NYBI presents Alchemy: Fire
ALCHEMY: SERIES BASED ON THE CLASSICAL ELEMENTS NYBI launches Alchemy, a series based on the classical elements: water, air, earth, and fire. Program features a pan-European selection of works by J. S. Bach, Louis-Nicolas Clérambault, George Frideric Handel, Pietro Locatelli, Georg Philip Telemann and Antonio Vivaldi.
FIRE TICKETS > bit.ly/Alchemy-Fire 7:30pm - 9:30pm Gallery: $20 advance | $30 door Ground Floor: $35 advance | $45 door Limited tickets — advance purchase recommended.
PROGRAM George Frideric Handel (1685 1759) Overture; Qualinsolita luce Caddi, è ver, ma nel cadere; "Ebben, questo tuo Nume O voi dellErebo from La resurrezione, HWV 47 I rage, I melt, I burn O ruddier than the cherry from Acis and Galatea
Alessandro Scarlatti (1660 1725) Sinfonia avanti la Serenata Bonaventura Aliotti (1640 1690) Cessi il vostro dolore - Non sospirare no - Se dellombre il from Santa Rosalia Johann Sebastian Bach (1685 1750) Orchestral Suite No. 3 in D, BWV 1068 Der alte Drache brennt vor neid from Herr Gott, dich loben alle wir, BWV 130 Alles, was von Gott geboren from Ein feste Burg ist unser Gott, BWV 80
FEATURING BASS-BARITONE Dashon Burton
ABOUT NYBI Currently in their 7th season, New York Baroque Incorporated (NYBI) is a conductorless orchestra of period instruments in New York City, bringing vital, informed, and fresh performances of a wide range of 17th and 18th-century repertoire, as well as creating a vibrant landscape for collaborations between historical performance and living composers. NYBI has collaborated with renowned soloists including Richard Egarr, Vivica Genaux, Monica Huggett, and has performed at Carnegie Hall, the Metropolitan Museum of Art, and Spoleto Festival USA. Striving to make period instruments a living art form, NYBI has premiered works by Nico Muhly, Hollis Taylor, and Huang Ruo. The orchestra also dedicates itself to bring to life unknown works of the Baroque, and has revived and presented modern-day premieres of Cavalli’s Veremonda (1652), Aliotti’s Santa Rosalia (1687) and Seckendorff’s Proserpina (1777).
Venue: Saint Paul’s Chapel
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