NYC museums have something for everyone, whether your interest is art, history, or New York City itself. From niche spaces dedicated to very specific interests (Himalayan art, the moving image) all the way up to world famous institutions like the Metropolitan Museum of Art and the Guggenheim, museums in NYC show off their cultural bona fides seven days a week.

The Metropolitan Museum of Art

Photo by Robert Bye on Unsplash.

With more than two million works of art covering more than 5,000 years of history from across the world, the Met is a must-see for anyone visiting New York. You can’t catch everything in a day—or even a week, possibly not a month—so don’t try. Rather, whether you’re a planner or a wanderer, aim for a mix of the two.

Start on the first floor with a trip to the Egyptian galleries, one of the museum’s most popular stops. Be sure to visit the Temple of Dendur, housed in its own gallery. Check out the Arms and Armor collection, also on the first floor. The American Wing courtyard beckons right outside, so admire the sculpture and the Tiffany works of art.

From there, the massive second floor awaits. A stop in European Paintings is a must—many visitors, in fact, head right to the Impressionist galleries. The Asian galleries are vast and incredible, so either choose a section or let your feet wander where they may.

Finish off your visit with a trip to the Greek and Roman galleries back on the first floor; check out the smaller side galleries. And plan for a return visit!

1000 Fifth Ave., 212-535-7710, metmuseum.org

Met Museum on View | The Roof Garden Commission: Lauren Halsey

Lauren Halsey (American, b. 1987) Installation view of The Roof Garden Commission: Lauren Halsey, the eastside of south central los angeles hieroglyph prototype architecture (I), 2022 © Lauren Halsey. Courtesy of the artist; David Kordansky Gallery, Los Angeles/New York  Image credit: The Metropolitan Museum of Art, Photo by Hyla Skopitz.

One of the most eagerly anticipated exhibits each year is the site-specific roof garden installation at the Metropolitan Museum that debuts each spring.

This year, the exhibit will be created by Lauren Halsey, an artist known for her use of architecture to show the reality of urban neighborhoods in places like South Central Los Angeles. Her work has appeared at The Studio Museum in Harlem as well as The Museum of Contemporary Art (MoCA) in L.A. Halsey is the 10^th recipient of the Roof Garden commission. (Her installation at the Met was delayed a year because of logistical issues.)

The Met’s exhibition, in fact, will consist of an architectural structure inspired by the South Central Los Angeles neighborhood where Halsey grew up. Visitors will be encouraged to explore and interact with the exhibit; its influences will be as varied as 1960s’ Utopian architecture; ancient Egyptian symbolism; and visual expression like tagging, in service of looking at how people make public places their own.

The installation will include 750 concrete tiles; a four-walled structure will rise 22 feet in the air and be visible from Central Park (not to mention the upper floors of many Fifth Avenue buildings). One of the glories of the Roof Garden installations is always to see them in concert with the park and surrounding buildings. Halsey’s work will be perched on a 2,500-square-foot floor surrounded by tiles with a Greek key symbol. Four sphinxes with the faces of loved ones and family members will guard the structure, while four columns will also be topped with portraits of friends and family members; they are inspired by the temple of Hathor in Dendera, Egypt.

Halsey’s installation will ponder the meaning of social activism and civic spaces, as well as ideas of community engagement seen through the lens of architecture. It’s an installation that bears close looking—as well as a literal and figurative step back. April 18th-October 22nd.

The Metropolitan Museum of Art, The Iris and B. Gerald Cantor Roof Garden

The Met Cloisters

Annunciation Triptych (Merode Altarpiece). Workshop of Robert Campin (Netherlandish, ca. 1375–1444 Tournai).

The uptown branch of the Met may be located in Fort Tryon Park, at the tip of Upper Manhattan, but you’ll feel like you’re miles away—and maybe have stepped back in time hundreds of years. The Cloisters, the only museum in the United States dedicated to the art of the Middle Ages, includes sections of five medieval cloisters, and showcases metalwork, sculpture, paintings, and textiles—including the famed Unicorn Tapestries.

In the warmer months, the medieval gardens yield a fascinating glimpse into how plants were used in the Middle Ages; they’ve been a part of the museum since 1938. Don’t miss the plants in the herb garden, in particular, which are grouped by use—from medicine to magic.

The Met Cloisters, 99 Margaret Corbin Drive, Fort Tryon Park, metmuseum.org

The American Museum of Natural History

Photo: D. Finnin, courtesy American Museum of Natural History.

Many people head to the AMNH for the dinosaur exhibits in the Fossil Halls—and they’re not wrong; they’re extraordinary, and those galleries are the home of many a family on weekends. But the museum also offers several other not-to-be missed exhibits, from the Hayden Planetarium in the Rose Center for Earth and Space to the new Earth and Planetary Sciences Halls, which feature rare gems minerals and meteorite, including one that weighs 34 tons. The revitalized Northwest Coast Hall highlights new exhibits developed in concert with Indigenous communities and includes 1,000 objects from 10 Native Nations of the Pacific Northwest. The brand-new Richard Gilder Center for Science Education and Innovation includes galleries, classrooms, and an immersive experience (see below). 

200 Central Park West, amnh.org

American Museum of Natural History: Richard Gilder Center for Science, Education, and Innovation

Invisible Worlds Immersive Experience in the new Richard Gilder Center for Science, Education, and Innovation. Alvaro Keding/© AMNH.

It’s got beetles and butterflies, bats’ wings and human brains: it’s the new Richard Gilder Center for Science, Education, and Innovation at the American Museum of Natural History.

he new center offers a multitude of extraordinary experiences, all adding up to one incredible, immersive experience.

Immersive is the name of the game in the amazing Invisible Worlds immersive experience. In the Susan S. and Kenneth Wallach Gallery, visitors are introduced to the ties that connect life on this planet, from how organisms interact in ecosystems to why your hands resemble a bat’s wing. From there, enter a world that lets you become part of a Brazilian rainforest, follow migrating jellyfish, and even explore the human brain in a completely immersive experience. You’re surrounded by images that make you feel like you’re part of what you’re observing; at certain moments, in fact, your movements influence the projections around you.

Creepy crawly critters take center stage in the Susan and Peter J. Solomon Family Insectarium, in which you’ll find 18 live species of insects and can interact with digital exhibits to learn about the critical role that insects play in earth’s ecosystems. Get up close with stick insects, crickets, katydids, and grasshoppers—as well as one of the world’s largest displays of live leafcutter ants—and don’t miss the transparent skybridge and fungus garden.

And more than 1,000 butterflies—representing 80+ different species—are flying, feeding, and yes, even landing on you in the David Family Butterfly Vivarium (a structure created to keep animals in seminatural conditions for study or observation). You can let the butterflies stay as long as you like or ask a staff member to remove your new friend if you’re ready to move on. Just be gentle. Learn about the butterfly’s life cycle—and, if you’re lucky, maybe even see a chrysalis break open and an adult butterfly emerge.

The new addition to the museum offers a breathtaking way to explore the natural world in an extraordinary space that connects to the rest of the museum and offers the most hands-on way yet to truly immerse yourself in the life that’s all around us.

On View Now at the American Museum of Natural History | Extinct and Endangered: Insects in Peril

The endangered butterfly Gonepteryx maderensis, also called the Madeiran brimstone, feeds on just one type of tree as a caterpillar. © Levon Biss.

When you visit the American Museum of Natural History, you may never get out of the dinosaur exhibit, or maybe the Planetarium. And that’s understandable, but you also shouldn’t miss the special exhibitions. Case in point: Extinct and Endangered: Insects in Peril, which uses large-format photographs to demonstrate 40 important but imperiled insect species.

The specimens are taken from the museum’s own research collection; some of the photos are as large as 4.5 x 8 feet. (The museum’s collections include 34 million artifacts, of which almost 20 million are arthropods—insects, crustaceans, and arachnids from around the world.)

Photographer Levon Biss used his macrophotography to show how these insects are in decline, and how much they are needed to keep our ecosystems healthy. Every photo in the exhibit was created from up to 10,000 individual images using lenses that can capture microscopic details; each photo took up to three weeks to create. The juxtaposition between the tiny size of the insects and the enormous photographs is striking, and they are often rendered strangely beautiful. As the British photographer notes: “We shouldn’t ignore them just because they’re hard to see.”

The exhibit includes insects both familiar and, at least to us, unfamiliar (as well as having great names): the Blue Calamintha Bee; the San Joaquin Valley Flower-Loving Fly; the Nine Spotted Lady Beetle; the Hawaiian Hammerheaded Fruit Fly. Some of the specimens were so fragile that they had to be brought by museum staff to the photographer’s studio; others are so rare that government permission was required to ship them to England.

While the photos can be viewed as impressive in their own right, visitors will hopefully come away realizing the insects’ importance to the world’s ecosystem—and that though they’re small, their importance is outsized.

Museum of Modern Art

Photograph by Jonathan Muzikar, courtesy MoMA.

Boasting one of the finest collections of modern art in the world, the Museum of Modern Art offers viewers a collection with approximately 200,000 sculptures, drawings, paintings, design objects, and more. Works of art from MoMA's collection are shown in rotating exhibits, so visitors can often expect to see things they haven’t seen before. The museum’s vast holdings include Brancusi, Picasso, Matisse, Mondrian, and Monet.

And don’t forget to check out MoMa PS1, in Queens, which focuses on new artists and experimental practices, as well as community collaborations and partnerships.

11 West 53^rd St., moma.org

On View Now at MoMA: Signals: How Video Transformed the World

Ming Wong. Windows on the World (Part 2). 2014. Twenty-four-channel standard-definition video (color, sound; varying durations), twenty-four flat screen monitors, MDF, wood, and steel, overall dimensions approx. 65 x 157 1/2 x 30” (165 × 400 × 75 cm). The Museum of Modern Art, New York. Fund for the Twenty-First Century. ©2022 Ming Wong.

Video is everywhere, powered by our phones and our shifting patterns of consumption. More than 70 works at MoMA, drawn primarily from the museum's collection, examine moving imagery as an agent for change. Signals: How Video Transformed the World is now open through July 8th.

On View Now at MoMA | Georgia O’Keeffe: To See Takes Time

Georgia O’Keeffe. Evening Star No.III, 1917. Watercolor on paper mounted on board. 8 7/8 x 11 7/8″ (22.7 x 30.4 cm). The Museum of Modern Art, New York. Mr. and Mrs. Donald B. Straus Fund, 1958. © 2022 Georgia O’Keeffe Museum / Artists Rights Society (ARS), New York.

Taking its name from a quote from Georgia O’Keeffe herself, the exhibition To See Takes Time at MoMA this spring focuses on the artist’s lesser-known work—as well as her process. The works on view include smaller drawings in a collection of works on paper from charcoal to watercolor, pencil to pastel, along with some of O’Keeffe's paintings.

Best known for her monumental flower paintings and her Southwestern landscapes, O’Keeffe experimented with revisiting and reworking the same subjects and motifs during her entire career. Her output between the years of 1915 and 1918 was extraordinary, and included nudes and organic landscapes, as well as “specials”—her term for abstract charcoals.

The exhibit offers viewers a rare opportunity to trace O’Keeffe’s progression as an artist and to understand her process more fully. Her aerial views, for example, mostly done in the 1950s, capture the changing perspective seen from an airplane in flight, and will be new to many visitors. Some of her works on paper led to large-scaled paintings; these will be installed to each other.

The smaller works may well be revelatory to admirers of O’Keeffe’s’ large-scale, lush flowers and images evocative of the Southwest. The exhibit displays more than 120 works created over four decades, including several from the museum’s own collection. The works on display provide context to the artist’s work, as well as showing viewers how she developed her motifs over the span of her career, taking her observations and refining them into the realm of the abstract.

The exhibit is a must for fans of her work—as well as those wanting to learn more about the artist, often called “The Mother of American Modernisms,” and her indelible place in American art. Through August 12th.

On View Now at MoMA | Ellsworth Kelly: A Centennial Celebration

Inspired by the world around him, from the shadow of a balcony to a bird fluttering by his window, American artist Ellsworth Kelly translated his inspirations into dazzling, abstract works of art, from drawings to paintings, prints, and sculpture.

Ellsworth Kelly: Centennial Celebration offers viewers the opportunity to observe the paintings Spectrum IV (1967) and Chatham VI (1971). The former, a display of rich, vertical rainbow bands of color, is a monumental 9’ 9 x 9’ 9, while the latter utilizes the colors of the American flag to create a field of three bold, distinct entities of color.

Visitors also have the rare opportunity to see Kelly’s Sculpture for a Large Wall. Made for the lobby of Philadelphia’s Transportation Building in 1957, it features 104 anodized aluminum panels of varying muted tones. Individual panels can be moved at an angle or tilted upright; it represents a point in Kelly’s career when he had begun to explore the creation of work that imagined a mingling of both art and architecture.

A master of color, form, and line, Kelly (whose career spanned seven decades) created works that are bold, eye-catching, often colorful, always mesmerizing. He often worked on a monumental scale that draws and irresistibly holds the viewer’s eye.

Visitors also shouldn’t miss Ellsworth Kelly’s Sketchbooks, which offers a fascinating glimpse into small-scale drawings and collages. (Several are shown with related drawings and paintings.) It’s an amazing chance to see glimpses of Kelly’s external references—as well as the opportunities he took for free expression. Kelly advocated careful looking at his works of art. “I feel like they have to be looked at; they have to be investigated.”

Visitors now have an opportunity to do just that.

Through June 11th.

Solomon R. Guggenheim Museum

With its famous Frank Lloyd Wright-designed inverted ziggurat-shaped building visible from blocks away, The Guggenheim has held an iconic presence in New York since 1959. (Wright was actually commissioned to build it in 1943, but various delays meant it wasn’t built until 16 years later.) And just being inside the building, no matter how many times you’ve previously experienced it, is always a thrill. The spiral ramp and unique layout are visually enthralling and unlike any other museum experience. The museum, now one of several across the world, offers exhibits that highlight both the museum’s own collection as well as objects from other museums. Check out the ongoing Thannhauser Collection, which includes works by Degas, Manet, van Gogh, and more than 30 by Picasso.

1071 Fifth Ave., guggenheim.org

Now on View at The Guggenheim: Sarah Sze: Timelapse

Work in progress by Sarah Sze, 2022. © Sarah Sze. Photo: Courtesy Sarah Sze Studio.

The Guggenheim Museum has transformed its building into a series of site-specific installations by renowned artist Sarah Sze. Spaces including the building’s exterior, the sixth level of the rotunda, and the even the adjacent tower level gallery. The exhibit takes advantage of the building’s incredible design to offer a meditation on how perception of time and space are affected by the constant bombardment of both virtual and real objects and images. The exhibition starts outside the building, where images are projected on the façade; one projection mirrors in real time the cycle of the moon throughout the course of the exhibit. Video, sculpture, drawing, and even sound all play a role inside the building.

The museum also showcases two works from its collection, on view in New York for the first time: Sze’s first work of art to incorporate video, Untitled (Media Lab, Casino Luxembourg) 1998, which meshes found art and video; and Timekeeper, a multimedia installation with an artist’s desk at its center. Through September 5th.

The Jewish Museum

Photo by Linda Pierce.

One of the oldest Jewish museums in the world (and the first of its kind in the United States), the Jewish Museum offers exhibitions that illuminate Jewish culture for a wide audience. Its collection of nearly 30,000 works of art includes ceremonial objects, books, and media that span 4,000 years. “Scenes from the Collection” offers a rotating exhibit of selected works presented in scenes arranged by theme, using different filters to understand the art. Scenes have included “Coney Island,” “Personas” (Portraits) and “Signs and Symbols,” which focuses on astrological signs. Don’t forget to look at the building itself as you wander through the galleries—designed in French Gothic Chateau-style, it’s an extra treat to enjoy as you view the art. 

1109 Fifth Ave., thejewishmuseum.org

On View Now at the Jewish Museum: The Sassoons

Henry Jones Thaddeus. Rachel [Sassoon] Beer, 1887. Oil on canvas; 52 × 37 in. (132.1 × 94 cm). Private collection. Formerly in Siegfried Sassoon collection.

Following four generations of the Jewish Sassoon family around the globe, the exhibition The Sassoons is now open at The Jewish Museum.

The Sassoon family was instrumental in art collecting as well as civic engagement and architectural patronage. More than 140 works collected from the early 19^th century though World War II populate the exhibit, which brings together paintings, illuminated manuscripts, rare Judaica, and rich decorative arts—some from family members themselves, others borrowed from both public and private collections. Not to be missed: Jewish ceremonial art; beautifully decorated Hebrew manuscripts from as early as the 12th century; and delicate Chinese ivory carvings. Paintings from the western canon encompass works by Thomas Gainsborough, John Constable, and Jean-Baptiste-Camille Corot. Gorgeous portraits of family members by John Singer Sargent are also included.

The exhibit traces the path of four generations of the Sassoon family though their collecting history, touching on varied themes from colonialism to discrimination: diaspora to war. In doing so, the exhibit not only charts the history of the family and their interests and passions, but also the major issues that shaped the world at the time the works were collected--and continue to do so today.

Note: a robust selection of adult and family programs will accompany the exhibit, from drawing workshops to tours of the exhibition. Through August 13th.

On View Now at The Jewish Museum | After “The Wild”: Contemporary Art from the Barnett and Annalee Newman Foundation Collection

Fred Tomaselli, Study for June 2, 2018, 2018, Mixed media on panel, 24 × 24 × 1 5/16 in. (61 × 61 × 3.3 cm), The Jewish Museum, NY, Gift of The Barnett and Annalee Newman Foundation. © Fred Tomaselli.

The works in After “The Wild”: Contemporary Art from the Barnett and Annalee Newman Foundation Collection are part of a larger gift given to the Jewish Museum in 2018; all were created by recipients of The Barnett and Annalee Newman Foundation Award.

The foundation was created by Annalee Newman after Barnett Newman, her husband, passed away. (They met when they were both working as substitute teachers in New York.) Barnett Newman, known primarily as an abstract expressionist artist, was also a mentor to younger artists; the recipients of the awards were chosen in part because, while they are diverse in style, age, background, and training, they share both Newman’s sense of purpose as well as his boundless drive and spirit of exploration.

The title of the exhibit was Inspired by Newman’s 1950 painting "The Wild," which shows an orange “zip” (his term for a thin vertical line) against slender bands of black. Its purpose, in Newman’s view, was to see if something “modest” could hold its own against something larger and more imposing. (The work itself is eight feet tall and 1 ½ inches wide.) Newman became known, in fact, for paintings characterized by fields of color separated by these thin vertical lines.

Newman was known during much of his lifetime as an influence on artists such as Frank Stella and Donald Judd; it wasn’t until the end of his life that he became known as an artist in his own right.

Featured artists in the exhibition include Larry Bell, Luca Buvoli, Frank Owen, Elizabeth Turk, and Jack Youngerman. The exhibition offers a chance to see Newman as artist, influencer, mentor, and originator, and to realize that traces of his work can be seen in a flash of color, a slash of a line, or the swath of space in a painting in other artists’ work. It’s a great opportunity to trace his lineage through diverse artists, and to agree with what he stated: “A painter is a choreographer of space.” Through October 1st.

Museum of Illusions

You won’t believe your eyes—at least, you probably shouldn’t—at the Museum of Illusions, where nothing is as it seems.

In the Illusion Rooms, for instance, stroll through an upside-down world; enter a room that’s tilted…or is it? And grow and shrink your body (or are you…?) Plus an anti-gravity room and an Infinity Room, where a series of infinite projections are created by a set of mirrors that work together to create a group of never-ending images.

The more-than-70 exhibits include installations that let you switch noses with a friend (not permanently); chill with your clones; and have your head served on a platter (or is it...). You’ll also find a version of the famous Beuchet chair illusion—you’ll see how someone’s perceived size depends hugely on the surrounding objects.

You can also learn about perception and vision as you gaze at weird images and learn about how our brains trick us into seeing things that aren’t really there. And in the section on holograms, watch 3-D images appear and disappear, pop out of their frames, or change their theme. Patterns and colors, shapes, and motion trick the brain into seeing things that aren’t real—and that’s part of the fun. You know you’re not really upside down, walking on the ceiling in the Rotated Room…but part of your brain just isn’t 100 percent sure. You’ll learn how your brain can be tricked into seeing things that aren’t there, even when your eyes are sure they are.

The museum started in Croatia and now has 30 outposts around the world. It’s a great interactive experience for pretty much anyone. While you’re there, check out the Close-up Magic (check dates and times) and the games and puzzles room.

It’s interactive, wildly Instagrammable, and just plain fun.

Just don’t believe your eyes.

77 Eighth Ave., 212-645-3230, newyork.museumofillusions.us

The International Center of Photography

Photo by Alex Fradkin.

Founded in 1974 by famed photographer Cornell Capa, ICP's museum is considered the preeminent institution in this country dedicated to photography and visual culture. Capa’s original mission was to support “concerned photography”—images that would both educate and enact change. Exhibitions have included a visual history of hip-hop, images of the Lower East side, and documentary projects, as well as early daguerreotypes and multimedia installations. The museum’s permanent collection includes more than 200,000 prints and images. ICP is also known for its photography school, from a teen academy to classes for professional photographers, and its library, which contains more than 20,000 books, artist files, and periodicals, open the general public. 

79 Essex St., icp.org

New Museum

The only museum in the city dedicated to contemporary art, the New Museum was founded in 1977 to showcase the work of underrepresented artists. It’s also the home of such initiatives as NEW Inc., an incubator for developing ideas at the intersection of art, technology, and design.

Rather than having a permanent collection, the museum exhibits art from galleries, museums, and collectors around the world. Exhibitions cover everything from large-scale paintings to videos to installations examining the phenomenon of vibration and how different rhythms and frequencies affect group dynamics. A robust program of screenings, artists in conversation, book launches, and more round out the experience. The New Museum also offers a strong selection of programs for younger audiences, including an after-school program focusing on workshops, art making, and discussion.

235 Bowery, newmuseum.org

New Museum Current Exhibition: Wawngechi Mutu: Intertwined

Wangechi Mutu, In Two Canoe, 2022. Bronze, 180 × 68 × 72 in (457.2 × 172.7 × 182.9 cm). Courtesy the artist and Gladstone Gallery. 

First known for her collage-based work that explores themes of camouflage, mutation and transformation, Nairobi-born artist Wangechi Mutu now presents the breadth of her work in her first solo exhibition at the New Museum. It’s the first time the museum has dedicated its entire space to a single artist. (The exhibit takes its name from the artist’s watercolor collage Intertwined from 2003, which displays two human figures with hyena heads and their arms draped around each other.)

The exhibit presents more than 100 works that span the artist’s 25-year career, and encompasses film, collage, drawing, performance, painting and drawing. Mutu’s forms are often fantastical and and bring to mind both myth and folklore, as well as evoking forms in nature.

In Two Canoe, a fountain bronze piece that was recently shown at Storm King, and evokes mythical forest people, takes over the lobby area, while other pieces displayed throughout the museum bring to mind mermaids and sea creatures; historical commentary and lush dreamscapes. Mutu’s work has also been shown recently at The Metropolitan Museum of Art, where she designed a commission for the façade entitled The NewOnes, will free Us.

The exhibit examines connections between the artist’s sculptural work and her exploration of the results of colonialism, globalization, and African and diasporic traditions. Mutu’s vision combines both the otherworldly and the familiar, and in doing so, the exhibit offers viewers a chance to engage with her work—as well as to immerse themselves in it. Through June 4th. 

235 Bowery, 212-219-1222, newmuseum.org

Whitney Museum of American Art

Photograph by Ben Gancsos ©2016.

With more than 25,000 works of art created by more than 3,700 American artists spanning the 20^th and 21^st centuries, the Whitney offers a multi-tiered approach to exploring the works of the collection, dedicated particularly to living artists. It’s well known for the Biennial, the longest running survey of American art, instituted in 1932. Its focus, as the name implies, is a look at art in all media held every two years.

Started by Gertrude Whitney in 1930 (fun fact—she offered her collection of more than 1,500 works of art by living artists to the Met, but they declined) the museum was the first to present a work of a video artist (Nam June Paik); it was also the venue where artists from Cindy Sherman to Jasper Johns were showcased in their first comprehensive museum survey.

While the museum includes work in all media, its strongest holdings are works on paper. It also has particularly fine holdings of artists including Alexander Calder, Brice Marden, and Georgia O’Keeffe.

99 Gansevoort St., whitney.org

Now on View at the Whitney | Josh Kline: Project for a New American Century 

Known for creating immersive installations that incorporate video, design, sculpture, and photography, artist Josh Kline is now receiving the first museum survey of his work in the United States. (His work has previously been displayed in the New Museum triennial, along the High Line, and in several Whitney exhibitions, including the 2019 Whiney Biennial.)

Kline’s work is known for questioning how new technologies change people’s lives in the 21^st century. He’s also known for using the very technologies—including image manipulation, 3-D printing, digitization, and commercial and political advertising, among others—he examines through his art. His most well-known videos utilize early deep-fake software to ponder the meaning of truth in a world where truth is not always at the forefront of politics and culture. Kline also examines how social and political issues ranging from climate change to the weakening of democracy deeply affect the labor force in this country; much of the exhibit is focused on work and class.

Climate change, in fact, is heavily represented in the exhibit, which spans the last decade of the artist’s career, and also includes new installations. New “science fiction” works will speculate on the effects of climate change and the essential workers who will be the ones to deal with the impact.

More than an exhibition, the work offers a warning about the potentially hazardous future humans face—as well as an appeal to take notice, and to take action. Josh Kline: Project for a New American Century will be on view at the Whitney Museum of American Art  through August 13th.

99 Gansevoort St., 212-570-3600, whitney.org

The Frick Collection

Gallery view by Joseph Coscia Jr.

With works of art from the Renaissance through the early 20th century, the Frick is known particularly for its focus on European sculpture and decorative arts, as well as Old Master paintings. While their historical buildings are closed for renovation, a selection of works can be seen at their temporary home on Madison Avenue. It’s a chance to see the works of art in juxtaposition to the structure and design of a Marcel Breuer-designed building, offering a new perspective.

Works on display include those by Goya, Titian, Rembrandt, Whistler, and many others. Not to be missed: the museum’s eight portraits by Van Dyck displayed in one gallery for the first time. Also on display: “The Eveillard Gift,” which showcases works of art on paper by such renowned artists as Degas, Fragonard, Sargent, and Caillebotte.

945 Madison Ave., frick.org

Cooper-Hewitt, Smithsonian Design Museum

Cooper Hewitt, Smithsonian Design Museum, Great Hall. Photo by James Rudnick © 2014 Cooper Hewitt, Smithsonian Design Museum.

The design branch of the Smithsonian Museum, Cooper-Hewitt is the only museum in the United States entirely dedicated to contemporary and historical design. It’s also home to more than 215,000 objects that span more than 30 centuries.

Rotating exhibitions showcase their own collections as well as objects on loan; increasingly, the exhibits also confront contemporary issues, from the role of design during a crisis to the prevalence of facial detection technology.

The collection includes an incredible array of design-centered objects, from miniature silver forks from the 1940s to molded polyurethane chairs that look like spinning tops. Plus 1800s’ bandboxes, used for storing men’s collar bands, to wallpaper for children’s rooms and pre-Columbian textiles. Exhibitions have included “Design and Healing: Creative Responses to Epidemics,” “Face Values: Exploring Artificial Intelligence,” and “Botanical Lessons.”    

2 E. 91st St., cooperhewitt.org

On View Now at the Cooper-Hewitt | Deconstructing Power: W.E.B. Du Bois at the 1900 World’s Fair

Data Visualization, “City and rural population. 1890.”, 1900; Designed by W. E. B. Du Bois (American, 1868–1963) and students of Atlanta University (Atlanta, Georgia, USA); Ink and watercolor on board; 71 × 56 cm (27 15/16 × 22 1/16 in.); Library of Congress Prints and Photographs Division

The exhibit Deconstructing Power: W.E.B. Du Bois at the 1900 World’s Fair at Cooper-Hewitt showcases two facets of the World’s Fair that took place in Paris at the turn of the century.

Decorative arts from Cooper-Hewitt’s own collection are placed in context with 20 data visualizations that W.E.B. Du Bois created for the fair, with the aim of exploring how design can be an agent that both reveals and hides the dynamics of equity and power.

At the World’s Fair, Du Bois and his students from Atlanta University designed 63 hand-drawn diagrams that illustrated the strides Black Americans had taken despite the racism they faced both in the United States and abroad.  Created on presentation cardboard and only meant to be shown in a temporary exhibition, the works, on loan from the Library of Congress, will be rotated during the current exhibit because of their fragility. The “visualizations” include such works as “Land Owned by Negroes in Georgia, U.S.A, 1870-1900,” and “City and Rural Population, 1890.”

In contrast, the works of decorative arts on view include sumptuous pieces by Sevres and Tiffany, among others. In juxtaposition, the works on view explore the fascinating questions of just who and what define a nation—and why.

Deconstructing Power: W.E.B. Du Bois at the 1900 World’s Fair, through May 29th.

New-York Historical Society

The Gallery of Tiffany Lamps shows 100 illuminated examples within a dramatically lit, jewel-like space at the New-York Historical Society.

The city’s first museum explores New York and its inhabitants throughout its collections and programs, which include paintings, sculpture, and artifacts, from the colonial era to the present day. The museum is especially known for its collection of Tiffany lamps, Audubon’s “Birds of America” series, and Hudson River School paintings

The DiMenna Children’s History Museum offers young visors a glimpse into New York’s past though the stories of young city dwellers who lived in New York from the late 17^th to the 20^th century; programs for kids include story time and workshops.

And a meal at Storico, the museum’s well-reviewed Italian restaurant, will be just the thing to cap off an afternoon there.

170 Central Park West, nyhistory.org

On View Now at the NYHS | Kara Walker: Harper’s Pictorial History of the Civil War (Annotated)

Kara Walker (b. 1969). Exodus of Confederates from Atlanta, from the portfolio Harper's Pictorial History of the Civil War (Annotated), 2005. Offset lithograph and screenprint on paper. Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment. © 2005 Kara Walker.

Known for her evocative, silhouette-like images that offer a powerful commentary on race, slavery, and the antebellum South, African American artist Kara Walker will have an exhibit at the New-York Historical Society starting February 24th, 2023.

The exhibit highlights 15 prints that are based on the two-volume anthology Harper’s Pictorial History of the Civil War (Annotated), published in 1866. Walker created the prints by selecting and then enlarging specific illustrations, and then overlaying them with oversize stenciled figures. The result offers a commentary on the omission of African Americans from the Harper’s narrative; the stencils visually interrupt the scenes, offering new versions that call up past narratives left out of Harper’s. In doing so, the images confront viewers with their power and encourage visitors to confront the legacy of stereotypes and caricatures that still linger today.

The use of silhouettes, often viewed as delicate mementoes that recall a souvenir from one’s travels or an imagined, genteel past, are more powerful for their rebuke of this narrative. The exhibit will be given context with additional images, objects, and documents from the museum’s own collection; the exhibit travels from the Smithsonian American Art Museum.

Walker’s work, powerful and haunting, offers both probing commentary and a rich viewing experience that asks viewers to reexamine both the past—and present—in context of the images. Through June 11th.

South Street Seaport Museum

1885 tall ship Wavertree via the South Street Seaport Museum

Not so much a museum as a sprawling, multi-faceted campus, the South Street Seaport Museum encompasses historic sailing vessels, a working 19th-century print shop, a collection of artifacts and works of art, and maritime reference library.

Where to begin? Visit the museum galleries—your first stop should be the introduction gallery, which examines the role of the Seaport and surrounding area in helping New York become the bustling seaport it was at the beginning of the 20^th century.

Another must-see is Millions: Migrants and Millionaires Aboard the Great Liners, 1900-1914. The exhibit examines in depth the disparity between first- and third-class passengers traveling in ocean liners in the beginning of the 20^th century.

And absolutely not to be missed: the 1885 tall ship Wavertree, permanently moored at Pier 16 (Fulton and South Streets), is a highlight. Tours are available every hour and include access to both the main deck and quarter deck. The highlight? The massive cargo area, visible from a viewing platform. It gives a sense of the incredible scope of the ship, as well as its inner workings and intricate design.

The whole immersive experience is a great way to spend a morning; from the moment you enter the complex and see the cobbled streets and the ships and the water, you really feel like you’re steeped in the history and culture of the time. Numerous programs are offered, for both adults and kids—check out the family activity weekends that illustrate life at sea, free with admission, as well as Sea Chanteys and Maritime Music, offered the first Sunday of the month. It features performance of maritime songs by local artists.

Even more of an incentive? A new policy of pay-what-you-wish admission is now in effect, Wednesday-Sunday 11am-5pm.           

12 Fulton St., 212-758-8600, southstreetseaportmuseum.org

Museum of the City of New York

MCNY exterior, Filip Wolak.

The Museum of the City of New York interprets, celebrates, and documents New York—past, present, and future.

Many of the museum’s nearly 750,000 objects make appearances in its special exhibitions, which have focused on topics including “Food in New York;” and “City of Faith,” plus ongoing exhibits like “Starlight,” a hanging light installation, and “Activist New York,” which looks at social activism from the 17^th century right up to today.

The Prints & Photographs collection includes more than 400,000 prints and negatives from the mid 19^th century to the present, including the work of such luminaries as Jacob Riis, who photographed the lower east side in the late nineteenth century. The linchpin of the Prints collection is the J. Clarence Davies Collection of 12,000 views of New York from the 17^th-19^th centuries, starting with the earliest view of New Amsterdam, shown in 1625-26.

The permanent collection also includes architectural drawings, furniture, theater memorabilia, textiles, and more. And if it’s on view, don’t miss the famed Stettheimer Dollhouse, an extraordinary work with details like miniatures by famous artists.

1220 Fifth Ave., mcny.org

On View Now at the Museum of the City of New York: Food in New York

Mary Mattingly, Biosphere, 2015. Courtesy of Mary Mattingly, the Bronx Museum of the Arts, and the Museo Nacional de Bellas Artes de la Habana. 

If there’s one thing New Yorkers love, it’s food. Eating it, discovering it, talking about it, You Tubing about it, writing about it…New Yorkers just really love everything having to do with food. So, Food in New York: Bigger Than the Plate at the Museum of the City of New York will hit the sweet spot for many New Yorkers; it examines the city’s food and food systems, with underlying themes of sustainability and access to food, among others.

The exhibit started at the Victoria and Albert Museum in London and has been adapted to New Yorkers’ eating habits and the city’s food systems. It also examines how artists and designers can help develop solutions to local and global food challenges; more than 20 artists were given the task of coming up with ways to meet these challenges. The exhibit itself challenges viewers to think about the web of connections and processes that are needed and utilized before every restaurant meal, every ice pop from an ice cream truck or every bag of chips from a corner store make their way into your hands—and mouth.

Once in the exhibit, check out Biosphere, by Mary Mattingly (above); it grows native plants in saltwater, right in the museum. Also explore Maira Kalman and Rick Meyerowitz’s Sub Culinary Map, which takes a New York City subway map and illustrates it with food names; and a photo of bodega shelves by Pablo Delano. The exhibit also includes works form the museum’s own collection, such as the recently restored Diorama of the Fly Market, which shows a food market that ran from 1699 the 1800s in the city.

Hungry for more? Here’s a fun activity alert: post your favorite snack, dish, restaurant, or meal with the hashtag #FoodinNYC to be featured in screen in the museum’s gallery. Through September 30th.

Rubin Museum

Focused on the ideas, culture and art of the Himalayas, the subject of their permanent collection galleries, the Rubin Museum introduces visitors to an in-depth look at art from that region. The museum's 10-year Mandala Lab installation, for example, guides viewers through five experiences that encourage participants to embark on an inner journey centered on self-awareness as well as awareness of others. Many exhibits are up for an extended period, such as “Gateway to Himalayan Art” (below), which introduces viewers to forms, meanings, and traditions of Himalayan art in the museum’s collections.

K2 Friday nights feature free admission, plus cocktails music, exhibition tours, and more. Sundays bring free art-making workshops for families.

And plenty of programs are designed to help visitors destress, from mediation to writing exercises. (And who couldn’t use a little of that these days?)

150 W. 17th St., rubinmuseum.org

On View at the Rubin Museum of Art: Death Is Not the End

The Last Judgment; Follower of Hieronymus Bosch, Netherlandish, ca. 1450–1516; late 16th century; oil on panel, 29 7/8 × 37 3/4 in. (75.9 × 95.9 cm); Philadelphia Museum of Art; John G. Johnson Collection; 1917, Cat. 386

The art of Tibetan Buddhism and Christianity are used as a lens through which to examine the ideas of death and the afterlife in “Death Is Not the End,” now open at the Rubin Museum.

The exhibit features oil paintings, bone ornaments, prints, sculptures, ritual objects, and more, for a total of 58 objects spanning 12 centuries. “Death Is not the End” includes works from the museum’s own collection as well as loans from institutions including the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, and The Morgan Library & Museum.

The exhibit is organized around three themes: The Human Condition, a look at a shared understanding of our mortality; States In-Between, the concepts of limbo, purgatory, and bardo (the state of existence between two lives on earth); and (After)life, which examinea resurrection, heaven, and transformation.

Objects from the museum’s own collection include the 19th century Tibetan Wheel of Life painting, which illustrates themes like the inevitability of death and rebirth, and Lords of the Charnel Ground, a painted terracotta sculpture of dancing skeletons.

Taken as a whole, the works of art invite viewers to consider the idea of humans’ longing to exist even after death, and the coming to terms with the finite human lifespan. The exhibit is part of the museum’s yearlong focus on “Life After,” which considers moments of change that take us into the unknown.

The powerful exhibit examines themes that are both uncomfortable and universal, encouraging viewers to deal with ideas that can be both frightening, fascinating, and, most of all, human. Through January 14th, 2024. 

On View at the Rubin: Himalayan Art

Museum Exhibits NYC: Eastern Art, Rubin Museum of Art, Gift of Shelley and Donald Rubin.

Gateway to Himalayan Art introduces visitors to the main forms, concepts, meanings, and traditions of Himalayan art in the Rubin collection. The newest addition here is an interactive space, The Mandala Lab, which is oriented around five immersive experiences, drawing on film, scent, sound, and a sculpture that invites collective breathing. Through June 4th.

Merchant's House Museum

Merchants House Parlor by Denis Vlasov. Photo courtesy Merchant's House Museum.

Nestled among taller buildings in a bustling neighborhood near NYU, the Merchant’s House Museum seems like a visitor from another era—which, in fact, it is. The first building designated as a landmark in Manhattan, the museum is the former home of the Tredwells, the wealthy family that lived there from 1833-1935. With more than 3,000 of the family’s possessions on view, the house includes household goods, decorative items, clothing, books, and furniture, including 12 chairs attributed to Duncan Phyfe, the famous furniture maker.

While clearly a museum, the house also feels lived in, as if a family member might appear at any moment to greet you. You can wander through the building at your own pace (and that pace might be slow, because the staircase is steep).  Enjoy the displays on every floor, and take time to look particularly at the kitchen and the clothing, both of which sport incredible details. In the summer, a beautiful garden out back beckons.

And the museum has been in the public eye for another reason—it’s known as the most haunted building in New York. (Their website even has a section called “Ghosts.”) Strange sounds and sights have been noted in the house since the 1930s, when it opened to the public as a museum. Candlelight ghost tours and a monthly virtual show now capitalize on the phenomenon.

Come for the period details, stay for the paranormal—the museum has it all. 

29 E. 4th St., merchantshouse.org

The Tenement Museum

The Tenement Museum tells the story of the working-class tenement residents who moved to New York from other parts of the United States and other parts of the world; in other words, the immigrants who added to the story of New York. The museum offers visitors a chance to—temporarily—become immersed in the world of these families through their living quarters, from kitchens to hallways. The museum is housed in an actual tenement building—the personal belongs found in the building became the foundation for the museum. Guided tours offer a rich glimpse into the world of these stories seen through time, and the intersection of the themes of identity, architecture, and urban development, among others.

In addition to museum tours, walking tours of the neighborhood are also available, adding to the depth of understanding of the neighborhood.

103 Orchard St., tenement.org

El Museo del Barrio

Showcasing the art of Latino, Caribbean, and Latin American cultures, El Museo del Barrio's collection includes more than 8,000 objects than span 800 years of art; it encompasses works of art from pre-Columbian Taino artifacts to 20^th-century drawings, paintings, sculpture, and documentary films. Many of their programs are bilingual, including the Coqui Club, a bilingual toddler program.

Exhibitions have included “En Foco: The New York Puerto Rican experience 1973-74;” and “Reynier Leyva Novo: Methuselah,” a digital artwork that looks at the migration of a single monarch butterfly. Their permanent collection is divided into six thematic categories, including Urban Experiences; Expanded Graphics; African and Indigenous Heritages; Craft Intersection; Women Artists; and Representing Latinx.

1230 Fifth Ave., elmuseo.org

The Morgan Library & Museum

Once the personal library of financier J. Pierpont Morgan (his son transformed the building and its holdings into a public institution) the Morgan Library & Museum now offers a showcase for both the exquisite building, an Italian Renaissance-style palazzo, as well as its holdings of rare books, including historical manuscripts, early printed books, and some of the earliest forms of writing. Don’t miss the Gutenberg Bible, dating to the mid-15th century.

The museum hosts ongoing special exhibitions, but the not-to-be-missed venue and the heart of the building is the library itself, especially the East Room, also known as Mr. Morgan’s Library. With its three stories of books and a 16^th-century tapestry depicting one of the seven illuminated manuscripts, it’s easy to spend all your time in there, simply gaping at the astounding room. (It’s often been referred to as the most beautiful room in New York.)

The museum now includes a performance hall, reading room and a central court, connecting the buildings--and the people--to the art, as it’s somewhat reminiscent of an Italian piazza.

225 Madison Ave., 212-685-0008, themorgan.org

On View Now at the Morgan Museum | Sublime Ideas: Drawings by Giovanni Battista Piranesi

Giovanni Battista Piranesi, Fantasy of a Magnificent Forum, ca. 1765. Pen and brown ink and wash, 329 x 491 mm. Morgan Library & Museum, New York, inv. 1974.27.

Known primarily for his exquisite etchings, Italian artist Giovanni Battista Piranesi was also an architect, printmaker, designer, archaeologist, and art dealer. Although born in Venice, he resided in Rome, because he couldn’t find any patrons willing to support the “sublimity of his ideas.”

Viewers can now experience that sublimity firsthand in this special exhibition, which focuses on his drawings. The exhibition core is the Morgan’s own stellar collection of his drawings—more than 100 works. These include studies for prints, sketches for numerous decorative pieces, figural drawings, views of Rome and Pompei, and architectural capricci—a kind of architectural fantasy in which buildings and even ruins are placed together in fantastic groupings. The exhibit lets viewers trace the artist’s progression from precise architectural drawings to more imaginative works. Also notable: the way the artist reworked drawings, and how they became the basis for future work.

The exhibit charts Piranesi’s early sketches and drawings and his initial travels to Rome, as well as his return to Venice in the mid-1740s.

Not to be missed: Fantasy of a Magnificent Forum (ca. 1765) a riff on ancient Roman architecture, as well as the almost-five-feet-wide The Proposed Alteration of San Giovanni in Laterano, with Columnar Ambulatory (ca. 1763-64). The latter served as a plan to expand one of Rome’s largest churches and is the artist’s largest architectural drawing.

But the real focus here is on the exquisite detail of the individual works. Piranesi’s painstaking attention to detail, his fantastical ornamentation, his trompe-l’oeil effects—all are incredible in both their scope and minutiae, offering worlds both richly complex and strangely accessible.

The exhibit also encompasses loans from private collections, many rarely seen.

Tours of the exhibition are offered Tuesday-Sunday at 2pm through June 1st. The show is open through June 4th.

Brooklyn Museum

With a strong permanent collection as well as an incredible array of special exhibitions, the Brooklyn Museum is the city’s second largest museum and contains one and a half million works of art. It’s housed in a beaux Art building by the firm of McKim, Mead & White (who also designed part of the Morgan Library). Founded in 1989, it was initially designed be the largest art museum in the world; even if it’s not, it’s still spectacular. The museum is particularly strong in Egyptian and American art; don’t miss the Steinberg Family Sculpture Garden, which features salvaged architectural elements from throughout New York.

Special exhibits are wide-ranging and have included “Climate in Crisis: Environmental Change in the Indigenous Americas,” and “Death to the Living, Long Live Trash.”

Also notable: “The Dinner Party” by Judy Chicago, a massive table set with 39 place settings, each of which represents an important woman from history.

200 Eastern Parkway, brooklynmuseum.org

On View Now at The Brooklyn Museum | Monet to Morisot: The Real and Imagined in European Art

Spring brings with it a wealth of new museum exhibitions—as well as an opportunity to catch up on some you may have missed. Case in point, Monet to Morisot: The Real and Imagined in European Art, on view at The Brooklyn Museum through the end of November.

Featuring approximately 90 early 19^th and 20^th century works from the museum’s own collection, the exhibit focuses on artists born in Europe or its colonies, during an era of enormous changes in society, including artists’ subjects and techniques. During that time, artists moved away from more “traditional” representation to focus more on scenes from everyday life.

Works by Claude Monet, Henri Matisse, Berthe Morisot, Pablo Picasso, Gustave Courbet and more are on view in the exhibition, and visitors are encouraged to consider such questions as: What is real and what is imagined in works that reflect views of gender, class, labor, and other categories? Who produces these frames of reference?

Interestingly, the works are not presented chronologically, which offers an opportunity for viewers to look at them with a fresh eye, and to ponder such as issues as the distinct views of such topics as gender and class that are offered.

These particular works of art have not been on view together for eight years and present an opportunity to think about the stories the works tell, and to make connections both among these works of art themselves as well as other works in the museum’s collection. They force the viewer to re-examine the notion of the traditional European canon that is, itself, both imagined and real.

Aside from their philosophical underpinnings, the works offer a chance to revel in the lush, color-drenched colors of some glorious paintings, to revisit old favorites and perhaps discover some new ones, and to leave with both a sense of wonder—and discovery. Through November 19th.

Queens Museum

Chris Devers/Flickr.

One of the most interesting things about the Queens Museum is where it’s located: on the grounds of the1939-40 and 1964-65 World’s Fairs, in a building that housed the United Nations from 1946-1950 and was also the city’s official pavilion during the two World’s Fairs.

In keeping with their location, it’s not surprising that the museum’s mission is to provide arts and education programming for the people of New York, and specifically, Queens. Their permanent collection includes The Neustadt Collection of Tiffany Glass, on long-term view; it includes floral and geometric lamps as well as landscape and figural windows. Also on long-term view: Their Worlds’ Fair Collection. More than 900 objects are on display in their Visible Storage Unit, from plates to miniature models.

Its centerpiece is the Panorama of the City of New York (above), an incredible mini metropolis complete with each of the 895,000 buildings constructed prior to 1992.

New York City Building, Flushing Meadows, Corona Park, queensmuseum.org

Museum of the Moving Image

The centerpiece of the Living with The Walking Dead exhibition features the costumes of key characters Rick, Morgan, Negan, Carol, Daryl, Maggie, Michonne, Father Gabriel, and Jadis. Image: Thanassi Karageorgiou/Museum of the Moving Image.

The only museum in the country dedicated to all forms of the moving image, the Museum of the Moving Image offers insights into all facets of the medium, from programs of classic films to discussions with luminaries in the world of film and TV.

The museum offers options for everyone from the pop-culture fanatic to the serious student of film history. Exhibits have included a study of The Walking Dead TV show, a retrospective of the work of Japanese documentary filmmaker Noriaki Tsuchimoto, and an interactive exhibit on stop-motion animation.

“Behind the Screen,” the museum’s core exhibit, offers artifacts centered around creating, promoting, and exhibiting TV, movies, and digital media; these include licensed merchandise, fan magazines, costumes, video and computer games, and even movie theater furnishings. Over 1,400 objects are currently on display.

The museum also offers great programs for kids, teens, and families, and have included game labs for teens and an exploration of the work of Jim Henson.

36-01 35 Ave., Astoria, Queens, movingimage.us 

Neue Galerie

Celebrating works of art created in Austria and Germany; the Neue Galerie focuses on important movements of the 20^th century. For the former, there’s an emphasis on the works of Max Beckmann, Ernst Ludwig Kirchner, and Emil Nolde; as well as artists of then Bauhaus; the relationship between the fine and decorative arts in Vienna around 1900 is the focus of the latter.

The museum celebrates its 20^th anniversary with “The Ronald S. Lauder Collection,” featuring approximately 500 works of art from collection of the museum’s founder.

And while you’re there, a visit to Café Sabarsky is highly recommended; if you want to skip the man course and head right to dessert, we won’t tell.

1048 Fifth Ave., neuegalerie.org

Bronx Museum of the Arts

John Ahearn, Scorpio, 2008. Acrylic on plaster, 20 x 20 x 8 inches. Courtesy of Martha Cooper, New York.

A contemporary art museum, the Bronx Museum of the Arts aims to connect its audiences the urban experience through both its permanent collections and special exhibitions as well as its education programming. The exhibits generally revolve around the Bronx itself, with an emphasis on social justice, such as in “Abigail Deville: Bronx Heavens,” which focuses on found materials as a way to connect with real and imagined ancestral histories. Also currently on display is "Swagger and Tenderness: The South Bronx Portraits by John Ahearn and Rigoberto Torres" (above; through April 30th, 2023), with vibrant portraits of South Bronx locals.

The museum's imaginative roster of programming runs the gamut from salsa lessons and a salsa party to family days and conversations with artists. Teen and afterschool programs focus on older students, including Teen Council, a paid internship program.       

An added bonus? Admission is always free.

1040 Grand Concourse, bronxmuseum.org

Museum of Arts and Design

Looking for an afternoon surrounded by intriguing design objects? Get Mad. Or rather MAD—the Museum of Arts and Design, which is filled with innovation in craft art and design. Among MAD's most creative offerings are the Artist Studios. Through the program, visitors can engage with artists working onsite by asking questions and observing their process.

Exhibits include “Queer Maximalism x Machine Dazzle,” the first solo exhibition of Matthew Flower (Machine Dazzle), which displays his creations for theater as well as photography and video. Don’t miss the permanent exhibit “Seeing is Believing” by Judith Schaechter. Commissioned for the museum when it opened in its new building in 2008, two hundred geometric images create a dazzling riff on a medical rose window.

2 Columbus Circle, madmuseum.org

American Folk Art Museum

Focusing on the self-taught artist, the American Folk Art Museum highlights individuals whose artistic experience has been personal rather than the result of formal artistic training. Folk art itself can cover a wide range of objects and interpretations, but is often utilitarian (a quilt, a weathervane), and reflects the life and identity of a community.

The museum’s collection includes more than 8,000 works of art from almost every continent, and ranges from quilts to bookplates to portraits. The airy, light-filled space often hosts a few exhibits at a time, many drawn from their own collections. Because it’s a relatively small space, and the museum generally features only a few exhibits at a time, you can easily see everything in offer in one visit.

The museum is the sole venue for the exhibition “Morris Hirshfield Discovered,” the most extensive assortment of his work ever displayed.

American Folk Art Museum Current Exhibition

Carl Klewicke (1835–1913), Original Design Quilt, Corning, New York c. 1907. Pieced silk, faille, taffeta, and satin, 60 x 72 1/2 in. American Folk Art Museum, New York, Museum purchase, 2012.1.1.

Through 35 quilts and related works of art, What That Quilt Knows About Me explores the personal, emotional power of quilting. See some unexpected life stories through work spanning the 19th through 21st centuries.

2 Lincoln Sq., Columbus Avenue at West 66th Street, folkartmuseum.org

Fotografiska

Billing itself as “a museum experience for the modern work,” Fotografiska offers rotating photography exhibits in immersive spaces. With five floors of exhibit space, the museum showcases its work in a landmark building built in 1894.

Founded in Stockholm in 2010, the museum now boasts six locations around the world, with an eye towards creating impact and change through its exhibits. Photographers whose works have been featured in New York include fashion photographer and music video director David LaChapelle, interdisciplinary artist Kia LaBeija, and three winners of the Leica Women Foto Project Initiative.

A wide array of events, from discussions over dinner to live music and performances, offers visitors a way to explore the exhibits in more depth.

281 Park Avenue S., fotografiska.com

On View Now at Fotografiska: Hip Hop: Conscious, Unconscious

Lisa Leone—Wyclef Jean and Lauryn Hill, East Harlem, New York City, 1993 while shooting Vocab video.

Fotografiska New York is a museum experience for the modern world. A new exhibition here looks at a New York City original creation. Hip Hop: Conscious, Unconscious takes in a massive outpouring of creativity, starting in the Bronx in 1973, and drawing on African, Latino, and Caribbean American contributions. Laid out by chronology and geography, focus areas include the early years, East Coast, West Coast, the South, and the newer wave of artists who have emerged since the mid-aughts. Among interwoven themes, the exhibition highlights the role of women in hip-hop, the “four elements of hip-hop” (rapping, DJing, breakdancing, and graffiti), and several debated “fifth elements” including fashion and beatboxing. Ephemera complements the photography to create a vibrant portrait of a New York City-born culture that went on to sweep the world.

The National September 11 Memorial & Museum

The National September 11 Memorial & Museum is not only a tribute to those who lost their lives in the attacks of 9/11, but an essential visit for tourists and New Yorkers alike.

The Memorial, officially called Reflecting Absence, features two waterfall pools surrounded by bronze walls that list the names of all the victims of both the 9/11 attacks as well as the 1993 World Trade Center bombing. More than 400 swamp white oak trees grow in the plaza in which the memorial is located. It opened on September 11, 2011, 10 years after the attacks.

Each pool, almost an acre in size, sits on the site of the former North and South towers. The waterfalls—the largest manmade falls in North America—drop 30 feet into a basin, and from there, drop another 20 feet into a smaller void. It’s a place meant for reflection and remembering and offers a moving tribute to the victims and the overwhelming sense of loss.

The museum itself focuses on the history of the attacks and the 1993 World Trade Center bombing. Visitors can descend into the original space of the World Trade Center. The Survivors’ Stairs, the staircase that people used to flee the building, lies at the end of the ramp. Memorial Hall and Foundation Hall, located in the space between the original towers, include a slurry wall, which remained after the attacks; it was originally installed in the 1960s to hold back the waters of the Hudson River when the World Trade Center site was first excavated.

Visitors shouldn’t miss the Last Column, the last piece of steel from the original World Trade Center to be removed from Ground Zero. Other exhibits examine the events that led up to the attack as well as the aftermath and the repercussions. Temporary exhibits often address those repercussions as well.  

Properties are generally not considered to be eligible for the National Register of Historic Places until 50 years after they become historically significant. The World Trade Center site became eligible in 2004 after it was declared to be exceptionally significant in light of the impact of the event on the country.

Therein lies not just the significance of the museum and memorial, but the significance of a visit there. It’s an opportunity to pay tribute, to marvel at the resilience of a city and the people who live there, and to see that the past is, indeed, present. 180 Greenwich St., 212-312-8800, 911memorial.org

Museum of Chinese in America

By Kches16414—Own work, CC BY-SA 4.0

The Museum of Chinese in America offers a number of ways to experience and enjoy its collections: through rotating exhibits, by exploring the largest research center of Chinese American artifacts in the country, and through its public and education programs.

Now housed in a Maya Lin-designed building on Centre Street in Chinatown, the museum, which began as the New York Chinatown History Project, promotes the understanding of the Chinese-American experience, and also documents its history. The place to start? With its exhibition With a Single Step: Stories in the Making of America (through December 2023). Examining both the story of Chinese immigration along with personal narratives, the exhibit focuses on the relationship between China and the United States; how Chinese Americans both perceive themselves and have been perceived; and the impact of Chinese Americans on American politics and culture. (Note: a fire in 2020 destroyed a part of its collections; MOCA on the Road was created as a response to that calamity. The initiative involves stopping at several cities across the country and strengthening collection efforts nationally.)

The museum also offers an engrossing assortment of programs, from a Chinese tea tasting to mixers with music and games.

And don’t miss the Journey Wall, also designed by Maya Lin—Chinese Americans can honor and remember family members, a graceful reminder of the links that bind us together, past and present.

215 Centre St., mocanyc.org           

New York Transit Museum

You may already spend more time in the subway than you’d like, but we’re going to suggest one more trip down the subway stairs.

Except this time, you’re won’t be leaving the station.

The New York Transit Museum—naturally—lies down a flight of subway steps in Brooklyn. Founded in 1976, the museum tells the story of mass transportation in the city, from the engineering marvels that designed the subway system to the workers who helped build it.

Housed in an actual 1936 subway station, the museum offers a rotating exhibit of 20 vintage subway and elevated cars that date back to 1907. The best part? Visitors can board the cars, spin their way through a procession of turnstiles (especially popular with kids), and sit at the wheel of a city bus (also popular with the under-12 set). It’s fascinating to trace the evolution of both the subway and latest technology as you explore the various cars.

The museum also offers changing exhibits that focus on the history—and future—of mass transit. These exhibits often include photographs, ephemera, and objects such as fare boxes, parking meters, fire hydrants, and traffic lights. The permanent collection (worth exploring) includes Steel, Stone, and Backbone: Building New York’s Subways, which looks at the construction methods that were needed to build the city’s first subway system at the turn of the 20th century; as well as Moving the Millions, which highlights the subway’s evolution.

This subway ride is worth it; no endless waits on the platform required. 99 Schermerhorn St,, nytransitmuseum.org      

The Museum at Eldridge Street

Photo by Rick Naramore.

Housed in a gorgeous National Historic landmark on the Lower East Side, the Museum at Eldridge Street is actually part of the Eldridge Street Synagogue, opened in 1887.

It’s the first great house of workshop built in America by Jewish immigrants from Eastern Europe, and stands today as a marker of the historical wave of Jewish immigration to the Lower East Side.

1887 saw a time of mass immigration to the United States. Between 1880 and 1924, more than 25 million immigrants, including 2.5 million Jews, came to this country. Amazingly, almost 85% of Jewish immigrant from Eastern Europe immigrated to New York City; about 85% of those in turn settled on the Lower East Side. Previous synagogues had been repurposed from other structures such as event halls or even old churches; the Eldridge Street Synagogue was created from the ground up.

A restoration was competed in 2007, and The Museum at Eldridge Street opened to the public. In 2010, artist Kiki Smith and architect Deborah Gans created an enormous stained-glass window for the space, a must-see when visiting. The building was designed by architects Peter and Francis William Herter, who received numerous commissions on the Lower East Side after the synagogue was erected. The Moorish revival building includes a 70-foot-high dome and barrel-vaulted ceiling, hand-stenciled walls, an intricate interior wooden staircase, stained glass, and brass fixtures.

 Visitors can take tours that focus on American Jewish history, immigration, and the history of the Lower East Side itself. The museum stands as a testament to the neighborhood, the people, and the city, not to mention the soaring architecture and the beauty of the interior, which feels both grand and intimate, much like the city that surrounds it.

Step inside the landmark Eldridge Street Synagogue and step back in time, as you learn about the Jewish immigrants who found religious freedom in their new country, the opulent sacred space they built in 1887, and the 20th-century restoration that saved this decaying masterpiece. You can experience the magic on a docent-led or self-guided tour. 12 Eldridge St., 212-219-0302, eldridgestreet.org

Intrepid Sea, Air & Space Museum

Enterprise photo by Svetlana Jovanovic.

One of the great things about New York’s museums is that there’s pretty much one for every mood, whether you’re feeling introspective or in need of checking out the latest special exhibit. What about when you’re feeling somewhat adventurous? That’s when to visit Intrepid.

The former aircraft carrier was launched in 1943 and fought in World War II—it survived five kamikaze attacks and one torpedo strike. It also served in both the Cold War and the Vietnam War. Decommissioned in 1974, it now stands ass the focus of the Intrepid Sea, Air & Space Museum.

On such a vast ship, where do you start? We suggest at the top, on the flight deck. (Note: great photo ops and great city backdrops.) Seventeen aircraft are housed there, representing all five branches of the U.S. Armed Forces.

Don’t miss the Space Shuttle Pavilion, home to the space shuttle Enterprise; this NASA orbiter prototype led the way to the country’s space shuttle program. You can also explore the nuclear-missile submarine Growler through interactive exhibits, artifacts, and immersive experiences—and then actually experience he submarine itself. It’s the only American guided missile submarine open to the public, and gives visitors a chance to explore everything from the mess hall to the aft torpedo room. (Note: It’s not for the claustrophobic.)

You can also take a guided tour on the British Airways Concorde (the Concorde Alpha Delta G-BOAD, to be exact); it holds the record for the fastest Atlantic crossing by any Concorde, accomplished on February 7th, 1996. It took two hours, 52 minutes, and 59 seconds.

 In addition to the permanent collection, the museum also hosts special exhibits; they’re currently showing Postcards from Earth: Holograms on an Interstellar Journey; it focuses on methods of developing a vehicle that can reach other star systems.

The museum is also a great destination for kids; as if the collection itself weren’t already enticing, frequent science demonstrations, festivals, and activities are also a draw.

And parents—it’s okay to be excited about a demonstration on robotic arms or a Girls in Science & Engineering Day. Adventure is out there, from the top deck on down, and it’s for everyone.

Pier 86, West 46th St. and the Hudson, intrepidmuseum.org

National Museum of the American Indian

National Museum of the American Indian George Gustav Heye Center in New York City. Photo by David Sundberg (2016).

Sitting at the foot of the Wiechquaekeck Trail, an old Algonquin trade route (you might know it better as Broadway), the Smithsonian’s National Museum of the American Indian is where the many nations of America come together in the historic Alexander Hamilton U.S. Custom House. 1 Bowling Green, americanindian.si.edu

The Drawing Center | A Greater Beauty: The Drawings of Kahlil Gibran and
Naudline Pierre: This Is Not All There Is

Kahlil Gibran, The Divine World, 1923. Charcoal, 11x8½ inches (28x21.6cm). Collection of the Gibran Khalil Gibran Museum, courtesy of the Gibran National Committee.

Coinciding with the 100^th anniversary of Kahlil Gibran’s The Prophet, The Drawing Center is showcasing the poet's work with A Greater Beauty: The Drawings of Kahlil Gibran, through September 3rd. The Prophet comprises 26 prose poems on topics ranging from love to freedom, good and evil, religion and death. It was originally published in 1923 and translated into more than 100 languages; it has never been out of print. Gibran’s writing was renowned for breaking with the strict conventions of Arabic poetry and prose; his works incorporated elements of Jungian psychology, Christianity, Buddhism, and Islam—and was a revelation to Arab-speaking populations.

The exhibition will offer a selection of his drawings and sketches, alongside notebooks, correspondence, magazine illustrations, first editions, manuscript pages, and essays. Together, they serve as a window into both his working process and his aesthetic. 

Naudline Pierre, Don't Be Afraid, 2022. Acrylic, ink, and chalk pastel on paper, 15 x 11 inches (38.1 x 27.9 cm).Courtesy of the artist © Naudline Pierre and James Cohan, New York. Photograph by Paul Takeuchi.

Opening at the same time—Naudline Pierre: This Is Not All There Is. Depicting rich, factional worlds from a self-created mythology, the exhibit focuses on layered wash drawings and lush paintings. Pierre, whose father was a Haitian minster, creates works that incorporate religious iconography from altarpieces to ecclesiastical architecture. Winged creatures and fiery beings take form within backgrounds that evoke worlds undersea and, in the heavens, with layers and explosions of color and depth.

The two exhibits form a fascinating counterpart, touching on themes ranging from love to conflict, loss to redemption, fueled by two different world views, but connected by a passion for bringing these ideas to brilliant, exhilarating life.

June 2nd-September 3rd, 35 Wooster St., drawingcenter.org

AKC Museum of the Dog

Dog days: In a city where canines seem to be prancing down every street corner, napping by every outdoor table, and running after Frisbees in every park, it’s no surprise that there’s an entire museum dedicated to them.

The permanent collection at the AKC Museum of the Dog includes a treasure trove of dog-related art and artifacts, from watercolors and prints to bronzes and ceramics. (Some of the world’s s finest porcelain makers, from Royal Doulton to Meissen, are included.) Plus, you’ll find objects like trophies and collars.

Almost all dog breeds are represented here—although may not always be on display—but the museum has especially strong holdings in depictions of German Shepherds, Bulldogs (those two are currently in in the top five most popular dogs in the country), Mastiffs, and Great Danes.

Interactive exhibits are a fun addition here—the core exhibit is “Meet the Breeds,” which allows visitors to focus on specific breeds and learn all about their personalities, jobs, and history. Fun feature: visitors can also find where these breeds are represented in the collection. You can discover which dog breed you resemble (and vice versa) and learn how to train a working dog, then test your skills with a virtual dog onscreen.

Puppy love, indeed.

101 Park Ave., museumofthedog.org

New York City Fire Museum

Engine Co. 246. Manufactured by American La France, “Type 75” 700 GPM motorized pumpers were the principal rigs to replace FDNY’s horse-drawn pumpers. Image courtesy New York City Fire Museum.

Have you ever stopped to look at fire engines as they race down the street? There’s something mesmerizing about the juxtaposition between the sleek, brightly colored machines and their stark life-saving mission. Viewers have a chance to examine in depth the role that these critical machines have played at the New York City Fire Museum in Manhattan.

Now housed in the building that was home to Engine Company No. 30, the New York City Fire Museum opened to the public in the Beaux-Arts building on Spring Street in 1987.

The museum traces the history of firefighting from the bucket brigades of New Amsterdam to modern firefighting techniques. A special tribute is paid to the firefighters who lost their lives on 9/11; artifacts recovered from the World Trade Center site are included in the exhibit. While this section is particularly moving, visitors shouldn’t overlook the historical focus on the evolution of firefighting.

Exhibits include “Firefighting on Parade,” which highlights four apparatuses in parade formation as well as a Steinway hose carriage. Artifacts including a Brooklyn volunteer fire department banner, belts, hats, helmets, and more. Paintings and illustrations demonstrate the role volunteer firefighters played, showing them both socializing and at work in “The Romance of Firefighting.” And fire equipment buffs will be able to dig deep into the transition from steam to motorized equipment in “The Evolution of Fire Apparatus.”

The museum also hosts tours about fire safety education for kids, including a mock apartment with artificial smoke and safety hazards, as well as a discussion about fire hazards. The tour concludes with a visit to the exhibit “The Evolution of Firefighting,” given by a retired New York City firefighter.

The museum is great for fire-equipment buffs as well as people who want a unique perspective on New York City history.  Tip: Don’t miss the chance to hear stories from a retired FDNY firefighter. There’s no better way to connect with history than with stories from someone who has first-hand experience.

278 Spring St., nycfiremuseum.org

Holographic Studios

Part museum, part science lab, and part only-in-New-York, the Holographic Studios offers a fascinating look into the weird and wonderful art and science of holography, a method of generating three-dimensional images.

The world’s oldest gallery of holography offers everything from tours to custom-made holograms to tiny holographic images you can purchase; it’s all nestled in a former blacksmith’s studio. The overall space is small, but packed with so much stuff you’ll easily be able to spend a good part of your afternoon there. (If you’re lucky, your guide will tell you some of the history of the space; simply being in this incredible hidden-away studio is a big part of the overall experience. Make sure to book a tour ahead of time.)

While you’re there, you’ll also see holographic sculptures that look incredibly real; cylindrical holograms with moving images that can be seen from all sides; and holographic art. If you’re offered the chance to reach out and try to touch the hologram in front of you, by all means do it. Some of them look so incredibly lifelike that you’ll be amazed they’re not actually solid and real.

Upstairs you’ll find a small gallery that features examples of holography; downstairs you’ll enter the underground laser laboratory; you’ll feel like you’re entering a mad scientist’s lair, in the best possible way. Spend some time upstairs first, though, where you’ll see celebrity portraits, including those of Andy Warhol, Isaac Asimov, Bill Clinton, and Phyllis Diller.

Once you’re downstairs, you’ll find yourself in what looks like someone’s incredibly cool home lab; here’s where you’ll get to see how holographs are made.

The studio also offers classes and custom-made holograms. And you’ve probably gathered this already, but this is a fabulous place to take kids.

A former blacksmith’s studio where art and science mesh to create 3-D images, tucked away in Manhattan? This is New York.

240 E. 26th St., 212-686-9397, holographer.com

Skyscraper Museum

New York is known for its skyline and towering skyscrapers. So it’s only fitting that the city should have its own Skyscraper Museum.

Celebrating the city’s architectural legacy and the forces that shaped the progression of its various skylines, the museum examines New York’s buildings in all their incarnations: monuments of design; places of work and living; even as real estate investments and sites of construction.

Visitors can explore the city through such exhibits as Residential Rising: Lower Manhattan Since 9/11, which examines the growth of skyscrapers since 9/11, especially at the southern tip of the island. The exhibit looks at such phenomena as “starchitects”—internationally renowned architects who contributed to the new developments; as well as the new growth in the first decade after the attacks.

Don’t miss the permanent exhibit: it features a 36 ft.-long mural depicting the evolution of the skyscraper, from the pyramids to the present. Along the way, visitors can ponder such questions as: why do we want to build such tall buildings? And how did technological and engineering feats support that interest? A fun addition is the section that shows all the buildings that at one time held the title “world’s tallest building.”

The museum also hosts a full roster of programs, including some great ones for families, focusing on such topics as engineering and urbanism, demonstrated through hands-on activities.

And note that the museum itself is located not far from some of the city’s newest skyscrapers—so take advantage to see in person what the museum features—living history in the form of a constantly changing skyline is, after all, the inspiration for what you see on those museum walls.

39 Battery Pl., skyscraper.org

National Museum of Mathematics

Do you remember doing math in school? Numbers and formulas on the page, often seeming to represent nothing more than…numbers and formulas on a page.

But the National Museum of Mathematics’ may well change your perception of math.

The role of the museum, in fact, is to bring math alive—literally, as it demonstrates ways that math is, in fact all around us. The exhibits are interactive and experiential; Coaster Rollers, for example, lets visitors roll over a pit of “acorns”—but the ride is smooth thanks to their constant diameter.

Patterns take center stage in several exhibits, including “Pattern Mesh,” which demonstrates how rolling one pattern over another creates new designs (think high-tech kaleidoscope); and “Pattern Pants,” which uses computer technology so visitors can “dress” themselves in symmetrical patterns.

Want to make your free throw more accurate? “Hoop Curves” shows how statistics, and a robotic basketball shooter, can help. And formulas leap from the page to the screen to create three-dimensional surfaces in “Formula Morph.”

Everywhere you look in the museum, you’ll see things to ride, draw, program, build, design and create. Build a cool structure in The Structure Studio; fit shapes together on different curved surfaces to observe the differences (“Shapes of Space”); observe wave phenomena and algorithms on “Dynamic Wall,” a moving computer-controlled wall. (Note: Plenty of adults partake in the fun; in fact, you’ll see people of all ages deeply absorbed in the exhibits. It’s not just for kids.) It’s a terrific way to make math meaningful and alive, and to illustrate its dominance all around us.

And everywhere you look, you’ll also see math in motion, showcasing its importance in the world around us—a world, in fact, that wouldn’t exist without math.

11 E. 26^th St., 212-542-0566, momath.org

The Museum of Jewish Heritage–A Living Memorial to the Holocaust

The Museum of Jewish Heritage–A Living Memorial to the Holocaust is New York’s contribution to the global responsibility to never forget. The third largest Holocaust museum in the world, the museum anchors the southernmost tip of Manhattan and completes the cultural and educational landscape it shares with the Statue of Liberty and Ellis Island. 36 Battery Pl., mjhnyc.org

The Museum at FIT

Billing itself as “the most fashionable museum in New York City,” the Museum at FIT has more than 50,000 pieces of clothing and accessories dating from the 18th century to the present in its permanent collection; the museum focuses especially on current avant-garde looks. One of the few museums to focus exclusively on fashion, The Museum at FIT was founded in 1969 and moved to its current location on West 27th Street in 1974. The museum is known particularly for its special exhibitions, which have included Gothic: Dark Glamour, the first exhibit dedicated to the gothic style of dress (2009) and the more recent Dior + Balenciaga: The Kings of Couture and Their Legacies (it closed this past fall), which examined two of the world’s most influential couturiers.

The museum itself encompasses three galleries: the lower level, dedicated to special exhibitions; The Fashion and Textile History Gallery, which offers rotating exhibits (it changes every six months) from the museum’s permanent collection; and Gallery FIT, which showcases student and faculty exhibitions.

Not to miss: Fresh, Fly, and Fabulous: Fifty Years of Hip Hop Style, focusing on hip hop styles and influence, from its beginnings in New York to its reach across the world.

Whether you have a passion for fashion or are more interested in the role fashion has played—and continues to play—in the cultural landscape, the Museum at FIT offers a way to enjoy and experience both.

227 W. 27th St., fitnyc.ed

Poster House

Whether you grew up in the suburbs or a city, liked soft rock or heavy metal, wanted to be a teacher or an artist, you probably had a poster on your wall. Therein lies the appeal of Poster House: pretty much everybody, at one time or another, has owned a poster.

The first poster museum in the United States, Poster House explores the impact that posters have had on society and culture, examining them as both historical documents and graphic communication. Used in just about every corner of society, from advertising to public awareness, posters also impact just about everyone at every age.

The museum opened in 2019, looking to fill a niche in accessible design. They now have a permanent collection, rotating special exhibitions, and ongoing events, from lectures to hands-on workshops for kids.

Poster House offers the opportunity to explore the use of posters in the context of a museum setting and in juxtaposition to other posters. It offers audiences the chance to explore how vast the impact of this medium has been—and continues to be.

And if you still feel that a wall isn’t complete without a poster hanging on it, never fear: the shop offers a wide range of products—including, of course, posters.

119 W. 23^rd St., posterhouse.org

Brooklyn Children’s Museum

TapeScape at the Brooklyn Children's Museum/Instagram

Did you know that the Brooklyn Children’s Museum was the world’s first children’s museum? Not the city’s or the country’s—the world’s; it’s New York’s largest cultural institution just for families.

The museum’s focus ranges from natural science to world cultures, with a strong emphasis on interactivity, as well as on Brooklyn itself. Some of what you should check out: The youngest visitors (Infants-age 6) can indulge in “Totally Tots,” which encompasses nine sensory play area, including sand, water, music, dress-up, and blocks. “Neighborhood Nature” uses the community cork garden, as well as the museum’s own diorama habitats and other parts of the collections.

One of the most fun and innovative areas is “World Brooklyn,” where kids can play in scaled-down shops based on real ones found in neighborhoods across Brooklyn. In addition to “shopping,” kids can pretend to be bakers, grocers, designers, and more, giving them a sense of the different roles found in a community.

Not to be Missed: The Nest, an outdoor installation located on the museum’s rooftop space. The interactive playscape (kids--and adults—can climb and explore the installation) was inspired by Baya Weaver birds’ nests (You can find actual examples in the museum’s collection.) The Nest is made from reclaimed NYC water tower cedar that includes an exterior to climb on as well as a hammock area and open space.

One of our favorites isn’t strictly an exhibit: It’s the People Tube, designed to take families to the lower level. But with its dazzling neon lights, it’s also the tunnel on a spaceship, the walkway of a castle in the sky, an escape hatch from a villain’s lair. (Actual interpretations from actual children.)

The museum also offers a wide range of programs for families, from holiday celebrations to hands-on activities.

At the Brooklyn Children’s Museum, nothing is hands-off, which means “don’t touch” is not in the vocabulary here—but using your imagination definitely is.

145 Brooklyn Ave., 718-735-4400, brooklynkids.org

Dyckman Farmhouse Museum

Image courtesy Dyckman Farmhouse Museum.

The juxtaposition of old and new is one of the most fascinating aspects of New York, the new construction and the old brownstones; the gleaming new buildings and the evocative old monuments. At the corner of 204^th Street and Broadway sits just such a part of the city’s history: The Dyckman Farmhouse. (Passing it on a bus or in a car is always a surreal experience, as you think you’ve been temporarily transported back in time.)

Built on the site around 1784, the Dutch Colonial Farmhouse was home to the Dyckman family for almost a century. Opened to the public in 1916, it now includes a half-acre park for the public to enjoy.

Members of the family bought the property in 1915 to protect it against encroaching development. A major restoration project was undertaken to restore the house to its earliest appearance, with objects that both belonged to the family as well as those that were given by others. (The rooms may present a slightly romanticized version of what a working farmhouse might have contained, but there’s no doubt it’s still fascinating.)

The house now includes the surrounding half-acre (the original acreage of the farm was much larger). And don’t miss what’s within the grounds: visitors can find a small reproduction smokehouse and a Hessian Hut—during the 1900s, the remains of more than 60 huts used as shelter by British and Hessian soldiers during the Revolution were found. Also uncovered: the chimney, walls, and floor of a hut, which were reconstructed as a full hut.

Perhaps the best thing about the house is its very presence: it’s a living reminder of the city’s past, and how the old and the new interact—and co-exist.

4881 Broadway, W. 204th St., 212-304-9422, dyckmanfarmhouse.org

Spyscape

If you’ve ever wanted to be a spy (and let’s face it, who hasn’t?), this one’s for you: Spyscape offers a mix of cool interactive experiences and background info on the real world of spies.

Try your hand (or, more accurately, your feet) at escaping a crisscrossed network of light beams. Test your detecting skills in the new Batman experience—with some help from other iconic DC characters. Will the evil empire take over? Not with your skill and derring do.

Visitors can also learn about encryption by discovering the real cryptologists who helped crack the German Enigma Machine (a kind of cipher) during World War II. Don’t miss the actual code books and code-breaking devices.

In “Deception,” you’ll encounter the FBI agent who sold secrets to the Russians for more than 20 years, and encounter state-of-the-art lie-detection machines.

Other areas include “Surveillance,” which shows how corporations and governments use data surveillance (extremely sobering, to say the least) and information on how female journalists were able to free 2,000 slaves using their spy know-how.

Don’t miss “Hacking,” which explains a teen was able to break into the CIA; or “Cyber -Warfare,” which examines such real-world issues as Phishing.

And if you’ve ever pictured yourself accompanying James Bond on one of his missions—or just enjoy the movies—“Special Ops” introduces you to the original Q, who inspired the suave spy.

Don’t bypass the interactive experiences, especially if you have kids with you: the challenges were designed by a former Head of Training at MI6.

And if you’re looking for bragging rights about how well you did—as you should—make sure to get your profile after you complete all the challenges, which put your skills to the test.

Because who knows? One day that talent for code breaking may come in handy. Don’t you want to be ready?

928 Eighth Ave., spyscape.com

The Museum of Broadway

Photo: Monique Carboni.

The interactive, experiential Museum of Broadway near Times Square leads guests on a journey through a visual history of Broadway, highlighting groundbreaking moments by showcasing spectacular costumes, props, renderings, rare photos, videos, and more. Along the way, visitors get the stories of some of the pivotal shows that transformed the landscape of Broadway. Exhibits and immersive experiences feature The Phantom of the Opera, The Lion King, HAIR, The Ziegfeld Follies, Show Boat, Oklahoma!, The Wiz, and Rent, among many more. Overall, the museum highlights more than 500 individual productions from the 1700s through the present. 145 W. 45th St., themuseumofbroadway.com

Jackie Robinson Museum

The Jackie Robinson Museum (JRM is more than a museum about a baseball star. Yes, it focuses on Robinson’s incredible achievements in helping to bring an end to racial segregation in professional baseball, and to his incredible achievements on the field, becoming the first Black athlete to join Major League Baseball.

But it’s also about how the impact of one person can lead others to examine and strive to change pressing social concerns. The museum looks at Robinson’s life and achievements against the backdrop of history in this country.

The main gallery considers Robinson’s life and legacy, starting with his birth in 1919 and using videos, artifacts, and interactive experiences to demonstrate both his prowess as an athlete as well as his commitment to social change through activism and civil engagement.

Don’t miss the Story Towers, which use artifacts to highlight different parts of his life, as well as the case that displays player contracts, letters, and photographs that tie into his role with the Brooklyn Dodgers and manager Brach Rickey.

Especially poignant is "Crossing the Color Line,” a media installation that captures the racial environment beyond the baseball field.

And fans will especially enjoy ”The Dugout,” featuring the first Rookie of the Year Plaque ever awarded, as well as actual fan letters to Robinson. Robinson’s legacy can be seen as well in the display on his impact on popular culture, featuring comic books, magazine covers, movie posters, and more, from 1947 to today.

The museum also offers lectures, public and school programs, and more ways in which to engage the public.

And if there’s still any doubt as to his impact, Jackie Robinson Day, which commemorates the day that Robinson made his major league debut, takes place this year on April 15th—so get out that Number 42 jersey.

One Hudson Square Building; 75 Varick St., 866-454-3772, jackierobinsonmuseum.org

MoMA PS1

MoMA PS1 long-term installation Meeting by James Turrell. 1980–86/2016. Light and space. The Museum of Modern Art, New York. Gift of Mark and Lauren Booth in honor of the 40th anniversary of MoMA PS1. Photo: Pablo Enriquez.

MoMA PS1, the  “younger sibling” of MoMA (the Museum of Modern Art), offers a deep dive into the ways creativity can inspire and enable artists. Its focus is artist-centered, and offers audiences new ways to experience and engage with new works of art.

The museum also offers a strong roster of artist talks, screenings, workshops, and performances that complement the exhibits and expand on the goal of bringing to life artists’ visions.

22-25 Jackson Ave., Long Island City, momaps1.org

Now on View at MoMA PS1: Daniel Lind-Ramos, El Viejo Griot—Una historia de todos nosotros

Daniel Lind-Ramos. El Viejo Griot (The Elder Storyteller) (detail). 2022–2023. Photo by Steven Paneccasio.

Puerto Rican artist Daniel Lind-Ramos uses found objects as well as those that were given to him to create video installations as well as enormous sculptures. Inspired by his birthplace of Loiza, Puerto Rico, Lind-Ramos draws on his hometown’s culture, especially that surrounding fishing, cooking, and agriculture (as well as masquerade). Themes related to the pandemic, Hurricane Maria (2017), and the toll the environment has taken are also explored.

The title of the exhibition, which translates to “The Elder Storyteller—A Story of All of Us,” is taken from a character in the town’s annual Fiestas de Santiago Apostol, which is responsible for interpreting the town’s past and present.

Many of the works directly refer to elements of the storm—such as wind and lightning—but also reference how communities worked together after it had passed.

The works on view are often multidimensional and tactile, incorporating different materials, shapes, and colors. They represent the largest exhibition to date of the artist’s work, combining objects spanning the personal, communal, and regional, used for decoration as well as work. These vibrant offerings include more than 10 large-scale works, including some never shown, and some made within the last year; they incorporate both manmade and organic materials. Two video works are also included in the exhibition.

Linger at the work that greets visitors as they enter the exhibit: El Viejo Griot (2022-23). The bow and oars of a small boat sail towards the viewer, over a sea made of FEMA tarps. It’s both intimate and global in its meaning; powerful and strangely familiar all at once. The sacks bear important dates, from 1511 for the Taino Rebellion against the Spanish to 1797 for the Battle of San Juan. Conga drums, buckets, and even a bugle are aboard the vessel; the mix of the regal and the more whimsical is striking in both its simplicity and universality—much like the exhibit itself. Through Sept. 4th.

The Noguchi Museum

Billie Grace Ward/Flickr

Known for his large-scale works incorporating materials from bronze to stainless steel to marble, Isamu Noguchi is also recognized for being the first living artist to establish a museum that showcased his own work. While often known for his sculpture, the artist also created furniture, landscapes, and even set designs. His travels around the world introduced him to forms and materials from countries including Mexico and China, all of which he incorporated into his work. Unlike many artists, Noguchi has not been associated with one particular school or movement, which imbues his works with a sense of both freedom and mystery.

Housed in a repurposed 1920s industrial building across the street from what was the artist’s studio, The Noguchi Museum holds the largest collection of Noguchi’s works in the world. In keeping with the artist’s philosophy about art being experiential, one notable feature of the installations is that the works are often shown with no physical barriers—and no written interpretation. The goal? To allow visitors to create their own interpretation and connection with the art.

The permanent installations were installed by Noguchi himself; the museum also offers rotating temporary exhibits that explore various theme in the artist’s work. These exhibits often include not just sculpture, but also models, drawings, and even some of Noguchi’s personal possessions. Currently on view through September: Noguchi Subscapes, which focuses on the artist’s interest in the hidden and unseen through the display of approximately 40 works of art, mostly drawn from the museum’s collection.

In nice weather, visitors shouldn’t miss the outdoor sculpture garden, both an oasis as well as a further opportunity to interact with the works of art. The garden, like the other installations, offers visitors the chance to both observe and interact, with the experience creating an added layer of richness to the visit.

9-01 33rd Rd., Queens, NY, noguchi.org

Old Stone House of Brooklyn

A reconstruction of the 1699 Vechte-Cortelyou House, which was destroyed by fire in 1897, the Old Stone House in Brooklyn marks the spot where the original Dutch farmstead was located—as well as the birthplace of the Brooklyn Dodgers. (The reconstruction used stones taken from the building site and incorporated Dutch elements such as iron numbers in the eaves that reference the year the year the house was originally built, 1699.) Today it’s listed on the National Register of Historic Places and serves as the conservancy organization for the park.

Note the Maryland flag that flies to commemorate the attacks the Maryland troops made on more than 2,000 British troops during the Revolutionary War. The site includes a permanent exhibition that explores, among other topics, the Lenape, Dutch colonization, and the Battle of Brooklyn—the first military engagement following the adoption of the Declaration of Independence in 1776. The museum also hosts a robust array of special exhibits, including, most recently, one on contemporary textiles.

The Old Stone House also serves as a community organization, offering readings, performances, concerts, and gardening and environmental workshops. Warmer weather brings a farmer’s market and CSA (community-supported Agriculture program, as well as the use of its outdoor garden space.

Situated at the center of Washington Park/JJ Byrne Playground in Park Slope, the site is also committed to developing and supporting programming that enhances the site.

And what about those Brooklyn Dodgers? The Old Stone House was the original clubhouse of the team (the team had numerous names, including Superbas—yes, really) that would become the Brooklyn Dodgers. The Old Stone House sits on the site of the original Washington Park, and across the street from the second Washington Park; they’re two of the oldest professional baseball stadiums in New York. Fun fact: baseball fans can still catch a glimpse of the left-center field wall from the second Washington Park on Third Avenue between First and Second Streets.

336 Third St., Brooklyn, NY, theoldstonehouse.org

The City Reliquary

With a focus on New York City artifacts, the quirky City Reliquary aims to connect visitors to the city’s present—and past.

The museum started as a window display in the home of City Reliquary’s founder in 2002; it included Statue of Liberty figurines as well as a set of dentures found in Dead Horse Bay; viewers could listen to a recording that guided them through the display.

Four years later, the museum moved to a permanent home just a few blocks away, complete with a ribbon cutting by the Brooklyn Borough president.

Today, The City Reliquary offers both a permanent collection and rotating exhibits that showcase both city stories and community collections. The former includes fascinating bits of New York history, from fragments of landmark buildings to subway tokens and paint samples from the L train platform. The rotating exhibits have included one on the evolution of Wonder Woman in context with the women who both contributed to her evolution and were also instrumental in breaking down barriers for women in the city (Wonder Women: NYC’s Heroes of Heterodoxy).

The community collections give New York collectors a chance to showcase their holdings, whatever they may be. Displays have included everything (and we do mean everything) from objects that share a name with their collection (Glen Eden) to artifacts that represent daily life in the city.    

The museum also offers a series of events that include “Bike Fetish Day” and “Collector’s Night,” as well as screenings, contests, and festivals.

Quirky, eccentric, and wide-ranging, the exhibits at the City Reliquary offer an up-close-and-personal look at the small details and carefully selected mementoes that reveal the people and passions that make up the city—one Statue of Liberty figurine at a time.

370 Metropolitan Ave., cityreliquary.org

City Island Nautical Museum

Image: City Island Nautical Museum.

When the weather warms up, thoughts turn to the outdoors, the water, the smell of the breeze over the ocean. A perfect time to visit the City Island Nautical Museum, which opens up again for the season in May. Accessible only by a small bridge leading into City Island, the whole area will make feel like you’ve left the city behind and somehow entered a small New England fishing village.

The museum itself focuses on City’s Island’s nautical past and its ties to the sea. Its boat-building history exhibit, for instance, explores the island’s heritage as a major center for wooden boatbuilding at the turn of the 20^th century. Told through photographs, the exhibit shows the boatbuilding yards and the craftsmen, the intricate construction, and the boats that were built. Military vessels and the 12-meter sloops that defended the America’s Cup are also highlighted. (Fun Fact: all the winning boats until the 1980s were built on City Island.)

The Nautical Room showcases tools, boats, and parts of boats to further illuminate the heyday of boatbuilding and City Island’s role in it.

Other items on view include ship sails, model boats, America’s Cup memorabilia, and an archive of ocean-related books and periodicals. Visitors also learn some local history about topics as varied as residents who fought in WWII, maps of the island, and an FDNY display.

The museum is housed in a historical building that was the island’s elementary school in the late 1800s (the museum also has info on the school); and before that, was a site that once held a Revolutionary War graveyard. The building is on the National Register of Historic Places and is also a New York City landmark. It has the charming feel of a small-town museum, an integral part of the experience.

Tip: while you’re on City Island, spend some time just walking around enjoying the New England vibe, including the seafood restaurants overlooking the water and the small shops. There’s no better way to understand the history of a place than by exploring its past—and then living in its present.

190 Fordham St., Bronx, NY 10464, 718-885-0008, cityislandmuseum.org      

National Lighthouse Museum

Image: National Lighthouse Museum.

Located on the grounds of the former U.S, Lighthouse Service Super Depot, the National Lighthouse Museum celebrates lighthouses and their history. It’s a boon for anyone who loves lighthouses (and who doesn’t love a lighthouse?) and a chance to understand the role they’ve played throughout history. The site was chosen for the establishment of the museum because of its historical significance as well as its role in one of the busiest harbors in the country. The site itself has a fascinating history—before the building of the processing center on Ellis Island for immigrants entering this country, the New York Marine Hospital served as a place where people could be quarantined to prevent the spread of infectious diseases. Later, the site became the Staten Island Lighthouse Depot, a major storage, maintenance, supply, and manufacturing center. 

Visitors can wander through the museum on their own; permanent exhibits include Wall of Lights, which consists of more than 180 lighthouse models from 29 states; it’s the first thing visitors see as they enter the building.

The Lighthouse Timeline traces the world history of lighthouses, from the Pharos Light in Alexandria, Egypt (280 BCE) to the founding of the National Lighthouse Museum in 2015.

Other permanent exhibits include US Lighthouse Service Depot History, an interpretation of the site on which the museum stands; and Illuminants and Optics, focusing on the different light sources used in light houses, from candles to the Fresnel lens, which concentrates light into a narrow beam.

Exhibition panels rotate information on lighthouse-related topics, including lighthouse architecture and lighthouses in popular culture.

But you’re not limited to only exploring the interior. The museum, which is open seasonally, runs boat tours with the museum’s historian, as well as an annual lighthouse weekend in August, a festival in September, and group tours by appointment.

Seeing lighthouses just feels like a vacation; with warmer weather afoot, there’s no better time to indulge in a mini one.

200 The Promenade at Lighthouse Point, Staten Island, NY , 718-390-0040, lighthousemuseum.org

Bartow-Pell Mansion Museum

Francisco Daum/Flickr

One of New York’s great joys is discovering the small, the hidden, the path less trodden. Add to that list the Bartow-Pell Mansion Museum, a historic house museum in the Bronx.

Formerly a mansion owned by Robert Bartow—a descendant of Thomas Pell, who originally purchased the land on which the mansion stands—the building became a museum in 1946. It now includes the house and grounds, encompassing a formal terrace; herb and perennial gardens; a fountain; a Children’s Organic Garden; a family memorial plot; and an 1840s stone carriage house. All are owned by the City of New York, and the mansion is a national and New York City landmark. It’s also the last mid-19th century country-estate home in the Pelham Bay area.

Located in Pelham Bay Park (which is more than three times the size of Central Park), the elegant house boasts a late Federal-style facade and Greek Revival period rooms. You can explore the exquisitely furnished interiors and stroll the gardens; you’ll feel like you’ve time travelled, or perhaps stepped into the pages of a particularly vivid 19th century novel. Fun fact: Mayor Fiorella LaGuardia used the mansion as a summer office in the 1930s.

Be sure to look at the details: the game table, the pocket doors, and the desk of Aaron Burr, who married Theodosia, a distant Bartow relative.

Our favorite: the Orangerie—the sun-filled room with huge windows, an unusual feature in an American home.

Ongoing events make the experience here even more memorable, from seasonal Candlelight Tree Tours in the evenings during the holiday season, to concerts, tea parties, arts and crafts, lectures, and more.

No need to time travel or even actually travel—you can be the inhabitant of a 19th century mansion only a subway ride away—if only for an afternoon.

895 Shore Rd., The Bronx, bartowpellmansionmuseum.org

Nicholas Roerich Museum

Russian-born artist Nicholas Roerich (1874-1947) explored the subjects of myth, nature, and the spiritual strivings of humanity around the world. While his name may not be familiar to many people, he was a prolific painter whose works now hang in collections around the globe. Out of his literally thousands of paintings, 200 are on permanent display in the Nicholas Roerich Museum in New York City, along with many archival materials. His works can also be found in other museums around the world, including several that also bear his name.

Roerich’s work, which has an almost folkloric quality, takes its inspiration from sources as varied as the Bible and mythology from around the world, as well as history and literature. Many of his works focus on Russia—he was especially interested in Russia’s long-ago past—and central Asia, and span almost 30 years, from 1900-1928. His works on nature focus largely on the Himalayas.

The museum also holds a large collection of the artist’s pencil drawings, ranging from images for stage productions (he was a designer for Diaghilev’s famed Ballet Russes) to site-specific drawings, from Arizona to the Himalayas. He was heavily influenced by Russian symbolism, which was spiritual in nature; his work incorporates dreamlike imagery and an often-hypnotic feel.

Roerich was nominated several times for the Nobel Peace Prize, for his emphasis on preserving art and architecture during war; he was also well-known for his architectural studies.

The artist and family settled in New York City in the late 1920s; the museum is in a brownstone on Manhattan’s Upper West Side. (It was previously located in his former home a few blocks down.) Like so much else in New York, part of the enjoyment of visiting the museum is not just the art, but finding it tucked away in its out-of-the way locale.

319 W. 107^th St., 212-864-7752, roerich.org

A Major Ruscha Event at MoMA in Fall, 2023

Ed Ruscha. Standard Station, Ten-Cent Western Being Torn in Half. 1964. Oil on canvas, 65 × 121 1/2” (165.1 × 308.6 cm). Private Collection, Fort Worth. © Edward Ruscha, photo © Evie Marie Bishop, courtesy of the Modern Art Museum of Fort Worth.

The Museum of Modern Art has announced ED RUSCHA / NOW THEN, the most comprehensive presentation of the artist’s work, and his first solo exhibition at MoMA, will be coming next year. The show will run from September 10th, 2023, through January 6th, 2024. Spanning 65 years, the exhibition will feature over 250 works, produced from 1958 to the present, in mediums including painting, drawing, prints, film, photography, artist’s books, and installation.

Poe Cottage: Edgar & Virginia Poe Death Exhibit

Built in 1812, the Poe Cottage in the Bronx is the final home of the famed writer Edgar Allan Poe. Poe rented the cottage for $100 a year starting in 1846; it’s now listed on the National Register of Historic Places,

Poe moved there with his wife Virginia to help curb her tuberculosis. (Sadly, she died about a year after they moved into the cottage.) While living there, Poe wrote The Cask of Amontillado, Annabel Lee, and other short stories and poems.

The last remaining structure from the 19th century village of Fordham, the house was restored with furnishings appropriate to the 1840s, including a desk, rope bed, and wicker rocking chair that may have belonged to the family, displayed in rooms including a parlor, bedchamber, and kitchen. The cottage was moved to its current location across the street in Poe Park in 1913.

Visitors can learn more about Poe and his wife in the recently opened Edgar & Virginia Poe Death Exhibit, on view through September 2023. The exhibit, which traveled from Poe Baltimore at Westminster Hall, includes an interactive art installation, a recreation of Poe’s funeral, and explanations of the conspiracies that dogged his legacy. It also offers a look at how Poe’s clothing may offer clues to his death, a few years after his wife passed away in 1847. The exhibit also includes information on Virginia Poe, and how her influence helped shape Poe’s writing, even after she died.

In keeping with Poe’s gothic and often morbid aesthetic, visitors can also gaze at mourning jewelry and art made from human hair. A mobile app and a guide are included to answer your (probably many) questions.

640 Grand Concourse, the Bronx, bronxhistoricalcottage.org

Staten Island Museum: Vulnerable Landscapes

Focusing on Staten Island’s vulnerability in the face of climate change, Vulnerable Landscapes showcases the challenges faced by an island in the heart of a large city, focusing especially on its shoreline. Staten Island faces unusual exposures due to its geography, a fact examined in the exhibit.

The exhibit looks at the people fighting for climate justice and encouraging a stronger connection to where we live. It also examines the relationship between the natural world and the constructed environment, looking at that theme through a combination of contemporary works of art, archival materials from the museum’s own collection, and an examination of the scientific undertakings to combat the effects of climate change.

What’s in the exhibit? Look for Spectators of Watch Oak, a film combining history, mythology, and nature with a particular focus on the salt meadows and beaches of northwestern Staten Island; the narration is taken from Staten Island Museum founder William T. Davis.

Also included: the photographic work of the museum’s 2022-23 artists-in-residence, members of HERshot, a girls’ photography collective that inspires participants to share stories that inspire their communities, and Shifting Sands, an immersive virtual-reality experience that lets visitors experience firsthand some of the island’s most vulnerable landscapes.

Don’t forget Living Breakwaters: SCAPE, which uses videos and miniature models to promote a vision of a climate-adaptive green infrastructure.

The combination of these installations presents a multi-layered view of an area at risk— but not defeated. It’s a good way to learn about the borough, as well as the challenges it faces. And just to make sure visitors take the point to heart, the exhibit opens on Earth Day (Saturday, April 22nd).

1000 Richmond Terrace, Staten Island, 718-727-1135, statenislandmuseum.org

Museum Exhibits NYC: Library

A lock of Edgar Allan Poe’s hair, Thomas Jefferson’s handwritten copy of the Declaration of Independence, Malcolm X’s briefcase, the real-life Winnie-the-Pooh: the New York Public Library holds a lot more than books. For the first time ever you can explore a selection of the 56 million items in the collection with the opening of the Polonsky Exhibition of The New York Public Library’s Treasures. Ongoing.

Here are our picks for interactive museums in New York, including pop ups.

You can find more things to do in NYC here.