Things to do this week in NYC Apr 20-Apr 27: MuseumsApril 20, 2013 - by CG Directory Editor
Some of the world's most impressive museums and exhibits are in New York?including the Whitney, the Guggenheim, the Museum of Modern Art (MoMA), and (of course) the Metropolitan Museum of Art. One of the great things to do in NYC is to visit these spectacular collections. Whether you're a native New Yorker or here on vacation, NYC's museums have something new and interesting to offer everybody! Here is a list of what's going on this week at museums throughout New York City.
Excess of Void - Museum of Arts & Design
Exploring the possibilities of producing open material, NYC based artists Aaron Anderson and Eric Carlson take residence at MAD through the winter and spring of 2013 as they construct their project, Excess of Void.
Sketching in the Gallery - Morgan Library & Museum
Visitors are invited to spend up to two hours sketching from works on view and the Morgan's architecture. After suggesting a selection of subjects to draw from, artist and Parsons faculty member Susan Stillman will be available for assistance. Stools, boards, and a selection of pencils and drawing paper are provided. Personal sketchbooks, ink, paint, markers, charcoal, chalk, pastels, and folding stools, are permitted. Easels are not permitted in the galleries. Free with admission; Materials available on a first-come, first-serve basis.
The Shaping of New Visions: Photography, Film, Photobook - Museum of Modern Art (MoMA)
This exhibition, covering the period from 1910 to today, offers a critical reassessment of photography's role in the avant-garde and neo-avant-garde movements -- with a special emphasis on the medium's relation to Dada, Bauhaus, Surrealism, Constructivism, New Objectivity, Conceptual, and Post-Conceptual art -- and in the development of contemporary artistic practices. The shaping of what came to be known as "New Vision" photography bore the obvious influence of "lens-based" and "time-based" works. El Lissitzky best summarized its ethos: "The new world will not need little pictures," he wrote in The Conquest of Art (1922). "If it needs a mirror, it has the photograph and the cinema." Bringing together over 250 works from MoMA's collection, the exhibition features major projects by Man Ray, Laszlo Moholy-Nagy, Aleksandr Rodchenko, Germaine Krull, Gerhard Ruhm, Helen Levitt, Daido Moriyama, Robert Heinecken, Ed Ruscha, Martha Rosler, Bernd and Hilla Becher, Philip-Lorca DiCorcia, and Walid Raad, among others. Photographic history is presented as a multivalent history of distinct "new visions," rooted in unconventional and innovative exercises that range from photograms and photomontages to experimental films and photobooks.
Zarina: Paper Like Skin - Solomon R. Guggenheim Museum
The exhibition Zarina: Paper Like Skin, organized by Allegra Pesenti, Curator, Grunwald Center for the Graphic Arts, Hammer Museum, Los Angeles, travels to the Guggenheim Museum as part of its international tour. This retrospective of Indian-born American artist Zarina Hashmi is the first major exploration of the artist's career, charting a developmental arc from her work in the 1960s to the present and includes many seminal works from the late 1960s and early 1970s, woodblock prints, etchings and lithographs, and a small selection of related sculptures in bronze and cast paper. The Guggenheim's recent acquisition of 20 works from a major series of pin drawings from 1975 to 1977 serves as a fulcrum for the New York presentation, which is conceived in close collaboration with the artist. An exhibition catalogue provides insights into her life and work. The New York presentation is organized by Sandhini Poddar, Associate Curator, Asian Art, Solomon R. Guggenheim Museum.
The Path of Nature: French Paintings from the Wheelock Whitney Collection, 1785-1850 - Metropolitan Museum of Art
In 2003 the Metropolitan Museum acquired a significant group of paintings spanning a key period in European history, beginning with the advent of the French Revolution and concluding with the reign of Louis-Philippe. Assembled by the New York connoisseur Wheelock Whitney between 1972 and 2000, this collection reveals a rich tradition of painting out of doors nearly a century before Impressionism, thus amplifying the role of the natural world as a source of inspiration to artists on the cusp of the modern epoch. This exhibition of fifty paintings is the first to be devoted entirely to the Whitney collection and includes examples by numerous painters who are thought to be represented in no other American museum.
Drawing Surrealism - Morgan Library & Museum
Bringing together more than 160 works on paper by such iconic artists as Salvador Dali, Max Ernst, Leonora Carrington, and Joan Miro, this is the first major exhibition to explore the central role of drawing in surrealism, one of the most important movements in twentieth-century art. Once considered a minor medium, drawing became a predominant means of expression and innovation among surrealist artists in the first half of the twentieth century, resulting in a rich array of graphic techniques including automatic drawing, collage, decalcomania, exquisite corpse, and frottage.
German Expressionism 1900-1930: Masterpieces from the Neue Galerie Collection - Neue Galerie
The Neue Galerie presents important works of German Expressionism from its permanent collection. The exhibition examines themes of primitivism and modernity, two poles of Expressionism that artists employed to free themselves from the academic conventions of the 19th century.
German & Austrian Decorative Arts from Jugendstil to the Bauhaus: The Harry C. Sigman Gift - Neue Galerie
Featuring over 100 works of German and Austrian decorative arts from Los Angeles-based attorney and collector Harry C. Sigman.
Artboom! - Museum of Arts & Design
Downtown Art Star, Uptown Fashion Maven, On-trend and On Time, Mary Boom!'s new talk show, ArtBoom! probes art world personalities and Avant-Gartist(e)s, daring to question market marvels, proposing new theoretical stratagems, and teasing only the most honest responses from her illustrious coterie of guests. May the holds be unbarred!
Kandinsky 1911-1913 - Solomon R. Guggenheim Museum
Perhaps more than any other 20th-century painter, Vasily Kandinsky (b. 1866, Moscow; d. 1944, Neuilly-sur-Seine, France) has been closely linked to the history of the Guggenheim Museum. Hilla Rebay--artist, art advisor, and the museum's first director--promoted nonobjective painting above all other forms of abstraction. She was particularly inspired by the work and writing of Kandinsky, a pioneer of abstraction, who believed that the task of the painter was to convey his own inner world, rather than imitate the natural world. The museum's holdings have grown to include more than 150 works by Kandinsky, and focused exhibitions of his works are presented in the Kandinsky Gallery on Annex Level 3. The current installation, Kandinsky 1911-1913, highlights paintings completed at the moment the artist made great strides toward complete abstraction and published his aesthetic treatise, On the Spiritual in Art (1911, though dated 1912). Also featured are paintings by Robert Delaunay and Franz Marc that were exhibited alongside the work of Kandinsky and others in the landmark 1912 Der Blaue Reiter (The Blue Rider) exhibition held at the Moderne Galerie Heinrich Thannhauser in Munich.
Concrete Escort I, II, III, IV - Solomon R. Guggenheim Museum
New York-based Japanese performance artist Ei Arakawa invites painters, sculptors, dancers, filmmakers, and archivists to form a temporal group addressing Gutai today. Resulting in a performative exhibition tour of Gutai: Splendid Playground where the audience will be escorted and repositioned, emphasis will be on the power dynamic within Gutai, women and men, singularity and plurality, and performance and painting. Tasked to communicate the diversity of Gutai activities, each tour takes a different route through the exhibition.
Gallery Talk - Ancient Near Eastern Seals & Tablets - Morgan Library & Museum
Curator Sidney Babcock will lead this informal tour of the Morgan's renowned Seals and Tablets collection. Free.
Fashion Fast Forward: Japanese Art Goes POP - Japan Society
Join in for an insider's look into contemporary fashion/design/street culture inspired by Japanese art through the millennia. Like the tastemaker merchants and artisans who shaped ukiyo-e culture, consider how populist fashion blogs and "street kids" influence the upper echelons of high fashion. Longtime Tokyo resident Tiffany Godoy, fashion editor and author of Style Deficit Disorder: Harajuku Street Fashion—Tokyo, interviews international fashion directors and designers. Mingle with models and fashion-world denizens at a reception that will feature a live DJ set and presentation.
Upstairs/Downstairs with Fanny and Flora - Mount Vernon Hotel Museum & Garden
Join us for first-person accounts of life at an 1830s day hotel in New York City. Meet Fanny Trollope, an English visitor to The Mount Vernon Hotel, and Flora, a Hotel worker. Listen to their personal stories and hear their opinions on issues such as women's roles, race, and social class. Afterward enjoy a glass of wine in the Tavern Room and talk with the actors who portray these two historic characters. Ticket holders will receive a discount certificate for dinner at select neighborhood restaurants.
Blues for Smoke - Whitney Museum of American Art
An interdisciplinary exhibition that explores a wide range of contemporary art through the lens of the blues and the blues aesthetic. Turning to the blues not simply as a musical category but as a field of artistic sensibilities and cultural idioms, the exhibition features works by nearly fifty artists from the 1950s to the present, as well as materials culled from music and popular entertainment. Blues for Smoke was conceived and developed by Los Angeles Museum of Contemporary Art curator Bennett Simpson, in consultation with the artist Glenn Ligon. The New York installation is being overseen by Whitney curator Chrissie Iles.
Raw/Cooked: Marela Zacarias - Brooklyn Museum
The seventh exhibition in the Raw/Cooked series, titled Supple Beat, presents the work of Gowanus-based artist Marela Zacarias. Recommended by Ramirez Jonas, Zacarias has created four site-specific sculptural works inspired by the Williamsburg Murals, uniting her interests in abstract forms, the history of objects, and urban renewal. Her large-scale pieces appear to be climbing the walls of the Museum's first-floor lobby and Great Hall, interacting with the architecture as if they were murals come to life. Zacarias draws on the concept of resilience implied by the Williamsburg Murals and explores the idea of bouncing back from adversity, relating to the history of the public housing project for which the murals were commissioned and the history of the works themselves. She constructs her unique sculptural forms from window screens and joint compound, which she then paints with original patterns. In Supple Beat, Zacarias's patterns are inspired by the related murals-- unique color palettes and geometric forms. Born and raised in Mexico City, Zacarias has painted more than thirty large-scale public murals. She holds an MFA from Hunter College.
Marcel Proust and Swann's Way: 100th Anniversary - Morgan Library & Museum
Marcel Proust's In Search of Lost Time is one of the most influential and ambitious literary works of all time. The Morgan celebrates the 1913 publication of the first of its seven volumes, Swann's Way, with a fascinating selection of the author's notebooks, preliminary drafts, galley-proofs, and other documents from the collection of the Bibliotheque nationale de France. The works on display will provide unique insight into Proust's creative process and the birth of his masterpiece. Also on view will be period postcards with depictions of Illiers, which served as the inspiration for Proust's fictional town Combray, and Paris. Several letters between Proust and his mother, Jeanne, from the Morgan's collection, will be included.
Julie Buffalohead: Let the Show Begin - National Museum of the American Indian
Julie Buffalohead (Ponca) uses the iconography of childhood to explore deeper themes of storytelling, motherhood, and identity in this exhibition of her recent paintings. Soft and cuddly toy animals come to life in her work, but this sweet surface disguises the less pretty realities of parenting such as pain and worry. Buffalohead also uses these characters to attack stereotypes about Native people, exposing their artificiality by staging them as a child's game.
Edvard Munch: The Scream - Museum of Modern Art (MoMA)
Edvard Munch's iconic The Scream (1895), among the most celebrated and recognized images in art history, will be on view at The Museum of Modern Art for a period of six months. Of the four versions of The Scream made by Munch between 1893 and 1910, this pastel-on-board from 1895 is the only one remaining in private hands; the three other versions are in the collections of museums in Norway. The Scream is being lent by a private collector.
Modernist Art from India - Radical Terrain - Rubin Museum of Art
Radical Terrain is the final exhibition of a three-part series Modernist Art from India, that examines art from post-independence India. Radical Terrain highlights the diverse explorations of landscape in Indian art after independence, showing how landscape was a means for artists to come to terms with the vastness of India as a new nation. Also featured will be new work by international contemporary artists currently working in landscape, to be introduced during the exhibition.
Space Shuttle Enterprise: A Pioneer - Intrepid Sea Air & Space Museum
"Space Shuttle Enterprise: A Pioneer" -- a new exhibition that explores the history of Enterprise and its critical role in the development of the space shuttle -- will open to the public on Thursday, January 17 at the Intrepid Sea, Air & Space Museum, located at Pier 86 (46th Street and 12th Avenue) in Manhattan. "Space Shuttle Enterprise: A Pioneer" introduces Enterprise with compelling artifacts of the era -- such as space shuttle cockpit instruments, a flight helmet and model orbiters -- as well as archival images and video clips to illustrate the history and significance of the prototype orbiter. The exhibition celebrates the pilots and engineers who contributed to the Enterprise story in addition to the technological innovations that helped to make it an icon of the space program. This exhibition will also include photographs crowd sourced from the public who have documented Enterprise's journey from its origins in the 1970s to its expedition to the Intrepid Museum last spring. The exhibition will be open to the public through Spring 2013. In April 2012, the space shuttle Enterprise arrived in New York City and in July 2012, Enterprise joined the collection of the Intrepid Sea, Air & Space Museum in a temporary, climate-controlled Space Shuttle Pavilion on the Flight Deck. However in late October, Hurricane Sandy damaged the pavilion, and as a result, Enterprise itself is not currently on public display. The exhibition is free with the price of admission to the museum. The museum is currently offering a Gift of Intrepid "buy one, get one free" promotion through February 15, 2013. The special social media offer is available to those who are Facebook fans of the Museum or those who follow the museum on Twitter. Visitors must print and bring with them the special coupon posted. For more information, visit www.intrepidmuseum.org.
Alberi - MoMA PS1
The world premiere of ALBERI will be on exhibit in the striking VW Dome at MoMA PS1 for 10 days starting from Thursday, April 18th, with a special celebration in the afternoon of Saturday, April 20th 2013. Istituto Luce Cinecitta, which is responsible for organizing the Italian selections abroad, is proud to announce that ALBERI ("Trees"), a cinematic installation by Michelangelo Frammartino, was chosen as an official selection of the Tribeca Film Festival. ALBERI is a "never ending" video-installation, everlastingly repeating itself, because the final images reconnect to the initial ones without the viewer realizing it, in a sort of perpetual vortex, which may be fallen into at any moment and at any point. The marvelous natural music at the tops of the eponymous trees makes way for the rhythmic cadence of civilization?men baring axes and the natural clatter of daily life?before their unforgettable return home from the forest. The singular artistry of director Michelangelo Frammartino (Il Dono and Le Quattro Volte) is beautifully displayed in this mesmerizing homage to nature. This is the Year of Italian Culture in the United States, for which Istituto Luce Cinecitta aims to highlight the importance of Italian culture through Italian cinema. Istituto Luce Cinecitta, whose mission is to promote Italian cinema worldwide, is creating ongoing special events in major U.S. capitals throughout the year. Luce Cinecitta' -- which has long been recognized as the production powerhouse in Italy- will be present at the Tribeca Film Festival, with two more feature films from Italian director Claudio Giovannesi, as well Christina Voros.
Treasures from the Vault - Morgan Library & Museum
From Mozart to Machiavelli, there is always something fascinating to explore in the Morgan's historic McKim building. From January 15 to May 5, thirty works from the Morgan's exceptional collections of medieval manuscripts, printed books and bindings, private letters and correspondence, and original music will be on view. Highlights include such treasures as a letter from J. R. R. Tolkien containing his commentary on the creation and critical reception of The Hobbit; a magnificent twelfth-century illuminated manuscript depicting the life, passion, and miracles of St. Edmund; Percy Bysshe Shelley's On Life manuscript; and Beethoven's Tenth Violin Sonata in G Major. The Morgan's important holdings of Americana are represented by a letter from Alexander Hamilton to Martha Washington upon the death of her husband, and a volume of Edward Curtis's monumental The North American Indian, a photographic project funded in part by Pierpont Morgan.
Seismic Shifts: 10 Visionaries in Contemporary Art and Architecture - National Academy of Design Museum and School of Fine Arts
Featuring works by Nick Cave, Bill Viola, Thornton Dial, Tom Friedman, Vik Muniz, Kate Orff, Betye Saar, and others, highlighting some of the most important artists of today, known for challenging conventions.
The 2013 Annual - National Academy of Design Museum and School of Fine Arts
A tradition at the Academy since its founding in 1826, the exhibition includes work by recently elected Academy members and highlights their important contribution to American culture.
The Dream Continues: Photographs of Martin Luther King Murals by Vergara - New-York Historical Society
Since the 1970s Camilo Vergara has been traveling across the United States photographing and thus documenting hand-painted murals of Dr. Martin Luther King Jr. as they appeared on the walls of establishments such as car repair shops, barbershops, and fast food restaurants in city streets and alley ways. The folk art portraits have expressed how the inner-city residents saw the slain civil rights leader--at times a statesman, a hero, a visionary, or a martyr. Vergara also discovered that these images were often based on iconic photographs of Dr. King but that, depending upon the neighborhood where they were created, the portraits could take on the likeness of Latinos, Native Americans, or Asians.
Projects 99: Meiro Koizumi - Museum of Modern Art (MoMA)
Working in video and performance, Meiro Koizumi (Japanese, b. 1976) has built a compelling body of work that deals with power dynamics on scales from the familial to the national, and examines questions of political and psychological control. Implicating himself, his performers, and the viewer through choreographed emotional manipulations, Koizumi creates works that straddle the uncomfortable and indefinable line between cruelty and comedy. His first solo museum presentation in the United States, Projects 99 includes a selection of earlier projects, as well as Defect in Vision (2011), Meiro's most ambitious and accomplished project to date. Probing the idea of blindness -- both philosophical and physical -- the piece is projected on two sides of a single screen, preventing the viewer from taking in both views at once. The action follows two performers who repeatedly enact a domestic scene set during World War II. While staged in the historical past, the scene's portent of impending catastrophe has taken on a new relevance following the Fukushima nuclear disaster, in a work that is incisive, thought-provoking, and visually lush.
Charting Fluxus: George Maciunas's Ambitious Art History - Museum of Modern Art (MoMA)
Fluxus was an international network of artists active in the 1960s and 1970s. Through the tireless efforts of its founder George Maciunas, Fluxus presented festivals and concerts and distributed artists' multiples, which Maciunas fabricated in his Soho loft. Collective, performative, anti-institutional, and irreverent, Fluxus sought to bridge the gaps between different artistic mediums and between art and life.
Gutai: Splendid Playground - Solomon R. Guggenheim Museum
As part of the Guggenheim's Asian Art Program, the museum presents North America's first museum exhibition devoted to Gutai, the most influential artists' collective and artistic movement in postwar Japan and one of the most important international avant-garde movements of the 1950s and 1960s. Organized thematically and chronologically to explore Gutai's inventive approach to materials, process, and performativity, the exhibition explores the group's radical experimentation across a range of media and styles and demonstrates how individual artists pushed the limits of what art could be in a postatomic age. The spectrum of works includes painting, experimental performance and film, indoor and outdoor installation art, sound art, interactive or "playful" art, light art, and Kinetic art. The exhibition comprises some 120 objects by 25 artists on loan from museum and private collections in Japan, the United States, and Europe, and offers new scholarship, especially on so-called late Gutai works that date from 1965 to 1972. Gutai: Splendid Playground is organized by Ming Tiampo, Associate Professor of Art History, Carleton University, Ottawa, and Alexandra Munroe, Samsung Senior Curator of Asian Art, Solomon R. Guggenheim Museum. This exhibition is supported in part by The Japan Foundation and the Dedalus Foundation, Inc. The Leadership Committee for Gutai: Splendid Playground is gratefully acknowledged for its support.
Degas, Miss La La, and the Cirque Fernando - Morgan Library & Museum
For several successive evenings in January 1879, Edgar Degas (1834-1917) attended performances at the Cirque Fernando by one of the most famous circus performers of his time, an aerialist known as Miss La La. For her extraordinary act, Miss La La was slowly hoisted nearly seventy feet into the circus's domed roof, suspended solely from a rope clenched between her teeth. Degas produced a number of studies of the performer and the circus building--drawings, pastels, and an oil sketch--before creating his celebrated painting, Miss La La at the Cirque Fernando. The exhibition brings together for the first time Degas's remarkable painting, on loan from the National Gallery, London, and nearly all of the related preparatory works. Also on view will be images of the Cirque Fernando by Degas's contemporaries, photographs of Miss La La and her troupe, and posters and other printed material.
The White Rose - Whitney Museum of American Art
Screened in conjunction with Jay DeFeo: A Retrospective, Bruce Conner's 1967 short film chronicles the removal of DeFeo's nearly one-ton masterpiece, The Rose (1958-66), from her second-story San Francisco studio. Set to Miles Davis's Sketches of Spain, the seven-minute long film will run continuously in the Museum's second-floor Kaufman Astoria Studios Film and Video Gallery.
Tim Lee: In Focus - Asia Society and Museum
Made specifically for the Asia Society, artist Tim Lee's Blowin' in the Wind, Bob Dylan, 1963, an interactive multimedia installation, is meant to function as a karaoke pavilion in which the audience is invited to sing along to the accompaniment of the artist's guitar cover of Dylan's iconic folk anthem. The participatory exhibition is meant to provoke a thoughtful consideration of how our understanding of a situation is often relative to our own personal experiences.
Superreal: Alternative Realities in Photography and Video - El Museo Del Barrio
This exhibition explores the layered meaning and interpretation of the real as represented through photography and video. Drawing on the presentation of the landscape, the human figure, the world of architecture, objects and natural phenomena, the works in this exhibition explore alternative realities.
Piero della Francesca in America - Frick Collection
Revered in his own time as a 'monarch' of painting, Piero della Francesca (1411/13-1492) is acknowledged today as a founding figure of the Italian Renaissance. In early 2013, The Frick Collection will present the first monographic exhibition in the United States dedicated to the artist. It brings together seven works by Piero della Francesca, including six panels from the Saint' Agostino altarpiece -- the largest number from this masterwork ever reassembled. They will be joined by the Virgin and Child Enthroned with Attendant Angels, his only intact altarpiece in this country. Piero della Francesca in America is organized by the Frick's Andrew W. Mellon Fellow and guest curator Nathaniel Silver.
Audubon's Aviary: Part I of the Complete Flock - New-York Historical Society
To celebrate the sesquicentennial of the New-York Historical Society's purchase of the Audubon avian watercolors and the the release of the lavishly illustrated book Audubon's Aviary: The Original Watercolors for "The Birds of America"―published by the New-York Historical Society and Skira/Rizzoli and winner of a 2013 New York Book Show Award--the New-York Historical Society plans a sweeping three-part exhibition to showcase every masterpiece from its unparalleled collection of John James Audubon's preparatory watercolor models for the sumptuous double-elephant-folio print edition of The Birds of America (1827-38). Over three years Audubon's Aviary: The Complete Flock (Parts I-III), will feature all 474 stunning avian watercolors by Audubon in the collection, alongside engaging state-of-the-art media installations that will provide a deeper understanding of the connection between art and nature.
No Country: Contemporary Art for South and Southeast Asia - Solomon R. Guggenheim Museum
The Guggenheim UBS MAP Global Art Initiative identifies and supports a network of curators and artists from South and Southeast Asia, Latin America, and the Middle East and North Africa in a comprehensive five-year program involving curatorial residencies, acquisitions for the Guggenheim's collection, international touring exhibitions, and far-reaching educational activities. The first exhibition, No Country: Contemporary Art for South and Southeast Asia, organized by June Yap, Guggenheim UBS MAP Curator, South and Southeast Asia, will open at the Guggenheim Museum on February 22, 2013. The exhibition focuses on the artistic practices and cultural traditions of that region, which includes Vietnam, Cambodia, Thailand, Indonesia, Singapore, Malaysia, the Philippines, Myanmar, Bangladesh, Pakistan, and India. The artworks in the exhibition, along with others acquired as part of Guggenheim UBS MAP, will enter the Guggenheim's permanent collection under the auspices of the Guggenheim UBS MAP Purchase Fund.
Artist and Visionary: William Matthew Prior Revealed - American Folk Art Museum
Organized by the Fenimore Art Museum, Cooperstown, New York, this exhibition includes more than 40 oil paintings spanning William Matthew Prior's career from 1824 to 1856. Through his pragmatic marketing strategy, Prior was able to document the faces of middle-class Americans throughout his lifetime, making art accessible to a previously overlooked group. A versatile artist, Prior is well known not only for the skill and range of his technique but for the diversity of his sitters. Prior's involvement with Millerism (early Adventism) was instrumental in his personal development as well as providing access to new clients, including many African Americans.
Women's Studies - American Folk Art Museum
The late twentieth century has seen great strides for women working within visual mediums, yet the male gaze persists as the primary perspective from which women are considered -- and thus perceived - in film and art. This exhibition presents drawings and photographs of women by four self-taught artists from the1940s through the late twentieth century, two male, two female. Eugene Von Bruenchenhein, Paul D. Humphrey, Nellie Mae Rowe, and Inez Nathaniel Walker offer four very different approaches that raise questions of intent, portrayal, and self-identity: Are the portraits acts of creation or acts of documentation, mimesis or wish fulfillment? Are self-taught artists immune from the pervasive male gaze of mainstream artmaking spheres, or do they reflect a gender divide that still runs deeply within American society?
Fine Lines: American Drawings from the Brooklyn Museum - Brooklyn Museum
Fine Lines: American Drawings from the Brooklyn Museum presents a selection of over 100 of the finest, rarely seen drawings and sketchbooks from the Museum's world-renowned collection of American art. Produced between 1768 and 1945 in a wide range of media (including graphite, pen and ink, crayon, charcoal, and pastel), the featured objects represent a variety of iconographies, styles, and practices in the history of American graphic arts. More than seventy artists are represented, including Winslow Homer, Thomas Eakins, John Singer Sargent, Edward Hopper, and Marsden Hartley. The exhibition is organized into six thematic sections, examining portraiture, nudes, the clothed figure, narrative subjects, and natural and urban environments. It is accompanied by a scholarly catalogue including interpretive essays, illustrated catalogue entries, and a selected bibliography.
NYC 1993: Experimental, Jet Set, Trash and No Star - New Museum
"NYC 1993" looks at art made and exhibited in New York over the course of one year, providing a synchronic panorama in which established artists and emerging figures of the time are presented alongside the work of authors whose influence has since faded from the discussion.
Ashe to Amen: African Americans and Biblical Imagery - Museum of Biblical Art
The remarkable wealth and breadth of African American artists' interpretations of Biblical stories and traditions in historic and contemporary art is the subject of a loan exhibition investigating the ever-shifting intersections and crossroads of aesthetics and belief. Themes that recur throughout Ashe to Amen include creation, revelation, faith, liberation, and identity.
Reaching Out - American Bible Society and the African American Community - Museum of Biblical Art
An exhibit tracing American Bible Society's relationship with the African American community built through Bible publication and distribution.
The Butterfly Conservatory: Tropical Butterflies Alive in Winter! - American Museum of Natural History
The Butterfly Conservatory: Tropical Butterflies Alive in Winter!, a perennial favorite visited by millions of children and adults, returns to the American Museum of Natural History. This popular winter attraction invites visitors to mingle with up to 500 iridescent butterflies fluttering among blooming tropical flowers and lush green vegetation inside a free-standing, balmy, 1,200-square-foot enclosure.
WWII & NYC - New-York Historical Society
When World War II broke out, New York was a cosmopolitan, heavily immigrant city, whose people had real stakes in the war and strongly held opinions. WWII & NYC will explore the impact of the war on the metropolis, which played a critical role in the national war effort, and how the city was forever changed.
The Hugo Boss Prize 2012 - Solomon R. Guggenheim Museum
The Hugo Boss Prize is a biennial award founded in 1996 to honor significant achievement in contemporary art. From a group of six finalists selected by an international jury of curators, Danh Vo was announced as the winner of the ninth prize on November 1, 2012. A solo exhibition of his work will be presented at the Guggenheim in spring 2013. Previous winners include Matthew Barney (1996), Douglas Gordon (1998), Marjetica Potrc (2000), Pierre Huyghe (2002), Rirkrit Tiravanija (2004), Tacita Dean (2006), Emily Jacir (2008), and Hans-Peter Feldmann (2010). The Hugo Boss Prize 2012 is organized by Katherine Brinson, Associate Curator, Solomon R. Guggenheim Museum and is made possible by HUGO BOSS.
Impressionism, Fashion, and Modernity - Metropolitan Museum of Art
Impressionism, Fashion, and Modernity will present a revealing look at the role of fashion in the works of the Impressionists and their contemporaries. Some eighty major figure paintings, seen in concert with period costumes, accessories, fashion plates, photographs, and popular prints, will highlight the vital relationship between fashion and art during the pivotal years, from the mid-1860s to the mid-1880s, when Paris emerged as the style capital of the world. With the rise of the department store, the advent of ready-made wear, and the proliferation of fashion magazines, those at the forefront of the avant-garde -- from Manet, Monet, and Renoir to Baudelaire, Mallarme, and Zola -- turned a fresh eye to contemporary dress, embracing la mode as the harbinger of la modernite. The novelty, vibrancy, and fleeting allure of the latest trends in fashion proved seductive for a generation of artists and writers who sought to give expression to the pulse of modern life in all its nuanced richness. Without rivaling the meticulous detail of society portraitists such as Tissot or Stevens or the graphic flair of fashion plates, the Impressionists nonetheless engaged similar strategies in the making (and in the marketing) of their pictures of stylish men and women that sought to reflect the spirit of their age.
After Photoshop Manipulated Photography in the Digital Age - Metropolitan Museum of Art
This installation explores various ways in which artists, including Nancy Burson, Filip Dujardin, Joan Fontcuberta, Beate Gutschow, and others, have used digital technology to alter the photographic image from the 1980s to the present.
Street - Metropolitan Museum of Art
Street, a new video by the British-born artist James Nares, forms the centerpiece of this exhibition. Over the course of a week in September 2011, Nares -- a New Yorker since 1974 -- ecorded sixteen hours of footage of people on the streets of Manhattan from a moving car using a high-definition camera usually used to record fast-moving subjects such as speeding bullets and hummingbirds. He then greatly slowed his source material, editing down the results to one hour of steady, continuous motion and scoring it with music for twelve-string guitar composed and performed by his friend Thurston Moore, co-founder of Sonic Youth.
Louis Armstrong at Freedomland - Louis Armstrong House Museum
The story of the early 1960s is in many ways a story of freedom. In the United States, African-Americans were growing more vocal in their struggle for Civil Rights. A nation turned with hope to young president John F. Kennedy to lead them through the Cold War. The Berlin Wall was constructed in August 1961, splitting one of Europe's biggest cities in half. The Vietnam War was beckoning. Looking to escape the often volatile reports on the nightly news, Americans looked for escape in this era through sporting events, television and even in amusement parks, most notably Disneyland. After helping Disneyland open in 1955, that park's Vice President, Cornelius Vanderbilt Wood Jr. left and began his own corporation, focusing on designing a New York version of the park. On June 19, 1960, Freedomland U.S.A., "The World's Largest Entertainment Center," opened in the Bronx in front of a crowd of 63,000 guests. Though the 85-acre park was larger than Disneyland, it was already in debt by its second year and would close in 1964 after just five seasons. Beginning in 1961, Freedomland's "Moon Bowl" (echoing the era's "space race) became a venue for some of the top entertainment acts in America, including Chubby Checker, Tony Bennett, and Louis Armstrong, who performed there in 1961 and 1964. The Louis Armstrong House Museum's vast collections contain many precious artifacts and previously unseen photographs by Jack Bradley, helping "Louis Armstrong at Freedomland" to paint an intimate portrait of Armstrong on stage and off during this turbulent time in history, spreading joy to fans young and old with his integrated band of All Stars.
Jay DeFeo: A Retrospective - Whitney Museum of American Art
Featuring nearly 150 of DeFeo's works, many of which will be exhibited for the first time. The show traces motifs and themes the artist examined throughout her career in drawings, photographs, collages, jewelry, and the monumental paintings for which she is best known.
The Artful Recluse: Painting, Poetry, and Politics in 17th-Century China - Asia Society and Museum
This is the first exhibition to explore the theme of reclusion in Chinese painting and calligraphy within the broader context of political and social changes during the seventeenth century, a time of rich cultural expression and dramatic political change. The rise of major schools of regional painting as well as the trauma of the Ming dynasty's collapse in 1644 and the Manchu Qing conquest provided an extraordinary context for the creation of historically conscious, often emotionally charged and deeply personal paintings and works of calligraphy. These images, however varied, share an overarching theme of reclusion, a concept of withdrawal and disengagement that has deep and significant roots in China, and which remains relevant in contemporary Chinese art and culture. The exhibition comprises works from public and private collections in the United States and Asia.
Honey, I Rearranged the Collection - Bronx Museum of The Arts
Created in 1986, the Bronx Museum Permanent Collection has assembled over the years a remarkable group of artworks that convey not only personal narratives but also incisive insights onto contemporary life. For this exhibition, we took inspiration from Allen Ruppersberg's ongoing series Honey, I rearranged the Collection initiated in 2000 and that puts in check the role of institutions, curators and collectors as the bearers of tradition and arbiters of taste. Overlaying different traditions, styles, and narratives, Honey, I rearranged the Collection presents an idea of museum as a restless play of combination. Honey, I Rearranged the Collection features artworks from the 40th Anniversary's 40 Years, 40 Gifts campaign, which has received support from Ford Foundation and the Jacques and Natasha Gelman Trust, as well as individual funders.
Bronx Lab - Bronx Museum of The Arts
A forum and test site for new ideas, BRONX LAB engages audiences in topics relevant to our surrounding communities. Through different social media platforms as well as hands-on activities, viewers will be asked to interact with the exhibition's main themes and exercise their critical views. Drawing primarily from the Museum's permanent collection, BRONX LAB's first exhibition will look at the explosion of graffiti art that happened in the South Bronx in the late 1970s, featuring artworks by Rigoberto Torres, Tim Rollins and KOS, Glendalys Medina, Keith Haring and William Borroughs, Valeri Larko, Lady K. Fever, among others.
Wear It or Not: Recent Jewelry Acquisitions - Museum of Arts & Design
Over the past five years, MAD has collected nearly 200 exceptional pieces of art jewelry. From iconic mid-twentieth-century works to computer-designed musical jewelry, Wear It or Not: Recent Jewelry Acquisitions showcases the depth and variety of the new additions to the museum's renowned permanent collection. The exhibition will feature nearly 130 works from around the world, with objects by artists such as Claire Falkenstein, Olaf Skoogfors and Art Smith from the studio jewelry movement of the 1950s and 60s; several silver neckpieces and cuffs from India; alongside more recent works by emerging, mid-career and established jewelry artists such as Melanie Bilenker, Kat Cole, Mari Ishikawa, Keith Lewis, Jeremy May, Edward Lane McCartney, Iris Nieuwenburg, Arjen Noordeman and Christie Wright, Beverley Price, Axel Russmeyer, Sakurako Shimizu, Verena Sieber-Fuchs and Kiff Slemmons. The exhibition will explore a range of jewelry making techniques, including computer design and digital fabrication, as well as the use of uncommon and unexpected materials to carry contemporary art jewelry beyond its decorative function into new creative realms of conceptual, social and political resonance.
Vandy Rattana: Bomb Ponds - Asia Society and Museum
A series of photographs and a one-channel video by Cambodian artist Vandy Rattana (b. 1980) that explores the U.S. bombing of Cambodia during the Vietnam War.
Pop Shop Tokyo - New-York Historical Society
In honor of the installation of the ceiling from Keith Haring's famous Pop Shop above the new admissions area in the Robert H. and Clarice Smith New York Gallery of American History, the New-York Historical Society, in collaboration with the Keith Haring Foundation, has created a rotating display devoted to the Pop Shop in the Henry Luce III Center for the Study of American Culture. The ceiling is a gift from the Haring Foundation, and all items in the Luce Center display are on loan from Foundation.
Takeshi Murata : Mortality - Museum of Arts & Design
Underlining the temporality of nostalgia, memory, and narratives crafted through cinematic pop culture, the American artist Takeshi Murata has constructed a body of animated works that explore the lifespan of moving images and their role in the shaping of shared cultural histories.
Edo Pop: The Graphic Impact of Japanese Prints - Japan Society
Edo Pop playfully juxtaposes classic ukiyo-e prints from such masters as Katsushika Hokusai and Utagawa Hiroshige with contemporary works inspired by these artists and their works. Delve into alluring worlds created by the power of Edo period and contemporary popular culture in which change is the only constant.
Joan Semmel: A Lucid Eye - Bronx Museum of The Arts
Well known for the uncompromising feminist tone of her early work, Joan Semmel has turned her attention over the past decade to the process of image making. Photography has played a central role in Semmel's work since she decided to represent the figure in the early 1970s. However, Semmel's use of photography has often escaped the viewer whose attention focuses on the depicted image. In 2005, Semmel began to afford the viewer a glimpse into her method by aiming the camera towards a mirror, thus capturing the artist in the process of composing the image. Lately, using the camera and mirrors, Semmel has created a haunting series of self-portraits that evoke the passage of time. Organized by Antonio Sergio Bessa.
After the Museum - The Home Front 2013 - Museum of Arts & Design
Transforming the physical and contextual environment of the museum into a focal point for the NYC design community, the Museum of Arts and Design's annual design program, The Home Front: American Design Now, expands into its first physical exhibition, After the Museum. Gathering a variety of unique design voices from throughout NYC, After the Museum utilizes the institution as a platform for launching new, radical and unorthodox proposals for contemporary art and design museums in the 21st century. As artists, designers, and corporations have increasingly begun to stage exhibitions, lectures, and workshops modeled from the role of museums in the 20th century, current museum forms are increasingly called into question. Reacting to this new cultural reality, After the Museum stages and presents a series of installations and programs that reveal the largely hidden research component of the design practice, while examining cultural institution's role in the shaping of design past, present, and future.
Aesthetic Ambitions: Edward Lycett and Brooklyn's Faience Manufacturing Company - Brooklyn Museum
This exhibition highlights the nearly fifty-year career of ceramicist Edward Lycett (American, 1833-1910), creative director of the Faience Manufacturing Company from 1884 to 1890. The range of works illustrates Lycett's talent and adaptability to stylistic changes in the late nineteenth and early twentieth centuries, as well as his vision for Faience, a company based in Greenpoint, Brooklyn, that earned acclaim for producing ornamental wares that introduced a new standard of excellence in American ceramics. These bold and eclectic pieces synthesized Japanese, Chinese, and Islamic influences characteristic of the Aesthetic movement and were sold in the United States' foremost art ware emporiums, including Tiffany & Company. Among the ceramics on view are 39 Faience pieces, including a number of large-scale vases. Also on view are Lycett's formula books, family photographs, and other ephemera; rare examples of ceramic works by his three sons; and other Brooklyn-made ceramics from the Museum's collection.
The Impressionist Line from Degas to Toulouse-Lautrec: Drawings and Prints from the Clark - Frick Collection
The Frick Collection presents approximately sixty prints and drawings from the Sterling and Francine Clark Art Institute, renowned for its rich holdings in nineteenth-century French art. The works were selected by Colin B. Bailey, Deputy Director and Peter Jay Sharp Chief Curator, Susan Grace Galassi, Senior Curator at the Frick, and Jay A. Clarke, Manton Curator of Prints, Drawings, and Photographs at the Clark. The selection focuses on several artistic visionaries of the nineteenth century, including Courbet, Manet, Monet, Degas, Gauguin, and Toulouse-Lautrec.
C.Maxx Stevens: House of Memory - National Museum of the American Indian
C.Maxx Stevens (Seminole/Muscogee) is a visual storyteller whose deeply personal, eclectic constructions tell stories about places and people from her past. Working with "found objects" and ephemeral materials such as paper, wood and hair, her art has a dark, gritty quality that is both haunting and familiar. The selected sculpture, installation and prints in this solo exhibition address memory through cultural and personal symbols, and illustrate the complexities of the contemporary Native experience.
Spectacle: The Music Video - Museum of the Moving Image
This groundbreaking exhibition explores music video as an important and influential art form in contemporary culture and is the most comprehensive museum exhibition on music videos presented to date. Spectacle highlights the form's place at the forefront of creative technology, its role in pushing the boundaries of innovative production, its important role as an experimental sandbox for filmmakers, and its lasting effects on popular culture globally. The exhibition features more than 300 videos, presented alongside artifacts and interactive experiences, and will be installed in the Museum's 4,000 sq.-ft. changing exhibitions gallery, amphitheater gallery, and other spaces.
Sleeping Eros - Metropolitan Museum of Art
The exhibition focuses on the Museum's statue of Sleeping Eros, one of the finest of the few surviving ancient bronze statues from antiquity. It will explore a number of topics associated with this work, including the issue of originals and copies in Greek and Roman sculpture, new research that suggests it is a Hellenistic bronze that was restored in antiquity, and its original function and ancient context. The exhibition will also present the cult and image of Eros before and after the development of the Sleeping Eros statue type to show its enormous influence as well as to trace the wide dispersal of the type in Roman times and its subsequent rediscovery during the Renaissance. Some forty-five works will be displayed, primarily from the Museum's collection.
Abstract Generation: Now in Print - Museum of Modern Art (MoMA)
Since the early 20th century, abstraction has been associated with so many artistic movements, from Suprematism and Constructivism to Abstract Expressionism and Op art, that it can no longer be defined by any one style or tradition. Indeed, abstraction exists now as a rich and varied trove of formal languages and ideas -- an open source of inspiration that extends well beyond the boundaries of art. This exhibition focuses on the print medium, highlighting ways in which abstraction has played a generative role in works of the past decade. Featuring prints, artists' books, and multiples from the Museum's collection -- by artists such as Cory Arcangel, Tauba Auerbach, Philippe Decrauzat, Liam Gillick, Wade Guyton, Nadia Kaabi-Linke, R. H. Quaytman, and Haegue Yang -- Abstract Generation examines contemporary notions of abstraction through a range of contemporary practices.
Wait, Later This Will Be Nothing: Editions by Dieter Roth - Museum of Modern Art (MoMA)
The artistic practice of Dieter Roth (Swiss, b. Germany, 1930-1998) encompassed everything from painting and sculpture to film and video, but it is arguably through his editioned works -- prints, books, and multiples -- that he made his most radical contributions. These experiments include the use of organic materials in lieu of traditional mediums, including book-sausages filled with ground paper in place of meat, and multiples of plastic toys mired in melted chocolate, as well as a dazzling array of variations on printed postcards. Wait, Later This Will Be Nothing: Editions by Dieter Roth focuses on Roth's incredibly innovative and prolific period from 1960 to 1975. The centerpiece of the exhibition is an expanded presentation of Snow (1963-69), a Roth artist's book in MoMA's collection, featuring many more pages of the book than have ever been exhibited. These pages contain a trove of insightful information about the artist's creative process and plans for other works. A selection of handmade books, miniature volumes, and the newly acquired Literaturwurst (1961-69), considered Roth's most radical experiment with the book format, will also be on view. Beginning in the late 1960s, the artist began working with chocolate, a material that became intimately associated with his work, as he explored issues of decay and decomposition. Taken together, this selection of works offers a radical view of mediums that are historically considered staid and traditional, while giving insight into the work of one of the artistic titans of the 20th century.
Henri Labrouste: Structure Brought to Light - Museum of Modern Art (MoMA)
Henri Labrouste: Structure Brought to Light, the first solo exhibition of Labrouste's work in the United States, establishes his work as a milestone in the modern evolution of architecture. The exhibition includes over 200 works, from original drawings -- many of them watercolors of haunting beauty and precision -- to vintage and modern photographs, films, architectural models, and fragments. Labrouste made an invaluable impact on 19th-century architecture through his exploration of new paradigms of space, materials, and luminosity in places of great public assembly. His two magisterial glass-and-iron reading rooms in Paris, the Bibliotheque Sainte-Genevieve (1838-50) and the Bibliotheque nationale (1859-75), gave form to the idea of the modern library as a temple of knowledge and as a space for contemplation. Labrouste also sought a redefinition of architecture by introducing new materials and new building technologies. His spaces are at once overwhelming in the daring modernity of their exposed metal frameworks, lightweight walls, and brightness, and immersive in their timelessness. Works by an international array of architects, such as Labrouste's pupils in France, Spain, the Netherlands, Peru, and the United States, and projects with more distant resonances by architects such as Louis Sullivan, Frank Lloyd Wright, and Richard Rogers, will also be featured.
Picturing Science: Museum Scientists and Imaging Technologies - American Museum of Natural History
More than 20 sets of large-format images showcase the wide range of research being conducted at the Museum as well as how various optical tools are used in scientific studies.
The Sau-Wing Lam Collection of Rare Italian Stringed Instruments - Metropolitan Museum of Art
The Sau-Wing Lam collection of violin-family instruments is one of the most important collections of bowed Italian stringed instruments ever assembled by a private individual. Sau-Wing Lam (1923-1988) was born in Shanghai, China, where he graduated with a degree in economics from the prestigious Saint John's University. In 1948 he moved to New York City and eventually became the president of the Dah Chong Hong Trading Corporation, Inc., an import-export business that founded some of the most successful automobile dealerships in the country. An amateur violinist and violist, Lam bought his first important violin in the 1960s and assembled his impressive collection of violins and bows over the next twenty-five years. His holdings eventually included such significant instruments as the "Baltic" violin by Giuseppe Guarneri "del Gesu," the "Bavarian" and "Scotland University" violins by Antonio Stradivari, the "ex Collin" violin by Nicolo Amati, an extremely early viola by Andrea Amati, and Lam's favorite violin, an instrument by Giuseppe Guarneri, one of his earliest acquisitions. Sau-Wing Lam enjoyed sharing his collection and regularly opened his home to scholars, dealers, and musicians. The family hosted impromptu chamber concerts and passionate discussions about music that would last well into the early morning hours. On the twenty-fifth anniversary of Mr. Lam's death, the collection is being exhibited here for the first time in the United States.
David Hartt - Stray Light - Studio Museum in Harlem
Color photographs, sculptures and a video installation by Chicago-based conceptual photographer David Hartt (b. 1967) reflecting on the iconic headquarters of the Johnson Publishing Company in downtown Chicago.
Fred Wilson - Local Color - Studio Museum in Harlem
For the first time since its exhibition in 1993, the Studio Museum will be presenting conceptual artist Fred Wilson (b. 1954)'s installation Local Color, originally created for the Studio Museum exhibition Artists Respond: The "New World" Question.
Assembly Required - Selections from the Permanent Collection - Studio Museum in Harlem
Photographs, drawings, sculptures and paintings from the Studio Museum's permanent collection that explore the ways in which certain works are dependent on site, and the viewer's conceptual and perceptual experience of that locale through the artist's intervention.
Aye A. Aton: Space-Time Continuum - Studio Museum in Harlem
This collection of over 200 slides documents the artist and avant-garde jazz musician's murals through image and sound, providing an intimate glimpse into the domestic lives of an African-American community on the cusp of cultural transformation. This project marks Aton's first solo museum presentation.
Brothers and Sisters - Studio Museum in Harlem
This show takes as a starting point works on paper by twentieth-century painter Beauford Delaney (1901-1975). This cross-generational exhibition examines the relationship between Delaney's paintings and prints made between 1958 and 1969 in Paris and works in the Studio Museum's permanent collection by African-American artists continuing and expanding the project of painterly abstraction.
Harlem Postcards - Spring 2013 - Studio Museum in Harlem
Harlem Postcards is an ongoing project that invites contemporary artists of diverse backgrounds to reflect on Harlem as a site of cultural activity, political vitality, visual stimuli, artistic contemplation and creative production. Representing intimate and dynamic perspectives of Harlem, the images reflect the idiosyncratic visions of contemporary artists from a wide range of backgrounds and locations. Each photograph has been reproduced as a limited edition postcard available free to visitors.
Mendi + Keith Obadike: American Cypher - Studio Museum in Harlem
The Studio Museum presents a site-specific iteration of a suite of projects