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Terry Winters Forces and Fictions

04/06/18 through 07/29/18

The Drawing Center

35 Wooster St Map

212-219-2166


06-04-2018 12:00:00 29-07-2018 12:00:00 America/New_York Terry Winters Forces and Fictions A leading figure in the art world for four decades, Terry Winters became well known in the 1980s for his materially-conscious drawings and paintings. Representing the patterns and schema that undergird physical and intellectual life—French philosopher Gilles Deleuze is cited as an important reference—Winters's drawings of grids, networks, and knots illustrate complex encounters between biological drives, technological systems, and mental processes. The Drawing Center's Main Gallery will present an overview of Winters's drawings from 1980 to the present including full cycles of drawings, such as File Drawings (2009), as well as a selection of large-scale works on paper that foreground the overarching theme of Winters's practice: the desire to make sense, however fictively, of the manner in which the visible world is constructed and received. Rather than offering a comprehensive drawing retrospective, the show will be organized with an eye to morphological relationships so that, as viewers move through the gallery, they will recall and ideally return to earlier related images. http://www.cityguideny.com/eventinfo.cfm?id=243376 The Drawing Center The Drawing Center

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A leading figure in the art world for four decades, Terry Winters became well known in the 1980s for his materially-conscious drawings and paintings. Representing the patterns and schema that undergird physical and intellectual life—French philosopher Gilles Deleuze is cited as an important reference—Winters's drawings of grids, networks, and knots illustrate complex encounters between biological drives, technological systems, and mental processes. The Drawing Center's Main Gallery will present an overview of Winters's drawings from 1980 to the present including full cycles of drawings, such as File Drawings (2009), as well as a selection of large-scale works on paper that foreground the overarching theme of Winters's practice: the desire to make sense, however fictively, of the manner in which the visible world is constructed and received. Rather than offering a comprehensive drawing retrospective, the show will be organized with an eye to morphological relationships so that, as viewers move through the gallery, they will recall and ideally return to earlier related images.

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