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Kgb: Monday Night Poetry: Nico Vassilakis + Geof Huth

03/25/19 | 7:00 pm - 9:00 pm

KGB Bar

85 E 4th St Map

347-441-4481


25-03-2019 12:00:00 25-03-2019 12:00:00 America/New_York Kgb: Monday Night Poetry: Nico Vassilakis + Geof Huth | 7:00 pm - 9:00 pm Nico Vassilakis is the author of the poetry collection Disparate Magnets (2009) as well as the visual poetry book staring@poetics (2011). He collaborated with writer Friese Undine on Orange: A Manual (1997). Vassilakis edited Clear-Cut: Anthology: A Collection of Seattle Writers (1996), The Last Vispo Anthology: Visual Poetry 1998-2008 (2012), and has served as coeditor of Sub Rosa Press. In 1994, he founded the Subtext Reading Series in Seattle, Washington. He currently lives in New York City with his wife, poet Crystal Curry, and their sons. His visual and video poetry is composed of letters and phrase fragments that are swept or cut into shapes emphasizing their structural qualities and ephemeral nature. Referring to Vassilakis's visual poetry as "less a work of grammar and words than an experiment with typography," the Stranger critic Paul Constant observed how he "works at the words, shoving them together and seeing what they do to each other when placed in close proximity http://www.cityguideny.com/eventinfo.cfm?id=358065 KGB Bar KGB Bar

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Nico Vassilakis is the author of the poetry collection Disparate Magnets (2009) as well as the visual poetry book staring@poetics (2011). He collaborated with writer Friese Undine on Orange: A Manual (1997). Vassilakis edited Clear-Cut: Anthology: A Collection of Seattle Writers (1996), The Last Vispo Anthology: Visual Poetry 1998-2008 (2012), and has served as coeditor of Sub Rosa Press. In 1994, he founded the Subtext Reading Series in Seattle, Washington. He currently lives in New York City with his wife, poet Crystal Curry, and their sons. His visual and video poetry is composed of letters and phrase fragments that are swept or cut into shapes emphasizing their structural qualities and ephemeral nature. Referring to Vassilakis's visual poetry as "less a work of grammar and words than an experiment with typography," the Stranger critic Paul Constant observed how he "works at the words, shoving them together and seeing what they do to each other when placed in close proximity

This event has already taken place. Click here for the latest events.

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