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String Theory

Mar 16 | Sat |
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"A Vocally Lustrous Earful"- the Philadelphia Inquirer "Elaborately Ornamental, with a Martini-Dry Wit"- Cafeteriarusticana.Com "a Rich Mezzo That Dazzled the Ears"- the Syracuse Post-Standard "Musically Superb"- Bistroawards.Com "Grandly Libidinous... Luxurious Vocalism, Good Looks and Theatrical Poise"- Opera News "Note-Perfect... a Charismatic Presence" - the Fort Lauderdale Sun-Sentinel "Enormous Fun... Sparkling Arrangements" - American Popular Song Society Kathryn Allyn Has Been Called "a Vocally Lustrous Earful" by the Philadelphia Inquirer, "Elaborately Ornamental" and "a Martini Dry Wit" by Cafeteriarusticana.Com, "Note Perfect" and "a Charismatic Presence" by the Fort Lauderdale Sun-Sentinel, "a Mezzo That Dazzled the Ears" by the Syracuse Post-Standard, "Musically Superb" by Bistroawards.Com And, in a Personal Favorite, "Grandly Libidinous" by Opera News; As a Jazz Singer, She Has Appeared at Nyc's the Cutting Room, the Underground, the West End Lounge, Tomijazz, Somethin' Jazz and stage72. in Her Former Life as a Classical Singer, Kaye Appeared in Leading Roles or as a Soloist at New York City Opera, Carnegie Hall, Weill Hall and Opera Orchestra New York; Appearances Outside the City Included the Tokyo Symphony, Florida Grand Opera, Palm Beach Opera, Anchorage Opera, Among Others. Kaye's Roles Ran the Gamut from Carmen (Carmen), Madama Butterfly (Suzuki) and Mahler's Symphony Nr. 2 (Alto Soloist), All the Way to Oklahoma! (Ado Annie) and Noel Coward's Bitter Sweet (Manon).

Venue: Symphony Space

2537 Broadway Map