11-foot-tall female Mamenchisaurus, known for its remarkable, 30-foot neck -- will take visitors inside these giants' bodies, shedding light on how heart rate, respiration, metabolism, and reproduction are linked to size. An interactive excavation at the end of the exhibition will introduce visitors to how dinosaurs are discovered in the field through a replicated dig site.
Frogs: A Chorus of Colors - American Museum of Natural History
This delightful exhibition will introduce visitors to the colorful and richly diverse world of frogs. More than 200 live frogs, from tiny dart poison frogs (some less than an inch long) to the enormous African bullfrog (as big as eight inches in diameter) will be shown in their re-created habitats, complete with rock ledges, live plants, and waterfalls. Approximately 25 species native to Argentina, Bolivia, Borneo, Brazil, China, Ecuador, Indonesia, Madagascar, Myanmar, Paraguay, Russia, Sumatra, the United States, Uruguay, and Vietnam, will be featured. The exhibition will explore the evolution and biology of these amphibians, their importance to ecosystems, and the threats they face in the world's changing environments. Interactive stations throughout the exhibition will invite visitors to activate recorded frog calls, view videos of frogs in action, and test their knowledge about frogs. Admission to the exhibition is $24 for adults, $14 for children, and $18 for seniors and students.
"Frogs: A Chorus of Colors" - American Museum of Natural History
More than 200 live frogs are shown in their re-created habitats from around the world. The exhibition explores the evolution and biology of these amphibians, their importance to ecosystems, and the threats they face in the world's changing environments. Interactive stations invite visitors to activate recorded frog calls, view videos of frogs in action, and test their knowledge about frogs.
El Museo's Bienal: The (S) Files 2011 - El Museo Del Barrio
El Museo's Bienal: The (S) Files 2011 is El Museo del Barrio's sixth biennial of the most innovative, cutting-edge art created by Latino, Caribbean, and Latin American artists currently working in the greater New York area. This year's edition spreads all over the city, showcasing a record 75 emerging artists in six different venues. Aiming to expand the definition of contemporary Latino and Latin American art, The (S) Files 2011 takes on a broad exploration of the visual energy, events, and aesthetics of the street. While considering the more conventional understandings of street art such as graffiti and mural painting, The (S) Files 2011 extends the definition of street art by also considering non-traditional art objects as well as works from other disciplines, including music and fashion. The (S) Files 2011 explores how the boundaries between public/private and personal/universal are blurred by urban culture, and examines the street as catalyst for change in mainstream culture. The exhibition looks at how these social borders mix and dissolve in urban environments, and how artists use these social alterations as points of creative departure. Among the themes developed in The (S) Files 2011 are the influence of early New York street art movements, text and urban styles, and the creation of art works from urban debris. The variety of issues addressed by the artists range from daily life situations, to social behaviors, to economic distress. In addition to its overall focus on New York-based artists, The (S) Files 2011 celebrates the Biennial of the Central American Isthmus (Bienal del Istmo Centroamericano) by showcasing the work of a group of artists featured in its most recent edition.