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Black Moth Super Rainbow

09/22/19 | 8:00 PM

Brooklyn Bowl

61 Wythe Avenue Map

718-963-3369

$20.00


22-09-2019 12:00:00 22-09-2019 12:00:00 America/New_York Black Moth Super Rainbow | 8:00 PM If you haven't panicked lately, you're either blissfully ignorant or have gone completely clear. For the rest of us attempting to navigate the political, economical, and cultural carnage, Edvard Munch's "The Scream" succinctly captures the statue of psychic dislocation. Or N.W.A.'s "The Panic Zone." Or Black Moth Super Rainbow's Panic Blooms, the latest disorienting dystopian masterpiece from the experimental pop arsonists that haunt the black-leaved Pennsylvania woods. For the last decade, BMSR and frontman TOBACCO have explored the periphery of evil and extreme color, alternating between absurdly bright beauty and the slashed throat sinister. A sound impossible to replicate, as though it burst fully formed from a paisley-painted fire hydrant stationed in hell. They combine the aesthetically gorgeous with the hideously ugly to create a psychedelic uneasiness usually only seen in old oil paintings. What if Goya or Bosch made ravaged vocoder pop? Or a neo-impressionist painter committed himself to creating slow woozy earworms so iridian and vivid you'd think he sliced off an ear in the process. We know scarcely anything personal about TOBACCO. There's his government name, Tom Fec. A few photos if you want to Google, most of them in a mask. He's done enough interviews where he patiently breaks down the creative process and the ideas espoused, but has mostly resisted the soul-snuffing admissions expected from contemporary musicians. In that vein, he's closer to a Boards of Canada, DOOM, or Aphex Twin—periodically visible but opaque—emotional but unwilling to exploit the self-mythology and cult that cropped up around him. So maybe this is why Panic Blooms is slightly startling. Never before has TOBACCO been so raw or direct in his lyrics. It's a fucked up and bleeding account of depression and the shadow side of human frailty, full of gorgeous warped melodies that exist as their own genre, somewhere between late 90s Warp Records, dub, and chopped and screwed codeine drip. It's not drug music, it's dragged music, oozing through the muck of the present moment, past mutating the present, demon melodies filtered through the vain search for light. This is why Pitchfork claimed BMSR mastered the balance between the grotesque and beautiful. Spin hailed their "consistently great records of mind-altering, sugar-coated, vocoder-heavy psychedelic pop." Stereogum saluted their "excellent haze." Encoded in a syrupy fog, TOBACCO's lines stab with more ferocity than ever before. From the first track, the knives are out and slashing with chimerical violent imagery: mouths bleeding from razor blades stashed in tangerines and the ominous sensation of feeling haunted. There are sunset curses and diseased plants, sunburn fevers and doomsday downgrades, pink apocalyptic suns and sinister omens. It's reminiscent of the phrase used to describe surrealism: as beautiful as the chance encounter of a sewing machine and an umbrella on an operating table. Here we are in 2018, inhabiting a tumorous wasteland with singed nerves and synapses fried from scrolling for far too long. This is what the fear sounds like in its most pristine form. The floral bloom and the toxic wilt, the sound of dreams and nightmares reaching détente, a ride through the void, where the fumes offer all the anesthetic you need. http://www.cityguideny.com/eventinfo.cfm?id=386535 Brooklyn Bowl Brooklyn Bowl
If you haven't panicked lately, you're either blissfully ignorant or have gone completely clear. For the rest of us attempting to navigate the political, economical, and cultural carnage, Edvard Munch's "The Scream" succinctly captures the statue of psychic dislocation. Or N.W.A.'s "The Panic Zone." Or Black Moth Super Rainbow's Panic Blooms, the latest disorienting dystopian masterpiece from the experimental pop arsonists that haunt the black-leaved Pennsylvania woods. For the last decade, BMSR and frontman TOBACCO have explored the periphery of evil and extreme color, alternating between absurdly bright beauty and the slashed throat sinister. A sound impossible to replicate, as though it burst fully formed from a paisley-painted fire hydrant stationed in hell. They combine the aesthetically gorgeous with the hideously ugly to create a psychedelic uneasiness usually only seen in old oil paintings. What if Goya or Bosch made ravaged vocoder pop? Or a neo-impressionist painter committed himself to creating slow woozy earworms so iridian and vivid you'd think he sliced off an ear in the process. We know scarcely anything personal about TOBACCO. There's his government name, Tom Fec. A few photos if you want to Google, most of them in a mask. He's done enough interviews where he patiently breaks down the creative process and the ideas espoused, but has mostly resisted the soul-snuffing admissions expected from contemporary musicians. In that vein, he's closer to a Boards of Canada, DOOM, or Aphex Twin—periodically visible but opaque—emotional but unwilling to exploit the self-mythology and cult that cropped up around him. So maybe this is why Panic Blooms is slightly startling. Never before has TOBACCO been so raw or direct in his lyrics. It's a fucked up and bleeding account of depression and the shadow side of human frailty, full of gorgeous warped melodies that exist as their own genre, somewhere between late 90s Warp Records, dub, and chopped and screwed codeine drip. It's not drug music, it's dragged music, oozing through the muck of the present moment, past mutating the present, demon melodies filtered through the vain search for light. This is why Pitchfork claimed BMSR mastered the balance between the grotesque and beautiful. Spin hailed their "consistently great records of mind-altering, sugar-coated, vocoder-heavy psychedelic pop." Stereogum saluted their "excellent haze." Encoded in a syrupy fog, TOBACCO's lines stab with more ferocity than ever before. From the first track, the knives are out and slashing with chimerical violent imagery: mouths bleeding from razor blades stashed in tangerines and the ominous sensation of feeling haunted. There are sunset curses and diseased plants, sunburn fevers and doomsday downgrades, pink apocalyptic suns and sinister omens. It's reminiscent of the phrase used to describe surrealism: as beautiful as the chance encounter of a sewing machine and an umbrella on an operating table. Here we are in 2018, inhabiting a tumorous wasteland with singed nerves and synapses fried from scrolling for far too long. This is what the fear sounds like in its most pristine form. The floral bloom and the toxic wilt, the sound of dreams and nightmares reaching détente, a ride through the void, where the fumes offer all the anesthetic you need.

Upcoming Events at Brooklyn Bowl

Bowlive Viii Featuring Soulive with Special Guest Ivan Neville - 07/20/19

Raging Fyah - 07/21/19

Villalobos Brothers - 07/23/19

Ibibio Sound Machine - 07/25/19

Songs in the Key of Purple: A Stevie and Prince Tribute - 07/26/19

Long Beach Dub Allstars - 07/27/19

The Rock and Roll Playhouse Plays: The Music of Reggae for Kids - 07/28/19

Jupiter & Okwess - 07/31/19

Ghost-Note - 08/01/19

John Kadlecik & the West Philly Fadeaway Feat. Marc Brownstein & Aron Magner (The Disco Biscuits) + Mike Greenfield (Lotus) - 08/02/19

Tragedy: All Metal Tribute to the Bee Gees & Beyond - 08/03/19

The Rock and Roll Playhouse Plays Music of Dave Matthews Band for Kids - 08/04/19

Howlin Rain - 08/07/19

Marchfourth - 08/08/19

Thunderpussy - 08/09/19

Donavon Frankenreiter - 08/10/19

The Rock and Roll Playhouse Plays: The Music of Phish for Kids - 08/11/19

A Midsummer Night's Jam for the People Feat. the Fatties + a Special Set by Shira Elias (Of Turkuaz) and the Debut of Togetherness Orchestra - 08/14/19

Bonerama Plays Zeppelin - 08/15/19

Galactic Featuring Erica Falls - 08/16/19

The 5th Annual Split'n Lanes Dodgin' Gutters Classic Motorcycle Show - 08/18/19

Bone Thugs-N-Harmony - 08/21/19

Lost Bayou Ramblers + Poguetry Feat. Spider Stacy and Cait O'Riordian - 08/23/19

Wigjam: Grateful Dead Tribute - 08/29/19

The Frank White Experience: A Full Live Band Tribute to the Notorious B.I.G. - 08/31/19

Rumours - a Fleetwood Mac Tribute - 09/01/19

Blackberry Smoke - 09/06/19 - 09/07/19

Blackberry Smoke 2 Night Pass! - 09/07/19

The Green - 09/08/19

Yacht Rock Revue - 09/11/19

Wax Tailor (Dj Set) - 09/12/19

Sister Sparrow & the Dirty Birds - 09/14/19

Og Garage a Trois - 09/20/19

Strand of Oaks - 09/26/19

Stereolab - 09/27/19

Stereolab - 09/28/19

Lyrics Born + Con Brio - 10/02/19

Houndmouth - 10/04/19 - 10/05/19

Meute - 10/05/19

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