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This selection of thirteen rarely displayed prints by German Expressionist artist Käthe Kollwitz, from the Brooklyn Museum’s collection, focuses on works relating to the impact of war. The exhibition features the artist’s most famous print cycles, War (Krieg) and Death (Tod), created between World War I, when her son was killed in Flanders, and World War II. The Death cycle of lithographs includes Woman Entrusts Herself to Death and Death Seizes the Children. These images of familial tenderness, highlighting the daily struggles of the poor and working classes, and the degree to which they bear the burden of war, are the primary focus of Kollwitz’s canon. Also on display is a 1927 self-portrait of Kollwitz in profile.
Born in Königsberg, East Prussia, Kollwitz began producing etchings in the late nineteenth century, first working in a naturalistic style and later moving toward Expressionism. A lifelong socialist and an outspoken pacifist after World War I, Kollwitz was expelled from the Prussian Academy of Arts when Hitler came to power, and was later barred from exhibiting.
Venue Description: Open Wed., Fri.-Sun., 11am-6pm; Thurs., 11am-10pm; First Saturday of each month (except September), 5-11pm. $12; $8, students and seniors (62 & over). Under 19, free (as of 9/3/2014).