Spotlighting Semmel’s singular perspective, Joan Semmel: In the Flesh presents the artist’s iconic paintings and self-images alongside works from the Museum’s collection to explore parallel themes of the body, intimacy, and autonomy.

This winter, the Jewish Museum presents a major exhibition of boundary-breaking work by Joan Semmel alongside a selection of artist-curated works from the Museum’s collection in Joan Semmel: In the Flesh. For over 50 years, Semmel has upended traditional figuration with her boldly declarative nude painting through gestural and hyperreal representation.

In the Flesh juxtaposes 16 paintings by the artist, drawn from several periods across her career, many monumental in scale, with nearly 50 modern and contemporary artworks from the Museum’s expansive holdings. The works from the collection—encompassing painting, sculpture, photography, and works on paper—were selected by the artist for their engagement with themes present in her work, including her exploration of beauty, agency, and self-perception.

Born in 1932 into a secular Jewish family in the Bronx, Semmel trained as an Abstract Expressionist in New York before moving to Spain in 1963, where she enjoyed early success on an international stage. Upon her return to New York in 1970 as a newly divorced mother of two, she found community within the burgeoning feminist and anti-censorship movements, alongside her peers, including Judith Bernstein, Louise Bourgeois, Joyce Kozloff, Joan Snyder, Anita Steckel, Hannah Wilke, and other trailblazing women artists.

In the Flesh foregrounds the artist’s diligent, life-long investigation of embodied female experience. Spanning over 50 years of the artist’s practice, the exhibition offers new points of entry to some of Semmel’s most pivotal series. Works on view include her 1978 painting Sunlight, one of Semmel’s iconic self-images and a defining work of the feminist movement, together with examples from her bold, high-key Erotic Series of the early 1970s, as well as complex multi-figure compositions, including the recent large-scale Skin in the Game (2019).

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